Exploring feminist social media tactics that use humor and laughter as a form of resistance to misogyny, rewiring feelings of shame into shamelessness. Online sexism, hate, and harassment aim to silence women through shaming and fear. In Who's Laughing Now? Jenny Sundén and Susanna Paasonen examine a somewhat counterintuitive form of resistance: humor. Sundén and Paasonen argue that feminist social media tactics that use humor, laughter, and a sense of the absurd to answer name-calling, offensive language, and unsolicited dick pics can reroute and rewire shame into a self-assured shamelessness.
From dour old women to buzzkills who can't take a joke, the stereotype of the humourless feminist has repeatedly been deployed to derail and delegitimize the women's rights movement. This collection skips the tired debates that ask whether feminists can be funny—we know the answer to this already—to instead investigate contemporary expressions and functions of humour within international feminist movements and communities. This interdisciplinary volume showcases critical analyses of cultural texts and events, personal accounts of producing and encountering feminist humour, and creative interruptions that pair laughter with insight. As a whole, this work seeks to sideline caricatures of the humourless feminist by promoting a vision of a diverse movement vibrant with innovative, generous, threatening, and, ultimately, triumphant laughter.
"Who's Laughing Now?" In 1972 Private Martelli arrived home from the Vietnam War where he was a POW. Al moved in with his mother Rose) who resided in Ocean View Florida. Al suffers from flashbacks filled with torture and mayhem. A 180 miles away in Orlando was a ten-year-old boy named Joseph Columbo. Joey was blind in one eye from a bow and arrow-accident. It's an emotional carnage which is made worse when he is brutally teased. Meantime his father(Victor) is consumed with making millions while his mother(Nikki) is busy sexually pleasing her husband. So there was Joey feeling abandoned. Soon Joey would travel to Ocean View to attend a special school. He would live with Grandmother and Uncle. At first Al and Joey despised each other. However over the course of time these two battered souls would come together and heal. Their common dominator was their love for the game of baseball. The summer of 1973 would be a time Al and Joey would reflect back upon as the turning point in their lives.
Emma St. Claire has a passion for photography. She loves looking through a lens to capture the beauty the world has to offer. At least she did...until the grainy view exposed the foot of a dead woman in red high heels. Emma knew what she saw, but with the fuzziness of the photo, finding someone who would take her seriously would be just about impossible. She was certain that no one would believe her, not even the gorgeous, serious-minded attorney next door. There was no one else to turn to, though, so she approached him with the photo. Sam Barrington had little patience for drama, even if it came packaged up in a pint-sized fireball who he had the misfortune to have as a neighbor. Having just made partner in his law firm, he did not have time to get involved with anyone, much less the hapless woman next door who appeared at his doorstep, shaken but resolved to drag him into her theories and assumptions. After more bodies are found, though, it quickly becomes clear that Pittsburgh has a serial killer in their midst. Worse, Emma has garnered the attention of the killer and has now put her life in danger. Unfortunately, Sam’s protective instinct rears its persistent head and he soon finds himself working harder at protecting her than he does in trying his cases. His main concern now becomes...can he save Emma before the killer makes her his next victim?
A tragicomic story of bad dates, bad news, bad performances, and one girl's determination to find the funny in high school from the author of Denton Little's Deathdate. Winnie Friedman has been waiting for the world to catch on to what she already knows: she's hilarious. It might be a long wait, though. After bombing a stand-up set at her own bat mitzvah, Winnie has kept her jokes to herself. Well, to herself and her dad, a former comedian and her inspiration. Then, on the second day of tenth grade, the funniest guy in school actually laughs at a comment she makes in the lunch line and asks her to join the improv troupe. Maybe he's even . . . flirting? Just when Winnie's ready to say yes to comedy again, her father reveals that he's been diagnosed with ALS. That is . . . not funny. Her dad's still making jokes, though, which feels like a good thing. And Winnie's prepared to be his straight man if that's what he wants. But is it what he needs? Caught up in a spiral of epically bad dates, bad news, and bad performances, Winnie's struggling to see the humor in it all. But finding a way to laugh is exactly what will see her through. **A Junior Library Guild Selection**
"With acerbic wit & a hilarious voice, Shane Burcaw's YA memoir describes the challenges he faces as a 20-year-old with muscular atrophy. From awkward handshakes to trying to finding a girlfriend and everything in between"--
From the multi-Eisner award-winning creator of Milk and Cheese and Beasts of Burden comes this collection of his cult, humor comic anthology. Comprising years of black humor stories about a living voodoo doll, a serial killer sitcom, truly real live sex, a disco skinhead, an urbane devil puppet, classic works of literature acted out by Fisher-Price toys, and more absurdity--this is a must have for Dorkin fans! Featuring most of the Dork comic run as well as the 2012 full-color House of Fun special, along with rarities, extras, a cover gallery, and a newly drawn introduction.
Denis Johnson's New York Times bestseller, The Laughing Monsters, is a high-suspense tale of kaleidoscoping loyalties in the post-9/11 world that shows one of our great novelists at the top of his game. Roland Nair calls himself Scandinavian but travels on a U.S. passport. After ten years' absence, he returns to Freetown, Sierra Leone, to reunite with his friend Michael Adriko. They once made a lot of money here during the country's civil war, and, curious to see whether good luck will strike twice in the same place, Nair has allowed himself to be drawn back to a region he considers hopeless. Adriko is an African who styles himself a soldier of fortune and who claims to have served, at various times, the Ghanaian army, the Kuwaiti Emiri Guard, and the American Green Berets. He's probably broke now, but he remains, at thirty-six, as stirred by his own doubtful schemes as he was a decade ago. Although Nair believes some kind of money-making plan lies at the back of it all, Adriko's stated reason for inviting his friend to Freetown is for Nair to meet Adriko's fiancée, a grad student from Colorado named Davidia. Together the three set out to visit Adriko's clan in the Uganda-Congo borderland—but each of these travelers is keeping secrets from the others. Their journey through a land abandoned by the future leads Nair, Adriko, and Davidia to meet themselves not in a new light, but rather in a new darkness.
When life is funny, make some jokes about it. Billy Plimpton has a big dream: to become a famous comedian when he grows up. He already knows a lot of jokes, but thinks he has one big problem standing in his way: his stutter. At first, Billy thinks the best way to deal with this is to . . . never say a word. That way, the kids in his new school won’t hear him stammer. But soon he finds out this is NOT the best way to deal with things. (For one thing, it’s very hard to tell a joke without getting a word out.) As Billy makes his way toward the spotlight, a lot of funny things (and some less funny things) happen to him. In the end, the whole school will know -- If you think you can hold Billy Plimpton back, be warned: The joke will soon be on you!
