Described by African scholar and literary critic Chielozona Eze as “one of the most prolific African poets of the twenty-first century,” Patricia Jabbeh Wesley composed When the Wanderers Come Home during a four-month visit to her homeland of Liberia in 2013. She gives powerful voice to the pain and inner turmoil of a homeland still reconciling itself in the aftermath of multiple wars and destruction. Wesley, a native Liberian, calls on deeply rooted African motifs and proverbs, utilizing the poetics of both the West and Africa to convey her grief. Autobiographical in nature, the poems highlight the hardships of a diaspora African and the devastation of a country and continent struggling to recover. When the Wanderers Come Home is a woman’s story about being an exile, a survivor, and an outsider in her own country; it is her cry for the Africa that is being lost in wars across the continent, creating more wanderers and world citizens.
Described by African scholar and literary critic Chielozona Eze as "one of the most prolific African poets of the twenty-first century," Patricia Jabbeh Wesley composed When the Wanderers Come Home during a four-month visit to her homeland of Liberia in 2013. She gives powerful voice to the pain and inner turmoil of a homeland still reconciling itself in the aftermath of multiple wars and destruction. Wesley, a native Liberian, calls on deeply rooted African motifs and proverbs, utilizing the poetics of both the West and Africa to convey her grief. Autobiographical in nature, the poems highlight the hardships of a diaspora African and the devastation of a country and continent struggling to recover. When the Wanderers Come Home is a woman's story about being an exile, a survivor, and an outsider in her own country; it is her cry for the Africa that is being lost in wars across the continent, creating more wanderers and world citizens.
Praise Song for My Children celebrates twenty-one years of poetry by one of the most significant African poets of this century. Patricia Jabbeh Wesley guides us through the complex and intertwined highs and lows of motherhood and all the roles that it encompasses: parent, woman, wife, sister, friend. Her work is deeply personal, drawing from her own life and surroundings to convey grief, the bleakness of war, humor, deep devotion, and the hope of possibility. These poems lend an international voice to the tales of motherhood, as Wesley speaks both to the African and to the Western experience of motherhood, particularly black motherhood. She pulls from African motifs and proverbs, utilizing the poetics of both the West and Africa to enrich her striking emotional range. Leading us to the depths of mourning and the heights of tender love, she responds to American police brutality, writing "To be a black woman is to be a woman, / ready to mourn," and remembers a dear friend who is at once "mother and wife and friend and pillar / and warrior woman all in one." Wesley writes poetry that moves with her through life, land, and love, seeing with eyes that have witnessed both national and personal tragedy and redemption. Born in Tugbakeh, Liberia and raised in Monrovia, Wesley emigrated to the United States in 1991 to escape the Liberian civil war. In this moving collection, she invites us to join her as she buries loved ones, explores long-distance connection through social media, and sings bittersweet praises of the women around her, of mothers, and of Africa.
Patricia Jabbeh Wesley and her family fled their native country after suffering tremendous privations and violence during the bloody Liberian Civil War at the end of the 20th Century. These poems are more than the story of one woman who carried her children over dead bodies in the streets where she lived, who fled bombs and constant gunfire, who was locked with her daughters in an internment camp where she witnessed every kind of crime against women. Wesley did more than survive. She helped other women. She wrote. The River Is Rising is more than a collection of poems, it is a story of family, customs, struggle, survival, witness, and love. Originally published by Autumn House Press in 2007, Press 53 returns this important book to print as part of its Silver COncho Poetry Series, edited by Pamela Uschuk and William Pitt Root.
Described by African scholar and literary critic Chielozona Eze as “one of the most prolific African poets of the twenty-first century,” Patricia Jabbeh Wesley composed When the Wanderers Come Home during a four-month visit to her homeland of Liberia in 2013. She gives powerful voice to the pain and inner turmoil of a homeland still reconciling itself in the aftermath of multiple wars and destruction. Wesley, a native Liberian, calls on deeply rooted African motifs and proverbs, utilizing the poetics of both the West and Africa to convey her grief. Autobiographical in nature, the poems highlight the hardships of a diaspora African and the devastation of a country and continent struggling to recover. When the Wanderers Come Home is a woman’s story about being an exile, a survivor, and an outsider in her own country; it is her cry for the Africa that is being lost in wars across the continent, creating more wanderers and world citizens.
