DigiCat Publishing presents to you this special edition of "White Shadows in the South Seas" by Frederick O'Brien. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
When the first European explorers ventured into the unknown Pacific Ocean, their minds were filled with tales of remote, paradisiacal islands. Hopeful ideas of noble savages, ecological balance, and immense riches gave them the courage to search for a new world – even when faced with the unimaginable. The South Sea Island – A Geography of Pleasure is a journey through the history of ideas and literature over three centuries of European and American narratives about islands, oceans, and archipelagos. Literary scholar Frits Andersen reads and analyses travel accounts, paintings, films, and novels from the 18th century up until the present day by visual artists and authors including Paul Gauguin, Herman Melville, Robert Louis Stevenson, Jules Verne, and Thor Heyerdahl. These readings, combined with Andersen’s eye for pleasure, sense, and longing, give rise to a novel literary history of the disappearing Pacific islands. At the same time, the book offers historical models that we can use today to enhance our understanding of, and find new answers to, global political and climate-related challenges. Frits Andersen is a professor of Comparative Literature at Aarhus University, Denmark. His previous works include The Dark Continent? Images of Africa in European Narratives about the Congo (2016). The Danish edition of this book, entitled Sydhavsøen. Nydelsens geografi received the Georg Brandes Prize.
The South Seas charts the idea of the South Seas in popular cultural productions of the English-speaking world, from the beginnings of the Western enterprise in the Pacific until the eve of the Pacific War. Building on the notion that the influences on the creation of a text, and the ways in which its audience receives the text, are essential for understanding the historical significance of particular productions, Sean Brawley and Chris Dixon explore the ways in which authors’ and producers’ ideas about the South Seas were “haunted” by others who had written on the subject, and how they in turn influenced future generations of knowledge producers. The South Seas is unique in its examination of an array of cultural texts. Along with the foundational literary texts that established and perpetuated the South Seas tradition in written form, the authorsexplore diverse cultural forms such as art, music, theater, film, fairs, platform speakers, surfing culture, and tourism.
This book explores the expectations, experiences, and reactions of Allied servicemen and women who served in the wartime Pacific and viewed the South Pacific through the lens of Hollywood's South Seas. Based on extensive archival research, it explores the intersections between military experiences and cultural history.
From the first European contact with Tahiti in 1767, the myth of the South Sea maiden has endured through many incarnations. Although the maiden frequently provided an idealized antidote to Western women's self-assertion, the South Pacific also afforded a space where boundaries between the sexes could be relaxed and transgressed. From James Cook and Captain Bligh to James Michener and Margaret Mead, the Island girl has occupied a special place in the erotic imagination of the West. In a sweeping study that embraces history, literature, visual arts, anthropology and film, this study gives fresh insight into the myths and reality of a Western icon. While women from far off lands have always been presented as exotic and alluring, the South Sea maiden has come to symbolize feminine sexuality, as an integral part of the adventure, sensuality, and romance of the South Pacific. Everyone from early explorers to 19th century writers and artists to latter day anthropologists, film makers, and tourism promoters have extolled their virtues and their bodies. Sturma looks behind the popular clich^D'es to reveal how the myth-making process reflected not only Western desires, but the cut and thrust of changing sexual politics. The result is an intriguing look at both South Sea image-makers and the women whom they found so seductive.
