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From the Greek Revival grandeur of Belle Helene, to the Moorish fantasy of Longwood, to the simplicity of Rosella, the plantation homes of Louisiana and the Natchez area powerfully recall the brief flowering of the unique civilization of the Old South. In their noble façades, sculptured interiors, and scattered outbuildings can be seen the feudal splandor of the great cotton and sugar planters, and the doomed glory of the Confederate war effort. In these 120 resonant full-color photographs, David King Gleason fully captures the aura of Louisiana's plantation homes -- some beautiful in the morning light, some shaded by trees and hanging moss, some crumbling in decay and neglect. Taking each house on its own terms, Gleason's photographs present the buildings and their environs sharply and without deception. Accompanying the photographs are captions that give a brief architectural evaluation of each house and provide notes on its construction, history, and present condition. Gleason has organized his book as a journey along the waterways that were the lifeline of Louisiana's plantations, their link to New Orleans and to the markets and factories of the North. Beginning in the vicinity of New Orleans and the lower Mississippi, Gleason presents such houses as Evergreen, with its columns and twin circular staircases; the exuberant San Francisco; and Oak Alley, set at the end of a spectacular avenue of 28 oak trees. Continuing along the bayous that lead into the western part of the state, he shows us the palatial Madewoood, constructed from seasoned timbers and 60,000 slave-made bricks; the meticulously restored Shadows-on-the-Teche; the ramshackle Darby House; and Bubenzer, which served as a Union army headquarters during the Civil War.From Cane River country and north Louisiana, the photographs portray Magnolia, burned by Union troops and then rebuilt to its original specifications; Melrose, built in the early 1830s by a freed slave; and Oakland, the location for the Civil War movie The Horse Soldiers. Moving overland towards Natchez; the elaborate, octagonal Longwood; Rosemont, the boyhood home of Jefferson Davis; Oakley, where John James Audubon was once engaged as a tutor; and Rosedown, with its elaborate gardens.Continuing south of Baton Rouge along the River Road, Gleason closes his tour with homes including Mount Hope, built in the eighteenth century; Nottoway, the largest plantation home in the South, completed on the eve of the Civil War; Indian Camp, a leprosarium for most of its existence; and the pillared galleries of Belle Helene. The plantation homes of Louisiana were highly personal expressions of pride and faith in the future. Yet the building of these spectacular monuments was a brief phenomenon. In the wake of the Civil War, the South's economy was devoted to survival, not luxury. A tribute to the plantation home, David King Gleason's photographs reveal the beauty, grandeur, and poignance of these monuments.
During the 1930s in the United States, the Works Progress Administration developed the Federal Writers’ Project to support writers and artists while making a national effort to document the country’s shared history and culture. The American Guide series consists of individual guides to each of the states. Little-known authors—many of whom would later become celebrated literary figures—were commissioned to write these important books. John Steinbeck, Saul Bellow, Zora Neale Hurston, and Ralph Ellison are among the more than 6,000 writers, editors, historians, and researchers who documented this celebration of local histories. Photographs, drawings, driving tours, detailed descriptions of towns, and rich cultural details exhibit each state’s unique flavor. The WPA Guide to Georgia describes the rich historical and cultural background of America’s Peach State. With varied and interesting photos, the guide gives readers a real taste as to what sweet southern living was like in the 1940’s, all the way from the top of the Blue Ridge Mountains down to the roaring Mississippi River valley.
