Sixteen-year-old Ivy Archer is arguably the best warrior-in-training Gob Hollow has ever seen. Yet everyone—except her best friend she suddenly has other feelings for—looks down on her because she's only half goblin. She’s always suspected her other half might be human. But humans, Ivy’s been told, aren’t real... When the prince of their kingdom is taken for ransom, it’s Ivy's big chance to prove her worth. And when she learns his captors are human, the rescue mission becomes personal. The stories were clearly wrong, and now she has a chance to find the truth about her lineage—if she survives. With her best-friend-turned-crush and a small band of warriors, Ivy sets out to find the prince and her human family. But the answers lie within secrets...and conspiracies run far deeper than she ever imagined.
The bestselling, award-winning author of The Midnight Library offers his funniest, most devastating dark comedy yet, a “silly, sad, suspenseful, and soulful” (Philadelphia Inquirer) novel that’s “full of heart” (Entertainment Weekly). When an extra-terrestrial visitor arrives on Earth, his first impressions of the human species are less than positive. Taking the form of Professor Andrew Martin, a prominent mathematician at Cambridge University, the visitor is eager to complete the gruesome task assigned him and hurry home to his own utopian planet, where everyone is omniscient and immortal. He is disgusted by the way humans look, what they eat, their capacity for murder and war, and is equally baffled by the concepts of love and family. But as time goes on, he starts to realize there may be more to this strange species than he had thought. Disguised as Martin, he drinks wine, reads poetry, develops an ear for rock music, and a taste for peanut butter. Slowly, unexpectedly, he forges bonds with Martin’s family. He begins to see hope and beauty in the humans’ imperfection, and begins to question the very mission that brought him there. Praised by The New York Times as a “novelist of great seriousness and talent,” author Matt Haig delivers an unlikely story about human nature and the joy found in the messiness of life on Earth. The Humans is a funny, compulsively readable tale that playfully and movingly explores the ultimate subject—ourselves.
NASA Astrobiologist and renowned scientist Dr. David Grinspoon brings readers an optimistic message about humanity's future in the face of climate change. For the first time in Earth's history, our planet is experiencing a confluence of rapidly accelerating changes prompted by one species: humans. Climate change is only the most visible of the modifications we've made--up until this point, inadvertently--to the planet. And our current behavior threatens not only our own future but that of countless other creatures. By comparing Earth's story to those of other planets, astrobiologist David Grinspoon shows what a strange and novel development it is for a species to evolve to build machines, and ultimately, global societies with world-shaping influence. Without minimizing the challenges of the next century, Grinspoon suggests that our present moment is not only one of peril, but also great potential, especially when viewed from a 10,000-year perspective. Our species has surmounted the threat of extinction before, thanks to our innate ingenuity and ability to adapt, and there's every reason to believe we can do so again. Our challenge now is to awaken to our role as a force of planetary change, and to grow into this task. We must become graceful planetary engineers, conscious shapers of our environment and caretakers of Earth's biosphere. This is a perspective that begs us to ask not just what future do we want to avoid, but what do we seek to build? What kind of world do we want? Are humans the worst thing or the best thing to ever happen to our planet? Today we stand at a pivotal juncture, and the answer will depend on the choices we make.
