Interweaving academic theory, (auto)ethnography, and memoir-styled narrative, Christopher M. Driscoll explores what the “white devil” trope means for understanding and responding to tensions emerging from toxic white masculinity. The book provides a historical and philosophical account of the “white devil” as it appears in the stories and myths of various black religious and philosophical traditions, particularly as these traditions are expressed through the contemporary cultural expression of hip-hop. Driscoll argues that the trope of the white devil emerges from a self-hatred in many white men that is concealed (and revealed) through various defence mechanisms – principally, anger – and the book provides rich ground to discuss the relationship between perceptions of self (i.e. who we are), emotional regulation, and our behaviour towards others (i.e. how we act).
A thoughtful, insider view of The Five Percenters-a deeply complex and misunderstood community whose ideas and symbols influenced the rise of hip-hop. Misrepresented in the media as a black parallel to the Hell's Angels, portrayed as everything from a vicious street gang to quasi- Islamic revolutionaries, The Five Percenters are a movement that began as a breakaway sect from the Nation of Islam (NOI) in 1960s Harlem and went on to impact the formation of hip-hop. References to Five Percent language and ideas are found in the lyrics of wide-ranging artists, such as Nas, Rakim, the Wu-Tang Clan, and even Jay-Z. The Five Percenters are denounced by white America as racists, and orthodox Islam as heretics, for teaching that the black man is Allah. Michael Muhammad Knight ("the Hunter S. Thompson of Islamic literature" -The Guardian) has engaged this culture as both white and Muslim; and over the course of his relationship with The Five Percenters, his personal position changed from that of an outsider to an accepted participant with his own initiatory name (Azreal Wisdom). This has given him an intimate perch from which to understand and examine the controversial doctrines of this influential movement. In Why I Am a Five Percenter, Knight strips away years of sensationalism to offer a serious encounter with Five Percenter thought. Encoded within Five Percent culture is a profound critique of organized religion, from which the movement derives its name: Only Five Percent can act as "poor righteous teachers" against the evil Ten Percent, the power structure which uses religion to deceive the Eighty- Five Percent, the "deaf, dumb, and blind" masses. Questioning his own relationship to the Five Percent, Knight directly confronts the community's most difficult teachings. In Why I Am a Five Percenter, Knight not only illuminates a thought system that must appear bizarre to outsiders, but he also brilliantly dissects the very issues of"insiders" and "outsiders," territory and ownership, as they relate to religion and privilege, and to our conditioned ideas about race.
Khalil Amani has done it again! With his third installment of the Ghetto Religiosity series, Amani brings it home like fish & grits! He has done to religion what your mama does in the kitchen-Put his foot all up in it! Of great interest is Amani's critique and analysis of his former teacher, Yahweh Ben Yahweh. Amani cogently deconstructs Yahweh theology with the precision of a neurosurgeon, giving us a detailed account of Yahweh teachings, which have been exposed as plagiarisms from the Nation of Islam among others. Perhaps most controversial is Amani's scathing and blistering attack on 9/11 and our religious and secular perceptions/ideas about why this tragedy occurred. Amani takes exception to and rejects the pseudo-religiosity of 9/11. In his usual hard-core fashion, Amani puts God's business on front-street and asks the critical questions about God's whereabouts in our time of need. This book is not for the faint of heart! Truths Hurt
Since slavery times African-American religious thinkers have struggled to answer this question: Is Christianity a source of liberation or a source of oppression? In a study that reviews representative thinkers over the last fifty years, Mark Chapman reviews the variety of ways that African-Americans have addressed this problem and how it has informed their work and lives. Beginning with Benjamin Mays, the leading Negro theologian of the post-World War II period, Chapman explores the critical implications of this question right up to the present day. The pivotal turning point in this period is the emergence of the Black Power movement in the 1960s. Sparked in part by the challenge of the Black Muslims, for whom Christianity was simply the white man's religion, inherently racist and oppressive, the era of Black Power saw the rise of militant Black theologies as well. After analyzing the work of the Muslim Elijah Muhammad, Chapman turns to the pioneering work of Black theologians Albert Cleage and James H. Cone. Chapman demonstrates the differences but also uncovers surprising lines of continuity between the older Negro theologians and the later Black theologians, particularly in their efforts to uncover the truly liberative potential of Christianity. 'Christianity on Trial' concludes by exploring the recent emergence of womanist theology. As articulated by Delores S. Williams and other African-American women, womanist theology challenges not only the patriarchal aspects of historical Christianity, but the same limitations in previous Black theologies.
