Documents the author's efforts to learn about his mother's life in the years after her death, a personal quest during which he rediscovered the Jewish immigrant Bronx of the 1930s and 1940s and his grandparent's impact on his mother's dreams to flee her home and acquire an education. By the author of Jew vs. Jew. Reprint. 20,000 first printing.
"YES!! I don’t usually do reviews but this book is exceptionally good. Well written, realistic and contains good values!" Customer Review "Really enjoyed the book. Different concept on the case. I didn’t figure it out till the end which is unusual. Good read. Will check on all your books. Thanks!" Customer Review "Love it, good storyline well written couldn’t bare to put it down till finished." Customer Review A grieving husband walks into Sylvia Wilcox's private detective agency on Christmas Eve and asks her to solve his wife's murder. The husband, Carson Stark, can't understand why his wife, Liza, was in one of Detroit's worst neighborhoods, or why anyone would want to kill her. The police suspect infidelity, but a review of the case files and information leading up to Liza's murder fails to produce any evidence of disloyalty on Liza's part. As Sylvia works diligently to follow up on any and all leads, she is continuously met with roadblocks thrown up by secrets and lies from Liza's mysterious past.
In the fall of 1967, Faye Smith’s family moves to Florida to work in the orange groves, and she has to start a new school… again. She tries out for the track team, knowing her mother would never approve because of Faye’s epilepsy. When Faye discovers she has a talent for distance running, she and her friend Francie decide to enter the Boston Marathon, even though women aren’t allowed to compete. Desperate to climb out of the rut of poverty, Faye is determined to take part and win a college scholarship. After the school bully tries to run her down with his car, a strange memory surfaces—a scene Faye doesn’t recognize. Her parents insist that it’s a symptom of her epilepsy, but Faye thinks they might be lying, especially when it keeps happening. To get her life on the right path, she’ll need to figure out what her parents are hiding and never lose sight of the finish line.
While trying to fit in at Boston University, Weslee Dunster, trading in her sensible clothes for designer duds, befriends a wealthy Boston party girl who takes her on a wild ride through high society where she loses control. Reprint.
Fennel and Twiglet are best friends. They do everything together, from curling up in their basket to playing fetch in the park. Twiglet understands Fennel like no one else, especially her life-long dream of winning Crufts. There's just one problem: Fennel isn't a dog. And a girl can't win a competition for dogs, no matter how much she acts like one. Can she?
Prepare to discover new heroes among these twenty-one women who challenged the status quo, championed others, and made their voices heard. From Jane Addams to Alice Waters, from groundbreaking artists and social justice advocates to scientific pioneers and business innovators, a strong thread of trailblazing women runs through American history. Written in compelling, accessible prose and vividly illustrated by Caldecott Medalist Emily Arnold McCully, this collection of inspiring and expertly researched profiles charts the bold paths these women forged in the twentieth century. The subjects profiled include: Jane Addams Ethel Percy Drusilla Baker Gertrude BergRachel CarsonShirley ChisholmJoan CooneyIsadora DuncanBarbara GittingsTemple GrandinGrace HopperDolores HuertaBillie Jean KingDorothea LangePatsy MinkVera RubinMargaret SangerGladys TantaquidgeonIda M. TarbellMadame C. J. WalkerAlice WatersSecond Wave Feminism
Many cultures have myths about self-imitation, stories about people who pretend to be someone else pretending to be them, in effect masquerading as themselves. This great theme, in literature and in life, tells us that people put on masks to discover who they really are under the masks they usually wear, so that the mask reveals rather than conceals the self beneath the self. In this book, noted scholar of Hinduism and mythology Wendy Doniger offers a cross-cultural exploration of the theme of self-impersonation, whose widespread occurrence argues for both its literary power and its human value. The stories she considers range from ancient Indian literature through medieval European courtly literature and Shakespeare to Hollywood and Bollywood. They illuminate a basic human way of negotiating reality, illusion, identity, and authenticity, not to mention memory, amnesia, and the process of aging. Many of them involve marriage and adultery, for tales of sexual betrayal cut to the heart of the crisis of identity. These stories are extreme examples of what we common folk do, unconsciously, every day. Few of us actually put on masks that replicate our faces, but it is not uncommon for us to become travesties of ourselves, particularly as we age and change. We often slip carelessly across the permeable boundary between the un-self-conscious self-indulgence of our most idiosyncratic mannerisms and the conscious attempt to give the people who know us, personally or publicly, the version of ourselves that they expect. Myths of self-imitation open up for us the possibility of multiple selves and the infinite regress of self-discovery. Drawing on a dizzying array of tales-some fact, some fiction-The Woman Who Pretended to Be Who She Was is a fascinating and learned trip through centuries of culture, guided by a scholar of incomparable wit and erudition.
“Helen Castor has an exhilarating narrative gift. . . . Readers will love this book, finding it wholly absorbing and rewarding.” —Hilary Mantel, Booker Prize-winning author of Wolf Hall In the tradition of Antonia Fraser, David Starkey, and Alison Weir, prize-winning historian Helen Castor delivers a compelling, eye-opening examination of women and power in England, witnessed through the lives of six women who exercised power against all odds—and one who never got the chance. With the death of Edward VI in 1553, England, for the first time, would have a reigning queen. The question was: Who? Four women stood upon the crest of history: Katherine of Aragon’s daughter, Mary; Anne Boleyn’s daughter, Elizabeth; Mary, Queen of Scots; and Lady Jane Grey. But over the centuries, other exceptional women had struggled to push the boundaries of their authority and influence—and been vilified as “she-wolves” for their ambitions. Revealed in vivid detail, the stories of Eleanor of Aquitaine, Isabella of France, Margaret of Anjou, and the Empress Matilda expose the paradox that England’s next female leaders would confront as the Tudor throne lay before them—man ruled woman, but these women sought to rule a nation.
While national crime rates have recently fallen, crimes committed by women have risen 200 percent, yet we continue to transform female violence into victimhood by citing PMS, battered wife syndrome, and postpartum depression as sources of women?s actions. When She Was Bad convincingly overturns these perceptions by telling the stories of such women as Karla Faye Tucker, who was recently executed for having killed two people with a pickax; Dorothea Puente, who murdered several elderly tenants in her boarding house; and Aileen Wuornos, a Florida woman who shot seven men. Patricia Pearson marshals a vast amount of research and statistical support from criminologists, anthropologists, psychiatrists, and sociologists, and includes many revealing interviews with dozens of men and women in the criminal justice system who have firsthand experience with violent women. When She Was Bad is a fearless and superbly written call to reframe our ideas about female violence and, by extension, female power.
From one of contemporary literature’s bestselling, critically acclaimed, and beloved authors: a “luminous” novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice—“heartrendingly transcendant” (The New York Times, Janet Maslin). Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself. Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).