Where Is Peter and Other Stories is a collection of mystery short stories revolving around the characters of the DeCosta family. Although each story has a standalone plotline, the reader will be left pleasantly surprised by the reappearance of the characters they met in earlier stories. Devoid of any thematic connection or a chronological order, the stories provide snippets of the lives of various members of the DeCosta family slowly forming a family portrait. Each story in the collection takes the reader by surprise by unpredictability of events and outcomes. In one of them, a family get-together fails to take off due to the absence of a family member who never arrives. In another, a cat, privy to the goings-on of the family of its benefactor, constantly feels the presence of the benefactor many years after it saw him brought to the house in a hearse. The reader will heave a sigh of relief, following a stab of horror, when Mary realizes that the woman she sees at the theatre is not the same woman she is running away from.
In this powerful and virtuosic collection of interlocking stories, each one "a marvel of concision and compassion" (Washington Post), a National Book Critics Circle Award finalist and "master of his form" (/~i~New York Times) takes the short story to new heights. Through forty-four compressed gems, Peter Orner, a writer who "doesn't simply bring his characters to life, he gives them souls" (NYT Book Review), chronicles people whose lives are at inflection points, gripping us with a series of defining moments. Whether it's a first date that turns into a late-night road trip to a séance in an abandoned airplane hangar, or a family's memories of the painful mystery surrounding a neglected uncle's demise, Orner reveals how our fleeting decisions between kindness and abandonment chase us across time. These stories are anchored by a poignant novella that delivers not only the joys and travails of a forty-year marriage, but an entire era in a working-class New England city. Bristling with the crackling energy of life itself, Maggie Brown & Others marks the most sustained achievement to date for "a master of his form" (New York Times). A New York Times Notable Book A Chicago Tribune Notable Book An Oprah Magazine Best Book of 2019 Kirkus Reviews Best Short Fiction of 2019 Longlisted for the Simpson/Joyce Carol Oates Prize
Mystery Writers of America Grand Master Peter Lovesey presents a collection of short fiction spanning fifty years, including the first story he ever published and three brand-new stories. More than fifty years ago, Peter Lovesey published a short story in an anthology. That short story caught the eye of the great Ruth Rendell, whose praise ignited Lovesey’s lifelong passion for short form crime fiction. On the occasion of his hundredth short story, Peter Lovesey has assembled this devilishly clever collection, eighteen yarns of mystery, melancholy, and mischief, inhabiting such deadly settings as a theater, a monastery, and the book publishing industry. The collection includes the career-launching story, as well as three never-before-published works. And surprising the author himself, the irascible Bath detective, Peter Diamond, "bulldozed his way" into this volume.
In the decade from 1870 to 1880 a new spirit was stirring in the intellectual and literary world of Denmark. George Brandes was delivering his lectures on the Main Currents of Nineteenth Century Literature; from Norway came the deeply probing questionings of the granitic Ibsen; from across the North Sea from England echoes of the evolutionary theory and Darwinism. It was a time of controversy and bitterness, of a conflict joined between the old and the new, both going to extremes, in which nearly every one had a share. How many of the works of that period are already out-worn, and how old-fashioned the theories that were then so violently defended and attacked! Too much logic, too much contention for its own sake, one might say, and too little art. This was the period when Jens Peter Jacobsen began to write, but he stood aside from the conflict, content to be merely artist, a creator of beauty and a seeker after truth, eager to bring into the realm of literature "the eternal laws of nature, its glories, its riddles, its miracles," as he once put it. That is why his work has retained its living colors until to-day, without the least trace of fading. There is in his work something of the passion for form and style that one finds in Flaubert and Pater, but where they are often hard, percussive, like a piano, he is soft and strong and intimate like a violin on which he plays his reading of life. Such analogies, however, have little significance, except that they indicate a unique and powerful artistic personality. Jacobsen is more than a mere stylist. The art of writers who are too consciously that is a sort of decorative representation of life, a formal composition, not a plastic composition. One element particularly characteristic of Jacobsen is his accuracy of observation and minuteness of detail welded with a deep and intimate understanding of the human heart. His characters are not studied tissue by tissue as under a scientist's microscope, rather they are built up living cell by living cell out of the author's experience and imagination. He shows how they are conditioned and modified by their physical being, their inheritance and environment, Through each of his senses he lets impressions from without pour into him. He harmonizes them with a passionate desire for beauty into marvelously plastic figures and moods. A style which grows thus organically from within is style out of richness; the other is style out of poverty.Ê
Peter Rabbit and Other Stories in Koine Greek includes translations from three of Beatrix Potter's beloved children's books, The Tale of Peter Rabbit (1902), The Tale of Benjamin Bunny (1904), and The Tale of the Flopsy Bunnies (1909), with Beatrix Potter's original artwork. The Greek translation uses words, phrases and idioms derived from the Greek New Testament, the Septuagint, and some other ancient Greek sources. Footnoted definitions are given in the stories for words that occur fewer than fifty times in the Greek New Testament, making it a suitable resource for intermediate students of Greek. All words appearing fifty times or fewer in the Greek New Testament have been footnoted and glossed at the bottom of each page making this book a suitable resource for intermediate students of Greek.
With the precision of a surgeon, Peter Stamm cuts to the heart of the fragile and revealing moments of everyday life. They are bankers, students, mothers, or retirees. They live in New York City or somewhere in Switzerland, they work in London or Riga, they cross paths in a Fado bar in Lisbon. They breathe the banal routine of daily life. It is to these ordinary people that Peter Stamm grants center stage in his latest collection of short stories. Henry, a cowherd turned stuntman, crisscrosses the country, dreaming of meeting a woman. Inger, the Dane, refuses her skimpy life and takes off for Italy. Regina, so lonely in her big house since her children left and her husband passed away, discovers the world anew thanks to the Australian friend of her granddaughter, who helps Regina envision her next voyage. In these stories, Stamm's clean style expresses despair without flash, through softness and small gestures, with disarming retorts full of derision and infinite tenderness. There, where life hesitates, ready to tip over—with nothing yet played out—is where these people and their stories exist. For us, they all become exceptional. Praise for Unformed Landscape: "Sensitive and unnerving. . . . An uncommonly intimate work, one that will remind the reader of his or her own lived experience with a greater intensity than many of the books that are published right here at home." —The New Republic Online
