"Walt Whitman's iconic Leaves of grass has earned a reputation as a sacred American text, so it's fitting that artist and illustrator Allen Crawford has illuminated--like the holy scriptures of medieval monks--the core of Whitman's masterpiece, "Song of myself". Crawford's handwritten text and illustrations intermingle in a way that's both surprising and wholly in tune with the spirit of the poem--exuberant, rough, and wild."--Book jacket.
Whitman's most beloved poem, "Song of Myself," illustrated, illuminated, and presented like never before. Walt Whitman’s iconic collection of poems, Leaves of Grass, has earned a reputation as a sacred American text. Whitman himself made such comparisons, going so far as to use biblical verse as a model for his own. So it’s only appropriate that artist and illustrator Allen Crawford has chosen to illuminate—like medieval monks with their own holy scriptures—Whitman’s masterpiece and the core of his poetic vision, “Song of Myself.” Crawford has turned the original sixty-page poem from Whitman’s 1855 edition into a sprawling 234-page work of art. The handwritten text and illustrations intermingle in a way that’s both surprising and wholly in tune with the spirit of the poem—they’re exuberant, rough, and wild. Whitman Illuminated: Song of Myself is a sensational reading experience, an artifact in its own right, and a masterful tribute to the Good Gray Poet.
A hilarious compendium of essays, philosophical diagrams, poetry, and treatises is designed to help readers transform themselves into living works of art, as it addresses such topics as the perils of sportswear, self-defense for sissies, the proper grooming of facial hair, and how to become a bon vivant.
Walt Whitman "is America," according to Ezra Pound. More than a century after his death, Whitman's name regularly appears in political speeches, architectural inscriptions, television programs, and films, and it adorns schools, summer camps, truck stops, corporate centers, and shopping malls. In an analysis of Whitman as a quintessential American icon, Kenneth Price shows how his ubiquity and his extraordinarily malleable identity have contributed to the ongoing process of shaping the character of the United States. Price examines Whitman's own writings as well as those of writers who were influenced by him, paying particular attention to Whitman's legacies for an ethnically and sexually diverse America. He focuses on fictional works by Edith Wharton, D. H. Lawrence, John Dos Passos, Ishmael Reed, and Gloria Naylor, among others. In Price's study, Leaves of Grass emerges as a living document accruing meanings that evolve with time and with new readers, with Whitman and his words regularly pulled into debates over immigration, politics, sexuality, and national identity. As Price demonstrates, Whitman is a recurring starting point, a provocation, and an irresistible, rewritable text for those who reinvent the icon in their efforts to remake America itself.
In Rane Arroyo's poetry we hear echoes of Whitman, Lorca, Neruda. But more important, we hear Arroyo's own song of self rendered with a lyricism that belies its astonishing and redolent honesty. The Buried Sea: New and Selected Poems is a powerful addition to the American literary landscape. --Connie May Fowler.
In 1855 Walt Whitman published Leaves of Grass, the work which defined him as one of America's most influential voices, and which he added to throughout his life. A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation and what it meant to be an American. From the joyful 'Song of Myself' and 'I Sing the Body Electric' to the elegiac 'When Lilacs Last in the Dooryard Bloom'd', Whitman's art fuses oratory, journalism and song in a vivid celebration of humanity.
'All nations, colors, barbarisms, civilizations, languages...' A selection taken from Walt Whitman's Leaves of Grass Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Walt Whitman (1819-1892). Whitman's works available in Penguin Classics are Leaves of Grass and The Complete Poems.
A comprehensive collection of Whitman's most beloved works of poetry, prose, and short stories When Walt Whitman self-published Leaves of Grass in 1855 it was a slim volume of twelve poems and he was a journalist and poet from Long Island, little-known but full of ambition and poetic fire. To give a new voice to the new nation shaken by civil war, he spent his entire life revising and adding to the work, but his initial act of bravado in answering Ralph Waldo Emerson's call for a national poet has made Whitman the quintessential American writer. This rich cross-section of his work includes poems from throughout Whitman's lifetime as published on his deathbed edition of 1891, short stories, his prefaces to the many editions of Leaves of Grass, and a variety of prose selections, including Democratic Vistas, Specimen Days, and Slang in America. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
