The collapse of the Soviet Union in 1991 was hailed as the beginning of a new era of peace and co-operation between East and West. But in the years since, Russia has made incursions into Georgia, Ukraine and Syria, leaving the Western powers at a loss. What went wrong? Drawing on exclusive interviews with key players, Peter Conradi examines the pivotal moments of the past quarter of a century and outlines how we might get relations back on track before it’s too late. Who Lost Russia? provides the essential background to understanding the bizarre and shifting relationship between Trump’s America and Putin’s Russia. This updated edition includes a new chapter on the year following the 2016 US presidential election.
The twentieth century in Russia has been a cataclysm of rare proportions, as war, revolution, famine, and massive political terror tested the limits of human endurance. The results of this assault on Russian culture are particularly evident in ruined architectural monuments, some of which are little known even within Russia itself. Over the past two decades William Craft Brumfield, noted historian of Russian architecture, has traveled throughout Russia and photographed many of these neglected, lost buildings, haunting in their ruin. Lost Russia provides a unique view of Brumfield's acclaimed work, which illuminates Russian culture as reflected in these remnants of its distinctive architectural traditions.
After the fall of communism, Russia was in a state of shock. The sudden and dramatic change left many people adrift and uncertain—but also full of a tentative but tenacious hope. Returning again and again to the provincial hinterlands of this rapidly evolving country from 1992 to 2008, Susan Richards struck up some extraordinary friendships with people in the middle of this historical drama. Anna, a questing journalist, struggles to express her passionate spirituality within the rules of the new society. Natasha, a restless spirit, has relocated from Siberia in a bid to escape the demands of her upper-class family and her own mysterious demons. Tatiana and Misha, whose business empire has blossomed from the ashes of the Soviet Union, seem, despite their luxury, uneasy in this new world. Richards watches them grow and change, their fortunes rise and fall, their hopes soar and crash. Through their stories and her own experiences, Susan Richards demonstrates how in Russia, the past and the present cannot be separated. She meets scientists convinced of the existence of UFOs and mind-control warfare. She visits a cult based on working the land and a tiny civilization founded on the practices of traditional Russian Orthodoxy. Gangsters, dreamers, artists, healers, all are wondering in their own ways, “Who are we now if we’re not communist? What does it mean to be Russian?” This remarkable history of contemporary Russia holds a mirror up to a forgotten people. Lost and Found in Russia is a magical and unforgettable portrait of a society in transition.
Russian history is first and foremost a history of personalized power. As Russia startles the international community with its assertiveness and faces both parliamentary and presidential elections, Lilia Shevtsova searches the histories of the Yeltsin and Putin regimes. She explores within them conventional truths and myths about Russia, paradoxes of Russian political development, and Russia's role in the world. Russia--Lost in Transition discovers a logic of government in Russia--a political regime and the type of capitalism that were formulated during the Yeltsin and Putin presidencies and will continue to dominate Russia's trajectory in the near term. Looking forward as well as back, Shevtsova speculates about the upcoming elections as well as the self-perpetuating system in place--the legacies of Yeltsin and Putin--and how it will dictate the immediate political future. She also explores several scenarios for Russia's future over the next decade.
From a preeminent scholar of Eastern Europe and the prizewinning author of Chernobyl, the essential history of Russian imperialism. In 2014, Russia annexed the Crimea and attempted to seize a portion of Ukraine -- only the latest iteration of a centuries-long effort to expand Russian boundaries and create a pan-Russian nation. In Lost Kingdom, award-winning historian Serhii Plokhy argues that we can only understand the confluence of Russian imperialism and nationalism today by delving into the nation's history. Spanning over 500 years, from the end of the Mongol rule to the present day, Plokhy shows how leaders from Ivan the Terrible to Joseph Stalin to Vladimir Putin exploited existing forms of identity, warfare, and territorial expansion to achieve imperial supremacy. An authoritative and masterful account of Russian nationalism, Lost Kingdom chronicles the story behind Russia's belligerent empire-building quest.
This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux
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NEW YORK TIMES BESTSELLER • A symphonic oral history about the disintegration of the Soviet Union and the emergence of a new Russia, from Svetlana Alexievich, winner of the Nobel Prize in Literature NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND PUBLISHERS WEEKLY • LOS ANGELES TIMES BOOK PRIZE WINNER One of the New York Times’s 100 Best Books of the 21st Century When the Swedish Academy awarded Svetlana Alexievich the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions—a history of the soul.” Alexievich’s distinctive documentary style, combining extended individual monologues with a collage of voices, records the stories of ordinary women and men who are rarely given the opportunity to speak, whose experiences are often lost in the official histories of the nation. In Secondhand Time, Alexievich chronicles the demise of communism. Everyday Russian citizens recount the past thirty years, showing us what life was like during the fall of the Soviet Union and what it’s like to live in the new Russia left in its wake. Through interviews spanning 1991 to 2012, Alexievich takes us behind the propaganda and contrived media accounts, giving us a panoramic portrait of contemporary Russia and Russians who still carry memories of oppression, terror, famine, massacres—but also of pride in their country, hope for the future, and a belief that everyone was working and fighting together to bring about a utopia. Here is an account of life in the aftermath of an idea so powerful it once dominated a third of the world. A magnificent tapestry of the sorrows and triumphs of the human spirit woven by a master, Secondhand Time tells the stories that together make up the true history of a nation. “Through the voices of those who confided in her,” The Nation writes, “Alexievich tells us about human nature, about our dreams, our choices, about good and evil—in a word, about ourselves.” A BEST BOOK OF THE YEAR: The New York Times, The Boston Globe, The Wall Street Journal, NPR, Financial Times, Kirkus Reviews
At no time since the end of the Cold War has interest been higher in Russian security issues and the role played in this by the modernization of Russia’s Armed Forces. The continued transformation of its Armed Forces from Cold War legacy towards a modern combat capable force presents many challenges for the Kremlin. Moscow’s security concerns domestically, in the turbulent North Caucasus, and internationally linked to the Arab Spring, as well as its complex relations with the US and NATO and its role in the aftermath of the Maidan Revolution in Ukraine in 2014 further raises the need to present an informed analytical survey of the country’s military, past, present and future. This collection addresses precisely the nature of the challenges facing Russian policymakers as they struggle to rebuild combat capable military to protect Russian interests in the twenty-first century. This book was based on a special issue of the Journal of Slavic Military Studies.
In this wide-ranging and acclaimed book, Stephen F. Cohen challenges conventional wisdom about the course of Soviet and post-Soviet history. Reexamining leaders from Nikolai Bukharin, Stalin's preeminent opponent, and Nikita Khrushchev to Mikhail Gorbachev and his rival Yegor Ligachev, Cohen shows that their defeated policies were viable alternatives and that their tragic personal fates shaped the Soviet Union and Russia today. Cohen's ramifying arguments include that Stalinism was not the predetermined outcome of the Communist Revolution; that the Soviet Union was reformable and its breakup avoidable; and that the opportunity for a real post-Cold War relationship with Russia was squandered in Washington, not in Moscow. This is revisionist history at its best, compelling readers to rethink fateful events of the twentieth and early twenty-first centuries and the possibilities ahead. In his new epilogue, Cohen expands his analysis of U.S. policy toward post-Soviet Russia, tracing its development in the Clinton and Obama administrations and pointing to its initiation of a "new Cold War" that, he implies, has led to a fateful confrontation over Ukraine.