* Philip K. Dick Award Winner * Best of the Year:Locus, Village Voice, San Francisco Chronicle, Book Magazine * Nominated for the Impac Award Charley is an athlete. He wants to grow up to be the fastest runner in the world, like his father. He wants to be painted crossing the finishing line, in his racing silks, with a medal around his neck. Charley lives in a stable. He isn''t a runner, he''s a mount. He belongs to a Hoot: The Hoots are alien invaders. Charley hasn''t seen his mother for years, and his father is hiding out in the mountains somewhere, with the other Free Humans. The Hoots own the world, but the humans want it back. Charley knows how to be a good mount, but now he''s going to have to learn how to be a human being. "I''ve been a fan of Carol Emshwiller''s since the wonderfulCarmen Dog. The Mount is a terrific novel, at once an adventure story and a meditation on the psychology of freedom and slavery. It''s literally haunting (days after finishing it, I still think about all the terrible poetry of the Hoot/Sam relationship) and hypnotic. I''m honored to have gotten an early look at it." --Glen David Gold "Carol Emshwiller''sThe Mount is a wicked book. Like Harlan Ellison''s darkest visions, Emshwiller writes in a voice that reminds us of the golden season when speculative fiction was daring and unsettling. Dystopian, weird, comedic as if the Marquis de Sade had joined Monty Python, and ultimately scary,The Mounttakes us deep into another reality. Our world suddenly seems wrought with terrible ironies and a severe kind of beauty. When we are the mounts, who--or what--is riding us? --Luis Alberto Urrea "We are all Mounts and so should read this book like an instruction manual that could help save our lives. That it is also a beautiful funny novel is the usual bonus you get by reading Carol Emshwiller. She always writes them that way." --Kim Stanley Robinson "This novel is like a tesseract, I started it and thought, ah, I see what she''s doing. But then the dimensions unfolded and somehow it ended up being about so much more." --Maureen F. McHugh "The Mount is so extraordinary as to be unpraiseable by a mortal such as I. I had to keep putting it down because it was so disturbing then picking it up because it was so amazing. A postmodernist would call it The Eros of Hegemony, but I''m no postmodernist. Nearly every sentence is simultaneously hilarious, prophetic, and disturbing. This person needs to be really, really famous." --Paul Ingram, Prairie Lights Bookstore "Brilliantly conceived and painfully acute in its delineation of the complex relationships between masters and slaves, pets and owners, the served and the serving, this poetic, funny and above all humane novel deserves to be read and cherished as a fundamental fable for our material-minded times." --Publishers Weekly "Adult/High School - This veteran science-fiction writer is known for original plots and characters, and her latest novel does not disappoint, offering an extraordinary, utterly alien, and thoroughly convincing culture set in the not-too-distant future. Emshwiller brings readers immediately into the action, gradually revealing the takeover of Earth by the Hoots, otherworldly beings with superior intelligence and technology. Humans have become the Hoots'' "mounts," and, in the case of the superior Seattle bloodline, valuable racing stock. Most mounts are well off, as the Hoots constantly remind them, and treated kindly by affectionate owners who use punishment poles as rarely as possible. No one agrees more than principal narrator Charley, a privileged young Seattle whose rider-in-training will someday rule the world. The adolescent mount''s dream is of bringing honor to his beloved Little Master by becoming a great champion like Beauty, his sire, whose portrait decorates many Hoot walls. When Charley learns that his father now leads the renegade bands called Wilds, he and Little Master flee. This complex and compelling blend of tantalizing themes offers numerous possibilities for speculation and discussion, whether among friends or in the classroom." --School Library Journal "Emshwiller''s prose is beautiful" --Laura Miller,Salon "The Mountis a brilliant book. But be warned: It takes root in the mind and unleashes aftershocks at inopportune moments." --The Women''s Review of Books "Carol Emshwiller has been writing fantasy, speculative and science fiction for many