Who's who Directors in Directors in Korean Film Industry
Author:
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Published: 2008
Total Pages: 379
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author:
Publisher:
Published: 2008
Total Pages: 379
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 2008
Total Pages: 379
ISBN-13:
DOWNLOAD EBOOKAuthor: Korean Film Council
Publisher:
Published: 2008
Total Pages: 379
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 2008
Total Pages: 379
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DOWNLOAD EBOOKAuthor: Tony Rayns
Publisher:
Published: 1995-06
Total Pages: 64
ISBN-13:
DOWNLOAD EBOOKThis catalogue, based on a festival held at the ICA in 1994, provides a survey of contemporary Korean cinema and offers background information and material on 5 key Korean directors: Im Kwon-Taek, Jang Sun-Woo, Kim Ui-Seok, Lee Myung-Se and Park Kwang-Su.
Author: KIM Young-jin
Publisher: Seoul Selection
Published: 2007-11-07
Total Pages: 197
ISBN-13: 8991913946
DOWNLOAD EBOOKPARK Chan-wook This book is an introductory guide to PARK Chan-wook, the 2004 Cannes Grand prix winner and one of the most acclaimed and popular Korean film directors. The book looks within with an insider's eyes and gropes roughly for the root and stems of cinematic world of PARK, who has achieved both critical and commercial success, performing stunts verging on the acrobatic between genre convention and directorial individuality. Korean Film Directors Created by the Korean Film Council, this series offers deep insight into key directors in Korean film, figures who are not only broadening the range of art and creativity found in Korean-produced commercial films but also gaining increasingly strong footholds in international markets. Each volume features: - critical commentary on films - extensive interview - biography - complete filmography
Author: Hyun-chang Chŏng
Publisher:
Published: 2008
Total Pages: 221
ISBN-13:
DOWNLOAD EBOOKAuthor: Chi-yŏn Chŏng
Publisher: Seoul Selection USA, Incorporated
Published: 2008
Total Pages: 250
ISBN-13:
DOWNLOAD EBOOKFilm Studies. Asian Studies. This book is the result of efforts to reach a deeper and broader understanding of the director Bong Joon-ho, who has been the subject of a great deal of popular interest and attention in Korean society in spite of his relatively short filmography of three feature films. After the experience of Barking Dogs Never Bite, it appears that the director clearly came to understand what he had to do to relate the story he wanted to tell in the way most suited to the public, yet most in line with his own cinephile impulses. Memories of Murder and The Host were both major box office successes in Korean film, but at the same time, they were films that looked upon the wounds and failures of modern Korean history in the most perceptive and challenging ways. As a result, Bong Joon-ho became almost unique in present-day Korean film in his ability to break away from commercial and creative pressures and realize the kind of films he wants to, when he wants to.