A gun-toting widow is more than a match for a mere cowboy in this unforgettable Western romance from the bestselling author of Virgin Fire. His mind preoccupied with the threat of cattle theft, Justin Harte was in no position to fall in love. But when his eye caught sight of the beautiful, forceful, and unbelievably skilled Anne McAuliffe, who could shoot a gun better than many men he knows, his heart began to beat so loudly that his mind could not talk any sense into him. Going beyond playing hard-to-get, Anne made it clear that she was not interested in the strapping and debonair Justin. But could Anne control her heart as easily as she thought or would she drop her gun and be swept into Justin's waiting arms?
This poetry, Widows’ Doomsday, is similar only to the eyes of a woman whom people left in Baghdad. The woman who kissed us hastily, saying, “don’t go there.” She begged us with eyes that nurtured her sadness and agony...failed to realize that the country, the country that grew in our hearts, which was once full of love, is stomping on the lover’s hearts with its seven thousand¬-year-old boots of agony. She did not believe, until this very moment, how the years of this tremendous love have turned into the years of tremendous killing, war, and destruction. The woman who kissed us hastily could not believe that this text had whipped our feelings with the whip of poetry for many years, and went through a lot of torture and terror.
A newly-widowed woman has done a runner. She just jumped in her car, abandoned her (very nice) house in north London and kept on driving until she reached the Norfolk coast. Now she's rented a tiny cottage and holed herself away there, if only to escape the ceaseless sympathy and insincere concern. She's not quite sure, but thinks she may be having a bit of a breakdown. Or perhaps this sense of dislocation is perfectly normal in the circumstances. All she knows is that she can't sleep and may be drinking a little more than she ought to. But as her story unfolds we discover that her marriage was far from perfect. That it was, in fact, full of frustration and disappointment, as well as one or two significant secrets, and that by running away to this particular village she might actually be making her own personal pilgrimage. By turns elegiac and highly comical, The Widow's Tale conjures up this most defiantly unapologetic of narrators as she begins to pick over the wreckage of her life and decide what has real value and what she should leave behind.
On September 11, I dropped my son off at his second full day of kindergarten. The sky was so blue it looked as if it had been ironed. I crossed the street, ordered coffee, and sat to wait for my husband to meet me. It was our eighth wedding anniversary and Dave and I were about to begin a new chapter in our seventeen years together. Sipping coffee, I watched as a line of thick black smoke crept across the sky from Manhattan, oblivious to the fact that my life was about to change forever. On September 11, 2001, Marian Fontana lost her husband, Dave, a firefighter from the elite Squad 1 in Brooklyn, in the World Trade Center attack. A Widow's Walk begins that fateful morning, when Marian, a playwright and comedienne, became a widow, a single mother, and an unlikely activist. Two weeks after 9/11, the city attempted to close Squad 1, which had suffered the loss of twelve men. Known for her feisty spirit and passionate loyalty, Marian, who was still reeling from her profound loss, began to mobilize the neighborhood to keep the firehouse open. From this unlikely platform the 9/11 Widows and Victims' Families Association grew. Over the next twelve months, Marian struggled with the tragedy's endless ripple effects, from the minute and deeply personal—she wonders who will play Star Wars with her son, Aidan, and carry him on his shoulders; to the collective: she works to get families and widows necessary information about the recovery effort and attends private meetings with Governor Pataki, Mayor Giuliani, Senator Clinton, and Mayor Bloomberg. Through it all, Marian's irrepressible humor is her best armor, as well as evidence of her buoyant strength. Written with great heart and humanity, A Widow's Walk is a timely opportunity for remembrance and a timeless testament to love's loss and the resilience of the human spirit.
During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period? In this book, David Brick offers an exhaustive history of the treatment and status of widows under classical Hindu law, or Dharmasastra as it is called in Sanskrit, which spanned approximately the third century BCE to the eighteenth-century CE. Under Dharmasastra, Hindu jurists treated at length and at times hotly debated four widow-related issues: widow remarriage and levirate, a widow's right to inherit her husband's estate, widow-asceticism, and sati. Each of the book's chapters examine these issues in depth, concluding with an appendix that addresses a widow's right to adopt a son-a fifth widow-related issue that became the topic of discussion in late Dharmasastra works and was a significant point of legal contentions during the colonial period. When read critically and historically, works of Dharmasastra provide a long and detailed record of the prevailing legal and social norms of high-caste Hindu society. Widows Under Hindu Law uses lengthy English translations of important passages from Hindu legal texts to present a largescale narrative of the treatment of widows under the Hindu legal tradition. This is an open access title. It is available to read and download as a free PDF version on the Oxford Academic platform. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International licence.
Coming to grips with money, making wise decisions and setting ourselves on a path to wealth can be daunting. Some women excel at this; others battle from payday to payday. What do ‘smartwomen’ know that the rest of us can learn? In this updated edition, Smartwoman reveals who is competing for your money (black tax and other family pressures), how to create a designer life (as opposed to filling up space with designer stuff), and how to start a side hustle. It also covers major life events, such as marriage, divorce and death, and how you can make smart financial decisions at these times. Knowing how and where to invest is crucial to building wealth, and this book covers the full spectrum of investment options, including equities, property and alternative investments, such as art. New chapters include investing offshore; the impact of external factors, such a Covid-19, on your financial well-being; and cryptocurrencies and how they fit into an investment portfolio. Whatever your life stage or circumstances, being in financial control, owning your destiny and building long-term wealth is within every woman’s reach.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