years; she has a dedicated cult following and has been an influence on a number of today''s top writers.... it is very easy to fall into the rhythm of Emshwiller''s poetic and smooth sentences." --Review of Contemporary Fiction "Emshwiller''s themes--the allure of submission, the temptations of complicity, the perverse nature of compassion--are not usual fare in novels of resistance and revolt, and her strikingly imaginative novel continues to surpass our expectations to the very last page." --The Philadelphia Inquirer "Both fantastical and unnerving in its familiarity. And like her work in romance and westerns, its genre-twisting plot resists easy classification." --The Village Voice "Emshwiller uses a deceptively simple narrative voice that givesThe Mount the style of a young-adult novel. But there''s much going on beneath the surface of this narrative, including oblique flashes of humor and artfully articulated moments of psychological insight. The Mount emerges as one of the season''s unexpected small pleasures." --San Francisco Chronicle "A memorable alien-invasion scenario, a wild adventure, and a reflection on the dynamics of freedom and slavery." --Booklist "A brilliant piece of work." --Bookslut "...a beautifully written allegorical tale full of hope that even the most unenlightened souls can shrug off the bonds of internalized oppression and finally see the light." --BookPage "A fable/fantasy/cautionary tale along the lines of, say,Animal Farm. It''s the story of Charlie, a preadolescent human who''s being used as a horse by shoulder-riding alien invaders known as Hoots. Charlie wants nothing more than to become a great Mount, a loyal slave and servant, until his father, a renegade Mount who has fled from the Hoots and now lives in the mountains, comes to take him away. Like so much of Emshwiller''s work,The Mount asks difficult questions--in this case, What is freedom? The issue is particularly appropriate at a time when "freedom" in America is increasingly defined as "security"--freedom from uncertainty, freedom from fear, freedom from want. All of which is, in the end, not really freedom at all."--Time Out New York "In a recent interview withScience Fiction Weekly, Ursula Le Guin called Emshwiller "the most unappreciated great writer we''ve got."The Mount proves Le Guin right.... If Emshwiller is not already on your top bookshelf,The Mount will put her there." --Rambles Carol Emshwiller''s stories have appeared inThe Magazine of Fantasy & Science Fiction, Century, Scifiction, Lady Churchill''s Rosebud Wristlet, TriQuarterly, Transatlantic Review, New Directions, Orbit, Epoch, The Voice Literary Supplement, Omni, Crank!, Confrontation, Trampoline, McSweeney''s Mammoth Treasury of Thrilling Tales, and many other anthologies and magazines. Carol is a MacDowell Colony Fellow and has been awarded an NEA grant, a New York State Creative Artists Public Service grant, a New York State
An interdisciplinary and quantitative account of human claims on the biosphere's stores of living matter, from prehistoric hunting to modern energy production. The biosphere—the Earth's thin layer of life—dates from nearly four billion years ago, when the first simple organisms appeared. Many species have exerted enormous influence on the biosphere's character and productivity, but none has transformed the Earth in so many ways and on such a scale as Homo sapiens. In Harvesting the Biosphere, Vaclav Smil offers an interdisciplinary and quantitative account of human claims on the biosphere's stores of living matter, from prehistory to the present day. Smil examines all harvests—from prehistoric man's hunting of megafauna to modern crop production—and all uses of harvested biomass, including energy, food, and raw materials. Without harvesting of the biomass, Smil points out, there would be no story of human evolution and advancing civilization; but at the same time, the increasing extent and intensity of present-day biomass harvests are changing the very foundations of civilization's well-being. In his detailed and comprehensive account, Smil presents the best possible quantifications of past and current global losses in order to assess the evolution and extent of biomass harvests. Drawing on the latest work in disciplines ranging from anthropology to environmental science, Smil offers a valuable long-term, planet-wide perspective on human-caused environmental change.