From the stately Gothic Revival and Regency-style houses of Savannah to the majestic, multicolumned plantation homes that punctuate rolling farmlands throughout the state, David King Gleason presents a splendid pictorial record of Georgia's fines pre-Civil War residences.The book begins with the town houses of Savannah, which include such landmark residences as the Andrew Low House, built in 1848 in the style of an early Victorian Renaissance villa, and the imposing Gree-Heldrim House, a Gothic Revival mansion that was the most expensive house built in Savannah prior to the Civil War. Wild Heron, located just south of Savannah on the Little Ogeechee River, is the oldest plantation house still standing in Georgia. A one-and-a-half story farmhouse built in the style of a West India cottage, it is being restored to reflect the period of the early 1800s.Farther to the interior, in the area around Augusta, are such homes as Fruitlands, now the clubhouse of the Augusta national Golf Club; Meadow Garden; Ware's Folly; and Montrose, built in 1849 and one of the Loveliest Greek Revival houses in the area. Houses photographed along the Plantation Trail, from Athens to Macon, include the white-columned President's House, home since 1949 to the presidents of the University of Georgia; the Howell Cobb House, in Athens; Whitehall, in Covington; Glan Mary, in Sparta; and the Woodruff House, in Macon.Gleason devotes considerable attention to the homes of the western side of the state, from Chickamauga to Thomasville. The Gordon-Lee House, constructed in 1847, was headquarters fro the Union army during the battle of chickamauga. Other houses in this part of Georgia are valley View, which overlooks the Etowah River, west of Cartersville; the Archibald Howell House, near downtown Marietta; Lovejoy, in Clayton Country; The oaks, in the vicinity of LaGrange; and Greenwood and Pebble Hill, near Thomasville.In all, Gleason captures more than one hundred of Georgia's most beautiful antebellum homes, including many lesser-known houses. In addition to exterior photographs, Antebellum Homes of Georgia contains a number of interior views as well as aerial photographs that show the relationship between the houses and their environs: outbuildings, formal gardens, and recd clay fields that were once white with cotton. Captions provide brief histories of the houses and their owners as weel as notes on construction and outstanding architectural details.
The middle Georgia area is a vast living museum of classic southern architecture. First published in 1972, this sweeping survey remains one of the best books on the topic, covering primitive, Gothic, Greek Revival, and Victorian styles, and beyond.
compiled and written by workers of the Writer®s program of the Work Projects Administration in the state of Georgia ; sponsored by the Georgia Board of Education.
At the heart of Georgia's secession from the Union in 1861 were two ideological cornerstones--the protection of white men's liberty and the defense of African slavery--Anthony Gene Carey argues in this comprehensive, analytical narrative of the three decades leading up to the Civil War. In Georgia, broad consensus on political essentials restricted the range of state party differences and the scope of party debate, but Whigs and Democrats battled intensely over how best to protect Southern rights and institutions within the Union. The power and security that national party alliances promised attracted Georgians, but the compromises and accommodations that maintaining such alliances required also repelled them. By 1861, Carey finds, white men who were out of time, fearful of further compromise, and compelled to choose acted to preserve liberty and slavery by taking Georgia out of the Union. Secession, the ultimate expression of white unity, flowed logically from the values, attitudes, and antagonisms developed during three decades of political strife.
Individual case studies explore the artisans' worlds on a more personal level, introducing us to the lives and work of such individuals as William Price Talmage, a journeyman; Reuben King, an artisan who became a planter; and Jett Thomas, one of the first master builders to leave his mark on Georgia's architecture."--BOOK JACKET.
Too often, Wallace Hettle points out, studies of politics in the nineteenth-century South reinforce a view of the Democratic Party that is frozen in time on the eve of Fort Sumter--a deceptively high point of white racial solidarity. Avoiding such a "Civil War synthesis," The Peculiar Democracy illuminates the link between the Jacksonian political culture that dominated antebellum debate and the notorious infighting of the Confederacy. Hettle shows that war was the greatest test of populist Democratic Party rhetoric that emphasized the shared interests of white men, slaveholder and nonslaveholder alike. The Peculiar Democracy analyzes antebellum politics in terms of the connections between slavery, manhood, and the legacies of Jefferson and Jackson. It then looks at the secession crisis through the anxieties felt by Democratic politicians who claimed concern for the interests of both slaveholders and nonslaveholders. At the heart of the book is a collective biography of five individuals whose stories highlight the limitations of democratic political culture in a society dominated by the "peculiar institution." Through narratives informed by recent scholarship on gender, honor, class, and the law, Hettle profiles South Carolina's Francis W. Pickens, Georgia's Joseph Brown, Alabama's Jeremiah Clemens, Virginia's John Rutherfoord, and Mississippi's Jefferson Davis. The Civil War stories presented in The Peculiar Democracy illuminate the political and sometimes personal tragedy of men torn between a political culture based on egalitarian rhetoric and the wartime imperatives to defend slavery.