The “extraordinary” novel of a teenage gang in the 1960s Bronx, by the New York Times–bestselling author of Clockers and The Whites (Newsweek). The basis for the feature film, The Wanderers tells the story of teenagers on the streets of New York City, coming of age and drifting apart. Tormented by cold-hearted girls and cold-blooded ten-year-olds, maniacal rivals and murderous parents, they are caught between juveniles and adults in a gritty novel filled with “switchblade prose” and “dialogue [that] has the immediacy of overheard subway conversation”—from an award-winning author renowned for his writing on HBO’s The Wire and The Night Of, as well as such modern-day classics as Lush Life and Bloodbrothers (Newsweek). “A kind of teenage Godfather with its own tight structure of morality, loyalty, survival, and reprisal.” —Los Angeles Free Press “The flip side of American Graffiti . . . an amalgam of sex, violence, and humor, glued together with superb dialogue and unsentimental sensitivity.” —Rolling Stone “A superbly written book . . . insights that allow us—at times force us—to feel closer to other human beings whether we like and approve of them or not.” —The New York Times Book Review
In the face of amnesia, how does one exist? In this poem, Hawad speaks directly to Azawad, a silent figure whose name designates a portion of Tuareg lands divided among five nation-states created in the 1960s.
The prodigal. The wanderer. The skeptic. The rebel. Each of us knows someone who has walked away from God, and it is heartbreaking and bewildering. We wonder how to reach out to them and bring them back, but often it seems impossible. Maybe you yourself are the one who has walked away and sees little reason to return to faith and the church. This book's invitation is this: Come home. It invites the departed to return and offers the promise of the gospel—that all wrongs and sins can be forgiven through Jesus. There is no expiration on the promise of forgiveness and the open arms of Christ, so no matter how long the wanderer has wandered, he or she is still welcome. All hurts can be healed, all brokenness mended. Just come home. Whether you are a family member or friend of the prodigal, or whether you are that person, this book offers hope and an open invitation to return the safety of forgiveness and restoration in Jesus.
A decadent rock star. A deeply religious radio host. A disgraced scientist. And a teenage girl who may be the world’s last hope. From the mind of Chuck Wendig comes “a magnum opus . . . a story about survival that’s not just about you and me, but all of us, together” (Kirkus Reviews, starred review). NOMINATED FOR THE BRAM STOKER AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, The Guardian, Kirkus Reviews, Publishers Weekly, Library Journal, Polygon Shana wakes up one morning to discover her little sister in the grip of a strange malady. She appears to be sleepwalking. She cannot talk and cannot be woken up. And she is heading with inexorable determination to a destination that only she knows. But Shana and her sister are not alone. Soon they are joined by a flock of sleepwalkers from across America, on the same mysterious journey. And like Shana, there are other “shepherds” who follow the flock to protect their friends and family on the long dark road ahead. For as the sleepwalking phenomenon awakens terror and violence in America, the real danger may not be the epidemic but the fear of it. With society collapsing all around them—and an ultraviolent militia threatening to exterminate them—the fate of the sleepwalkers depends on unraveling the mystery behind the epidemic. The terrifying secret will either tear the nation apart—or bring the survivors together to remake a shattered world. In development for TV by Glen Mazzara, executive producer of The Walking Dead • Look for the sequel, Wayward, now available! “This career-defining epic deserves its inevitable comparisons to Stephen King’s The Stand.”—Publishers Weekly (starred review) “A suspenseful, twisty, satisfying, surprising, thought-provoking epic.”—Harlan Coben, #1 New York Times bestselling author of Run Away “A true tour de force.”—Erin Morgenstern, New York Times bestselling author of The Night Circus “A masterpiece with prose as sharp and heartbreaking as Station Eleven.”—Peng Shepherd, author of The Book of M “A magnum opus . . . It reminded me of Stephen King’s The Stand—but dare I say, this story is even better.”—James Rollins, #1 New York Times bestselling author of Crucible “An inventive, fierce, uncompromising, stay-up-way-past-bedtime masterwork.”—Paul Tremblay, author of A Head Full of Ghosts and The Cabin at the End of the World “An American epic for these times.”—Charles Soule, author of The Oracle Year