Soon to be a major film—starring Kelly Macdonald and Damien Lewis! From the bestselling author of The Midnight Library—an “irresistible...full of clever turns, darkly hilarious spins...Even if you're suffering from vampire fatigue...The Radleys is a fun, fresh contribution to the genre” (Associated Press). Just about everyone knows a family like the Radleys. Many of us grew up next door to one. They are a modern family, averagely content, averagely dysfunctional, living in a staid and quiet suburban English town. Peter is an overworked doctor whose wife, Helen, has become increasingly remote and uncommunicative. Rowan, their teenage son, is being bullied at school, and their anemic daughter, Clara, has recently become a vegan. They are typical, that is, save for one devastating exception: Peter and Helen are vampires and have—for seventeen years—been abstaining by choice from a life of chasing blood in the hope that their children could live normal lives. One night, Clara finds herself driven to commit a shocking—and disturbingly satisfying—act of violence, and her parents are forced to explain their history of shadows and lies. A police investigation is launched that uncovers a richness of vampire history heretofore unknown to the general public. And when the malevolent and alluring Uncle Will, a practicing vampire, arrives to throw the police off Clara’s trail, he winds up throwing the whole house into temptation and turmoil and unleashing a host of dark secrets that threaten the Radleys’ marriage. The Radleys is a moving, thrilling, and radiant domestic novel that explores with daring the lengths a parent will go to protect a child, what it costs you to deny your identity, the undeniable appeal of sin, and the everlasting, iridescent bonds of family love. Read it and ask what we grow into when we grow up, and what we gain—and lose—when we deny our appetites.
A top researcher proposes a controversial new theory of human evolution in a book “combining the thrill of a novel with a remarkable depth of perspective” (Nature). In this groundbreaking and engaging work of science, world-renowned paleoanthropologist Chris Stringer sets out a new theory of humanity’s origin, challenging both the multiregionalists (who hold that modern humans developed from ancient ancestors in different parts of the world) and his own “out of Africa” theory, which maintains that humans emerged rapidly in one small part of Africa and then spread to replace all other humans within and outside the continent. Stringer’s new theory, based on archeological and genetic evidence, holds that distinct humans coexisted and competed across the African continent—exchanging genes, tools, and behavioral strategies. Stringer draws on analyses of old and new fossils from around the world, DNA studies of Neanderthals (using the full genome map) and other species, and recent archeological digs to unveil his new theory. He shows how the most sensational recent fossil findings fit with his model, and he questions previous concepts (including his own) of modernity and how it evolved. With photographs included, Lone Survivors will be the definitive account of who and what we were—and will change perceptions about our origins and about what it means to be human. “An essential book for anyone interested in psychology, sociology, anthropology, human evolution, or the scientific process.” —Library Journal “Highlights just how many tantalizing discoveries and analytical advances have enriched the field in recent years.” —Literary Review
Could “UFOs” and “Aliens” simply be us, but from the future? This provocative new book cautiously examines the premise that extraterrestrials may instead be our distant human descendants, using the anthropological tool of time travel to visit and study us in their own hominin evolutionary past. Dr. Michael P. Masters, a professor of biological anthropology specializing in human evolutionary anatomy, archaeology, and biomedicine, explores how the persistence of long-term biological and cultural trends in human evolution may ultimately result in us becoming the ones piloting these disc-shaped craft, which are likely the very devices that allow our future progeny to venture backward across the landscape of time. Moreover, these extratempestrials are ubiquitously described as bipedal, large-brained, hairless, human-like beings, who communicate with us in our own languages, and who possess technology advanced beyond, but clearly built upon, our own. These accounts, coupled with a thorough understanding of the past and modern human condition, point to the continuation of established biological and cultural trends here on Earth, long into the distant human future.
“Rutherford describes [The Book of Humans] as being about the paradox of how our evolutionary journey turned ‘an otherwise average ape’ into one capable of creating complex tools, art, music, science, and engineering. It’s an intriguing question, one his book sets against descriptions of the infinitely amusing strategies and antics of a dizzying array of animals.”—The New York Times Book Review Publisher’s Note: The Book of Humans was previously published in hardcover as Humanimal. In this new evolutionary history, geneticist Adam Rutherford explores the profound paradox of the human animal. Looking for answers across the animal kingdom, he finds that many things once considered exclusively human are not: We aren’t the only species that “speaks,” makes tools, or has sex outside of procreation. Seeing as our genome is 98 percent identical to a chimpanzee’s, our DNA doesn’t set us far apart, either. How, then, did we develop the most complex culture ever observed? The Book of Humans proves that we are animals indeed—and reveals how we truly are extraordinary.
