Vividly bringing to light the tradition of physical comedy in the French cabaret, cafe-concert, and early French film comedy, this book answers the perplexing question, "Why do the French love Jerry Lewis?" It shows how Lewis touches a nerve in the French cultural memory because, more than any other film comic, he incarnates a distinctively French tradition of performance style."
A biography of Jerry Lewis, discussing his varied career as a performer, director, fundraiser, and standard-setting comedian, and looking at the private man and the forces that drive him.
“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal
NEW YORK TIMES BESTSELLER • “This book is like nothing you’ve read before about the world of movies—written by a movie star.”—Liz Smith An Academy Award-winning actress and the internationally bestselling author of Out on a Limb delivers her touching, warm, and headline-making memoir. In My Lucky Stars Shirley MacLaine talks candidly and personally about her four decades in Hollywood, especially about the men and women—her “lucky stars”—who touched and challenged her life. “[Maclaine is] an engaging storyteller. . . . Breezy and entertaining.”—The New York Times Book Review
For ten years after WWII, Dean Martin and Jerry Lewis weren't only the most successful show business act in history, they were history. Starting as a fill-in for another act in Atlantic city, their improvised, anarchic routines soon sold out all the greatest venues in America. They made films, they made millions. They made a legend. But amidst the dazzling success and the late night laughter, tensions developed between the reserved straight man, Martin, and the manic goon, Lewis. When the duo, who had reinvented the comic double-act, split acrimoniously in 1956 they didn't speak to one another for the next 20 years. This is an intimate memoir of those years of fame and success by one of the only surviving legends of the rat-pack era. Jerry Lewis remembers everything - the casinos, the mobsters, the endless pranks, the cocktails, the women, the meteoric rise to stardom. Here for the first and only time and in his own inimitable, wise-cracking voice he re-lives his days of glory with Dean Martin and gives a frank account of their relationship and break-up. A hilarious ride and heart-breaking, cautionary tale of what fame and fortune can do to love and friendship.
Although books on the comedies of the silent era abound, few have attempted to survey film comedy as a whole—its history and evolution, how the philosophical visions of its greatest artists and directors have shaped its traditions, and how these visions have informed both the meaning and manner of their work. Blending information with interpretation, description with analysis, Mast traces the development of screen comedy from the first crude efforts of Edison and Lumière to the subtlety and psychological complexity of Annie Hall. As he guides the reader through detailed discussions of specific films, Mast reveals the structures, the values, and the cinematic techniques which have appeared and reappeared in comic cinema. The second edition of The Comic Mind treats the comic developments of the 1970s in terms of the traditions of film comedy set forth in the first edition, including a discussion of the evolution of Jacques Tati and the emergence of Mel Brooks and Woody Allen as the two greatest American comic stylists of the seventies. "The most comprehensive study of film comedy yet written in English. . . .The book's extensive index with references to companies from which 16mm prints of many of the cited films may be rented will be of great value to the film teacher and audiovisual librarian."—Choice
The entire story of the famous comic, including his partnership with Dean Martin, his movies, his personal life, and his relationship with victims of muscular dystrophy, makes for a vivid portrait
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
