Written in response to the devastation of World War I, "Why Men Fight" lays out Bertrand Russell's ideas on war, pacifism, reason, impulse, and personal liberty. Russell argues that when individuals live passionately, they will have no desire for war or killing. Conversely, excessive restraint or reason causes us to live unnaturally and with hostility toward those who are unlike ourselves.
I say the Catholic "conscience" of history--I say "conscience"--that is, an intimate knowledge through identity: the intuition of a thing which is one with the knower--I do not say "The Catholic Aspect of History." This talk of "aspects" is modern and therefore part of a decline: it is false, and therefore ephemeral: I will not stoop to it.
The New York Times bestseller from master biographer Evan Thomas brings to life the tumultuous story of the father of the American Navy. John Paul Jones, at sea and in the heat of the battle, was the great American hero of the Age of Sail. He was to history what Patrick O’Brian’s Jack Aubrey and C.S. Forester’s Horatio Hornblower are to fiction. Ruthless, indomitable, clever; he vowed to sail, as he put it, “in harm’s way.” Evan Thomas’s minute-by-minute re-creation of the bloodbath between Jones’s Bonhomme Richard and the British man-of-war Serapis off the coast of England on an autumn night in 1779 is as gripping a sea battle as can be found in any novel. Drawing on Jones’s correspondence with some of the most significant figures of the American Revolution—John Adams, Benjamin Franklin, Thomas Jefferson—Thomas’s biography teaches us that it took fighters as well as thinkers, men driven by dreams of personal glory as well as high-minded principle, to break free of the past and start a new world. Jones’s spirit was classically American.
Presenting dynamic research, this publication explores two millennia of cultural interactions between Egypt, Greece, and Rome. From Mycenaean weaponry found among the cargo of a Bronze Age shipwreck off the Turkish coast to the Egyptian-inspired domestic interiors of a luxury villa built in Greece during the Roman Empire, Egypt and the Classical World documents two millennia of cultural and artistic interconnectedness in the ancient Mediterranean. This volume gathers pioneering research from the Getty scholars' symposium that helped shape the major international loan exhibition Beyond the Nile: Egypt and the Classical World (J. Paul Getty Museum, 2018). Generously illustrated essays consider a range of artistic and other material evidence, including archaeological finds, artworks, papyri, and inscriptions, to shed light on cultural interactions between Egypt, Greece, and Rome from the Bronze Age to the Late Period and Ptolemaic dynasty to the Roman Empire. The military's role as a conduit of knowledge and ideas in the Bronze Age Aegean, and an in-depth study of hieroglyphic Egyptian inscriptions found on Roman obelisks offer but two examples of scholarly lacunae addressed by this publication. Specialists across the fields of art history, archaeology, Classics, Egyptology, and philology will benefit from the volume's investigations into syncretic processes that enlivened and informed nearly twenty-five hundred years of dynamic cultural exchange. The free online edition of this open-access publication is available at www.getty.edu/publications/egypt-classical-world/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
