In 1909, Dallas city leaders approved the damming of White Rock Creek to create a new water source for the increasing needs of a growing city. As a result, so much of the life and history of Dallas has echoed through the life and history of White Rock Lake. In the early decades, the lake was home to many private summer homes and boat houses, as well as hunting and fishing clubs. Soon thereafter, a bathing beach, sailing clubs, public boathouses, and picnic facilities were added. The Civilian Conservation Corps and the Works Progress Administration transformed the lake with more recreational and leisure amenities. World War II brought increased military uses that included a POW camp for German officers. Those early city leaders could hardly know that the lake they were creating 10 miles outside of Dallas would become an urban oasis enjoyed by over two million visitors a year.
In 1936, Texas commemorated the 100th anniversary of its independence from Mexico with a series of statewide celebrations. A central exposition was proposed, with four cities waging a sometimes bitter campaign to secure the rights to stage this auspicious event. At stake for the host city was unparalleled national exposure and a strong economic boost in the midst of the Great Depression. Using the existing grounds and buildings at Fair Park as the basis of its bid, Dallas outhustled and outspent its competitors to be designated as the host city of the 1936 Texas Centennial Exposition. The fair was planned by chief architect George Dahl with legions of talented designers and artists who collaborated to produce one of the great American world's fairs of the 1930s. In addition to the centennial celebration, 1936 marked the 50th anniversary of Fair Park as the site of the great State Fair of Texas. Many of the exhibition structures, livestock barns, and sports and performance venues built for the fair over the previous 50 years were incorporated into the new layout and design of the exposition. The architectural style that was applied to the old and new buildings at Fair Park was described as "Texanic," a combination of Texas iconography and classical motifs with the more spare, streamlined regimen of the moderne style. The result was a revelation to the millions of visitors that attended the Texas Centennial Exposition in 1936.
Tuck this book under your arm, jump in your car, and get ready to discover the ghosts of North Texas! These aren't tall tales-these are stories about places you can visit on your own ghost-hunting excursion!
Based on the popular Lost In Michigan website that was featured in the Detroit Free Press, It contains locations throughout Michigan, and tells their interesting story. There are over 50 stories and locations that you will find fascinating.
Although founded in 1841, Dallas did not experience significant growth until 1873 when the Texas and Pacific (T&P) Railroad crossed the Houston and Texas Central Railroad (H&TC) near downtown. Securing these railroads led to a prolific building boom that has never fully ended, even during the Great Depression and subsequent world wars. Dallas's ability to sustain growth and development as a banking and commercial center led to the demolition of much of the early built environment, a trend that continues even today. Lost Dallas explores and documents those buildings, neighborhoods, and places that have been lost and even forgotten since the city's modest antebellum beginning.
Monsters have been spotted everywhere, not just hiding under a child’s bed, lurking in the closet, or springing forth from folkloric tales. For many people, monsters are nothing more than myth, folklore, and legend combined. For others—and particularly those who have encountered monstrous forms surfacing and emerging from shadowy caves, from the dark waters of ancient lakes, and from the vast jungles and forests of our worlds—monsters are all too terrifyingly real. Werewolves, Bigfoot, the Loch Ness Monster, the Chupacabra, Mothman, the Abominable Snowman, and sea serpents may represent the most famous monsters, but they are not alone. In fact, quite the opposite: monsters can be found all across the planet. Exploring the history, folklore, pop culture, and the world of the supernatural, The Monster Book: Creatures, Beasts, and Fiends of Nature is a comprehensive resource of the monster menagerie that exists on planet earth. This fascinating look at monsters has 120 photographs, drawings, and illustrations to bring the nearly 200 entries to life, including The Mongolian Death Worm; The Beast of Bray Road; The Owlman of England; The Yeren of China; Mokele Mbembe; Living Pterosaurs; The Flatwoods Monster; The Labynkyr Devil; Alien Big Cats; Lizard Man; Lake Worth Monster; The Beast of Gevaudan; Megalania, the Monstrous Monitor; South American Sasquatch; Nessie’s lesser known cousin; The Jersey Devil; Sea Serpents; Orang Pendek; and Phantom Black Dogs. Stories of these creatures are told around flickering campfires on chilly nights in the woods, before tucking excited kids into bed, on prime-time television documentaries, and on late-night radio talk shows. Tales of terrifying creatures that the world of science assures us don’t exist. But try telling that to the witnesses. This richly researched reference overflows with fascinating information to make readers think about—and reconsider—their next visit to the woods. This fascinating read also includes a helpful bibliography and an extensive index, adding to its usefulness.
A luminous and heartfelt collection of mourning poetry. Over the course of two decades and six books, Peter Markus has been making fiction out of a lexicon shaped by the wordsbrother and fish and mud. In an essay on Markus's work, Brian Evenson writes, "If it's not clear by now, Markus's use of English is quite unique. It is instead a sort of ritual speech, an almost religious invocation in which words themselves, through repetition, acquire a magic or power that revives the simpler, blunter world of childhood." Now, in his debut book of poems, When Our Fathers Return to Us as Birds,Markus tunes his eye and ear toward a new world, a world where father is the new brother, a world where the father's slow dying and eventual death leads Markus, the son, to take a walk outside to "meet my shadow in the deepening shade." In this collection, a son is simultaneously caring for his father, losing his father, and finding his dead father in the trees and the water and the sky. He finds solace in the birds and in the river that runs between his house and his parents' house, with its view of the shut-down steel mill on the river's other side, now in the process of being torn down. The book is steadily punctuated by this recurring sentence that the son wakes up to each day: My father is dying in a house across the river.The rhythmic and recursive nature to these poems places the reader right alongside the son as he navigates his journey of mourning. These are poems written in conversation with the poems of Jack Gilbert, Linda Gregg, Jim Harrison, Jane Kenyon, Raymond Carver, Theodore Roethke too—poets whose poems at times taught Markus how to speak. "In a dark time . . .," we often hear it said, "there are no words." But the truth is, there are always words. Sometimes our words are all we have to hold onto, to help us see through the darkened woods and muddy waters, times when the ear begins to listen, the eye begins to see, and the mouth, the body, and the heart, in chorus, begin to speak. Fans of Markus's work and all of those who are caring for dying parents or grieving their loss will find comfort, kinship, and appreciation in this honest and beautiful collection.
In 1909, Dallas city leaders approved the damming of White Rock Creek to create a new water source for the increasing needs of a growing city. As a result, so much of the life and history of Dallas has echoed through the life and history of White Rock Lake. In the early decades, the lake was home to many private summer homes and boat houses, as well as hunting and fishing clubs. Soon thereafter, a bathing beach, sailing clubs, public boathouses, and picnic facilities were added. The Civilian Conservation Corps and the Works Progress Administration transformed the lake with more recreational and leisure amenities. World War II brought increased military uses that included a POW camp for German officers. Those early city leaders could hardly know that the lake they were creating 10 miles outside of Dallas would become an urban oasis enjoyed by over two million visitors a year.
Taylor Nichols is a young writer who pens obscure historical guidebooks about his hometown, San Antonio, Texas. His work receives little notice until he unearths a 100 year old mystery that the powerful had hoped would never be uncovered. How far will the city's power brokers go to silence Taylor and his band of friends known as The Travis Club? Intrigue and romance bring this mystery alive in a one of a kind city, San Antonio.