Jim Crow refers to a set of laws in many states, predominantly in the South, after the end of Reconstruction in 1877 that severely restricted the rights and privileges of African Americans. As a caste system of enormous social and economic magnitude, the institutionalization of Jim Crow was the most significant element in African American life until the 1960s Civil Rights Movement led to its dismantling. Racial segregation, as well as responses to it and resistance against it, dominated the African American consciousness and continued to oppress African Americans and other minorities, while engendering some of the most important African American contributions to society. This major encyclopedia is the first devoted to the Jim Crow era. The era is encapsulated through more than 275 essay entries on such areas as law, media, business, politics, employment, religion, education, people, events, culture, the arts, protest, the military, class, housing, sports, and violence as well as through accompanying key primary documents excerpted as side bars. This set will serve as an invaluable, definitive resource for student research and general knowledge. The authoritative entries are written by a host of historians with expertise in the Jim Crow era. The quality content comes in an easy-to-access format. Readers can quickly find topics of interest, with alphabetical and topical lists of entries in the frontmatter, along with cross-references to related entries per entry. Further reading is provided per entry. Dynamic sidebars throughout give added insight into the topics. A chronology, selected bibliography, and photos round out the coverage. Sample entries include Advertising, Affirmative Action, Armed Forces, Black Cabinet, Blues, Brooklyn Dodgers, Bolling v. Sharpe, Confederate Flag, Congress of Racial Equality (CORE), Detroit Race Riot 1943, Ralph Ellison, Eyes on the Prize, G.I. Bill, Healthcare, Homosexuality, Intelligence Testing, Japanese Internment, Liberia, Minstrelsy, Nadir of the Negro, Poll Taxes, Rhythm and Blues, Rural Segregation, Sharecropping, Sundown Towns, Booker T. Washington, Works Project Administration, World War II.
In Journey to the End of Islam, Michael Muhammad Knight — whose work has led to him being hailed as both the Jack Kerouac and Hunter S. Thompson of American Islam — wanders through Muslim countries, navigating between conflicting visions of his religion. Visiting holy sites in Pakistan, Syria, Egypt, and Ethiopia, Knight engages both the puritanical Islam promoted by Saudi globalization and the heretical strands of popular folk Islam: shrines, magic, music, and drugs. The conflict of “global” and “local” Islam speaks to Knight’s own experience approaching the Islamic world as a uniquely American Muslim with his own sources: the modern mythologies of the Nation of Islam and Five Percenters, as well as the arguments of Progressive Muslim thinkers for feminism and reform. Knight’s travels conclude at Islam’s spiritual center, the holy city of Mecca, where he performs the hajj required of every Muslim. During the rites of pilgrimage, he watches as all variations of Islam converge in one place, under the supervision of Saudi Arabia’s religious police. What results is a struggle to separate the spiritual from the political, Knight searching for a personal relationship to Islam in the context of how it's defined by the external world.
From Malcolm X to the Wu Tang Clan, the first in-depth account of this fascinating black power movement With a cast of characters ranging from Malcolm X to 50 Cent, Knight’s compelling work is the first detailed account of the movement inextricably linked with black empowerment, Islam, New York, and hip-hop. Whether discussing the stars of Five Percenter rap or 1980s crack empires, this fast-paced investigation uncovers the community’s icons and heritage, and examines its growing influence in urban American youth culture.
How is race defined and perceived in America today, and how do these definitions and perceptions compare to attitudes 100 years ago... or 200 years ago? This four-volume set is the definitive source for every topic related to race in the United States. In the 21st century, it is easy for some students and readers to believe that racism is a thing of the past; in reality, old wounds have yet to heal, and new forms of racism are taking shape. Racism has played a role in American society since the founding of the nation, in spite of the words "all men are created equal" within the Declaration of Independence. This set is the largest and most complete of its kind, covering every facet of race relations in the United States while providing information in a user-friendly format that allows easy cross-referencing of related topics for efficient research and learning. The work serves as an accessible tool for high school researchers, provides important material for undergraduate students enrolled in a variety of humanities and social sciences courses, and is an outstanding ready reference for race scholars. The entries provide readers with comprehensive content supplemented by historical backgrounds, relevant examples from primary documents, and first-hand accounts. Information is presented to interest and appeal to readers but also to support critical inquiry and understanding. A fourth volume of related primary documents supplies additional reading and resources for research.
