Volume 7 of the Cather Studies series explores Willa Cather’s iconic status and its problems within popular and literary culture. Not only are Cather’s own life and work subject to enshrinement, but as a writer, she herself often returned to the motifs of canonization and to the complex relationship between the onlooker and the idealized object. Through textual study of her published novels and her behind-the-scenes campaign and publicity writing in service of her novels, the reader comes to understand the extent to which, despite her legendary claims and commitment to privacy, Willa Cather helped to orchestrate her own iconic status.
Willa Cather's novels were neglected after her death, but a new generation of readers has greeted her work with enthusiasm. This feminist study, which draws extensively on Cather's unpublished letters, analyses how she overcame the difficulties which beset a woman writer in the mid-West during the early part of the century. It shows how her absorption in European culture influenced her perception of America and enabled her to produce some of the most compelling literature of modern times. Susie Thomas's highly readable account will be welcomed by all those studying Cather's work. Contents: Willa Cather 1873-1947; To Bayreuth and Back Again: R The Troll Garden, The Song of the Lark, One of Ours, Uncle Valentine; From Horse Opera to Homesteads: O Pioneers ; The Golden Girl of the West: My Antonia; Time's Fool and A Lost Lady; To Speak of the Woe That is in Marriage: The Professor's House; The Chemistry of Colour: Death Comes For the Archbishop and Shadows on the Rock; Testimony: Obscure Destinies, Sapphira and the Slave Girl, The Old Beauty and Others
Arguing that classic geographical descriptions of the city fail to accomodate the crucial aspect of human life, this visualizes the city through the hopes, aspirations, disappointments and pains of international novelists and creative writers.
Drawing on a range of material from archives in the USA and from a variety of primary historical sources, this study places Cather's major fiction in its cultural context. Reynolds explores 'progressivism', 'primitivism' and 'Americanization' in such novels as My Antonia and O Pioneers! Willa Cather in Context develops interdisciplinary readings of this important Nebraskan novelist, placing her as a writer actively engaged with many of the key debates of early twentieth-century America, from immigration to evolutionary theory.
"One of the few really helpful words I ever heard from an older writer," Willa Cather declared in 1922, "I had from Sarah Orne Jewett when she said to me: 'Of course, one day you will write about your own country. In the meantime, get all you can. One must know the world so well before one can know the parish.'" Although Cather's first novel about her own country, O Pioneers!, did not appear until 1913, the process of knowing the world and of mastering her craft, so far as it can be traced in her published writing, already had been going on for some twenty years. The World and the Parish: Willa Cather's Articles and Reviews, 1893-1902, is the fourth in a series collecting the work of these years of experiment and discovery. More specifically, it offers a representative collection of Cather's nonfiction writing for newspapers and periodicals during her first decade as a professional writer. Selected from 520 articles and columns, the text is divided into three parts corresponding to major developments in Cather's career?the period from 1893 to 1896 when she first began to write regularly for Lincoln newspapers; the years in Pittsburgh when she was working for the Home Monthly and the Leader and sending her famous "Passing Show" column back to Nebraska; and the period from the spring of 1900 to 1903, when she freelanced in Pittsburgh and Washington, taught in a Pittsburgh high school, and made her first trip abroad. The text has been edited with three main objectives: 1) to enable the reader to trace Cather's development as a writer; 2) to group the material so that the reader interested in a particular subject?the theatre, or music, or literature, for example?can readily locate pertinent selections; and 3) to provide a context sufficient to relate these pieces to Willa Cather's life and to the times, and to suggest some of their connections with the body of her work. Chronologies have been included for each of the three parts; and the Bibliography is the most complete yet available for the for the nonfiction writing up to 1903. Not the least remarkable feature of this collection is the range and variety of forms and subject matter?reviews (of books, plays, operas, concerts, art exhibits, lectures), feature stories, interviews, straight reportage, columns of miscellaneous comment, and travel letters. Seemingly, with no apparent effort Willa Cather could adjust her sights to any assignment and any audience. And if it is astonishing that she could write so much about so many matters at so many levels, it is perhaps even more astonishing that so much of it was so good. Undeniably, however, the chief interest to the general reader and the peculiar value to the scholar of these journalistic writings reside in their manifold and crucial connections with Cather's later work and in the unparalleled insights they afford into the process by which a gifted writer becomes a great artist.
Willa Cather was twenty-eight years old in the summer of 1902 when she saw England and France for the first time. Behind her stretched the Nebraska fields of her childhood and still ahead of her the world as it belongs only to great writers. The 1902 journey, coming ten years before she made her literary mark with O Pioneers!, was unrepeatable, special in its effects on her artistic development. After disembarking at Liverpool, she toured the Shropshire country, got swallowed up by London, and then crossed the Channel to other skies—to Rouen, Paris, and the Riviera. These fourteen travel articles, written for a newspaper in Lincoln, Nebraska, and eventually collected and published in book form in 1956, are striking for first impressions colored by a future novelist's feeling for history and for beauty in unexpected forms.
Through a wide-ranging series of essays and relevant readings, A Companion to Twentieth-Century United States Fiction presents an overview of American fiction published since the conclusion of the First World War. Features a wide-ranging series of essays by American, British, and European specialists in a variety of literary fields Written in an approachable and accessible style Covers both classic literary figures and contemporary novelists Provides extensive suggestions for further reading at the end of each essay