Will James, the Last Cowboy Legend

Will James, the Last Cowboy Legend

Author: Anthony A. Amaral

Publisher: Reno : University of Nevada Press

Published: 1992

Total Pages: 210

ISBN-13:

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Will James, an author who in two dozen self-illustrated books and scores of articles, created one of the most popular and probably last cowboy legends of the American West. James was an expert at taking fact and fantasy, legend and lore and combining it to create a cowboy story people could lose themselves in. Sadly though, James's success in creating a happy, literary fantasy for children and adults, couldn't extend to himself. A victim of the very articles, books, and drawings that made him famous, James's immense popularity threatened to topple the greatest story he ever penned -- the story of his life.


Lone Cowboy

Lone Cowboy

Author: Will James

Publisher: Buccaneer Books

Published: 1993-01-01

Total Pages:

ISBN-13: 9781568492391

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In Lone Cowboy, Will James revives the scenes, people, and customs of the turn-of-the-century American West. Today regarded as a fictionalized autobiography, Lone Cowboy follows the character of James the cowboy from a boy to an accomplished artist.


The Cowboy

The Cowboy

Author: Blake Allmendinger

Publisher: Oxford University Press, USA

Published: 1992

Total Pages: 218

ISBN-13: 019507243X

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What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.


Ramblin' Jack Elliott

Ramblin' Jack Elliott

Author: Hank Reineke

Publisher: Scarecrow Press

Published: 2009-12-30

Total Pages: 436

ISBN-13: 0810872579

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The American singer and guitarist Ramblin' Jack Elliott (1931- ) is a seminal figure in the folk music revivals of the United States and Great Britain. Declared an American treasure by former President Bill Clinton, Elliott has traveled and performed for more than 50 years, and his life and career neatly parallel the ascension of folk music's 'renaissance' from the 1940s through the present day. Ramblin' Jack Elliott: The Never-Ending Highway is the first complete biography of this important figure in the history of folk music. Elliott's music and Beat-era sensibility influenced countless artists in the fields of folk, rock, and country and western music, and Hank Reineke provides the full story of Elliott's relationships and influences. Most notably, his associations with Woody Guthrie and Bob Dylan are well-documented: Elliott is considered Guthrie's most famous protZgZ and Elliott mentored Dylan in his early career. Reineke also recounts how Elliott's life intersected with Derroll Adams, Jack Kerouac and the Beats, Princess Margaret, James Dean, and scores of others. The book examines the full breadth of Elliott's career, discussing how the rough-edged cowboy singer survived in the music industry and eventually won a Grammy Award for Best Traditional Folk Recording and the prestigious National Medal of the Arts. In addition to the biography, Reineke has amassed the first exhaustive and comprehensive discography of albums from the singer's notable back-catalog (1955-2009), including nearly 60 LP and CD issues, many rare and sought-after 78rpm discs, EPs, and 45rpm recordings, as well as a number of contributions to compilations, soundtracks, festival recordings, and guest appearances. This impressive volume is rounded out with a bibliography, an index, and more than 30 photographs, making this a must-have for scholars and fans of American folk music.


The Cowboy Encyclopedia

The Cowboy Encyclopedia

Author: Richard W. Slatta

Publisher: W. W. Norton & Company

Published: 1996

Total Pages: 504

ISBN-13: 9780393314731

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Over 450 entries provide information on cowboy history, culture, and myth of both North and South America.


Pecos Bill

Pecos Bill

Author: James Cloyd Bowman

Publisher: New York Review of Books

Published: 2007

Total Pages: 273

ISBN-13: 1590172248

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Relates some of the legends of Pecos Bill, from the moment he bounced out of his family's covered wagon to the day his long-lost brother appears and explains that Bill is not like the coyotes that have raised him.


Literary Impostors

Literary Impostors

Author: Rosmarin Heidenreich

Publisher: McGill-Queen's Press - MQUP

Published: 2018-07-30

Total Pages: 316

ISBN-13: 0773555293

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In the first half of the twentieth century, a number of Canadian authors were revealed to have faked the identities that made them famous. What is extraordinary about these writers is that they actually "became," in everyday life, characters they had themselves invented. Many of their works were simultaneously fictional and autobiographical, reflecting the duality of their identities. In Literary Impostors, Rosmarin Heidenreich tells the intriguing stories, both the "true" and the fabricated versions, of six Canadian authors who obliterated their pasts and re-invented themselves: Grey Owl was in fact an Englishman named Archie Belaney; Will James, the cowboy writer from the American West, was the Quebec-born francophone Ernest Dufault; the prairie novelist Frederick Philip Grove turned out to be the German writer and translator Felix Paul Greve. Chief Buffalo Child Long Lance, Onoto Watanna, and Sui Sin Far were the chosen identities of three mixed-race writers whose given names were, respectively, Sylvester Long, Winnifred Eaton, and Edith Eaton. Heidenreich argues that their imposture, in some cases not discovered until long after their deaths, was not fraudulent in the usual sense: these writers forged new identities to become who they felt they really were. In an age of proliferating cyber-identities and controversial claims to ancestry, Literary Impostors raises timely questions involving race, migrancy, and gender to illustrate the porousness of the line that is often drawn between an author's biography and the fiction he or she produces.


Comparing Cowboys and Frontiers

Comparing Cowboys and Frontiers

Author: Richard W. Slatta

Publisher: University of Oklahoma Press

Published: 1997

Total Pages: 346

ISBN-13: 9780806129716

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Historians of the American West, perhaps inspired by NAFTA and Internet communication, are expanding their intellectual horizons across borders north and south. This collection of essays functions as a how-to guide to comparative frontier research in the Americas. Frontiers specialist Richard W. Slatta presents topics, techniques, and methods that will intrigue social science professionals and western history buffs alike as he explores the frontiers of North and South America from Spanish colonial days into the twentieth century. The always popular cowboy is joined by the fascinating gaucho, llanero, vaquero, and charro as Slatta compares their work techniques, roundups, songs, tack, lingo, equestrian culture, and vices. We visit saloons and pulperias as well as plains and pampas, and Slatta expertly compares clothing, weather, terrain, diets, alcoholic beverages, card games, and military tactics. From primary records we learn how Europeans, Native Americans, and African Americans became the ranch hands, cowmen, and buckaroos of the Americas, and why their dependence on the ranch cattle industry kept them bachelors and landless peons.