Wheeling and Dealing is a vivid account of the world inhabited by "wholesale" illicit drug traffickers. Based on six years of participant observation, fieldwork, and extensive interviews in an elite Southern California community of dealers, the book gives a rare glimpse into the decadent yet fascinating "subculture of drug trafficking and unending partying, mixed with occasional cloak-and-dagger subterfuge." This second edition brings the story up to date by revealing the fate of several of Adler's key informants. By tracing their lives over a fifteen-year span, Adler offers a unique longitudinal perspective on deviant careers and the reintegration of dealers into conventional society. She also analyzes the unintended consequences of the federal government's war on drugs, tying it to the increasing violence and organizational sophistication of drug traffickers and the rise of international cartels.
Before his motorcycle accident, Travis saw himself becoming a pro football player. Now, paralyzed from the nipple down, he says, "At times it's a pain in the ass-literally and figuratively. But it allows me to not be as threatening to some people [the way I was when] I was still an athlete. Because a lot of times male interaction is done on the basis of pissing contests: I'm bigger, I'm tougher, I'm stronger, I'm smarter. When you're in a chair, they don't look at you like that." At the same time, Travis complains that many people are uncomfortable interacting with him because of his disability. "I would rather you make a mistake and deal with me than not deal with me at all." Meghan is a high-level quadriplegic, living alone, who uses a power wheelchair and requires daily attendant care. She laments, "There are so many people who think we're asexual, we're not pretty, and we're creeps and weirdoes." To dispel this myth, she envisions a fashion show of women in wheelchairs parading down a runway. Meghan has been involved in a number of sexual relationships since sustaining her injury. While she doesn't think her disability has diminished her sexual pleasure, she feels that it has affected her sexual performance: "Well, you can't move it. You can't, like, bump and grind." In 32 unusually frank in-depth interviews like these, the men and women in this book freely discuss their sex lives, their beliefs about God, how they want others to treat them, and whether they want to walk again. In each chapter the author presents their complex voices and comprehensive research about different facets of spinal cord injury (SCI). Wheeling and Dealing explores the extent to which people with spinal cord injury locate their challenges in their physical impairments or in the social environment. Some disagree with those disability activists who focus almost exclusively on the latter, but the author examines this issue in depth. Topics include: --Physical health from degrees of loss of function to problems like pressure sores, temperature regulation, and bladder control. --The stages of psychological adjustment and rehabilitation. --Obstacles to sexual intimacy, treatment of erectile dysfunction, and new sources of sexual pleasure and emotional intimacy. --Religion and spirituality. --Social and political beliefs, with those with SCI weighing in on everything from welfare services to embryonic stem cell research. --Dating, marriage, and parenting. --Friendship networks and social supports; concerns about transportation and accessibility; stigma. --Education, employment, and economic consequences. This book is the recipient of the 2004 Norman L. and Roselea J. Goldberg Prize from Vanderbilt University Press for the best project in the area of medicine.
When Henri Desgrange began a new bicycle road race in 1903, he saw it as little more than a temporary publicity stunt to promote his newspaper. The 60 cyclists who left Paris to ride through the night to Lyons that first July had little idea they were pioneers of the most famous of all bike races, which would reach its centenary as one of the greatest sporting events on earth. Geoffrey Wheatcroft's masterly history of the Tour de France's first hundred years is not just a hugely entertaining canter through some great Tour stories; nor is it merely a homage to the riders whose names—Coppi, Simpson, Mercx, Armstrong—are synonymous with the event's folly and glory. Focusing too on the race's role in French cultural life, it provides a unique and fascinating insight into Europe's 20th century.
Paralyzed from the neck down, Gordon Zahler rose from his deathbed to a fast-talking Hollywood entrepreneur/idea man who traveled the world, lived hard, and chased his dreams to create one of the largest independent post-production shops in Hollywood. This is also a tip of the hat to the man who turned his back on the notion of "I can't."
Lambda Literary Award finalist In Sassafras Lowrey's gorgeous queer punk reimagining of the classic Peter Pan story, prepare to be swept overboard into a world of orphaned, abandoned, and runaway bois who have sworn allegiance and service to Pan, the fearless leader of the Lost Bois brigade and the newly corrupted Mommy Wendi who, along with the tomboy John Michael, Pan convinces to join him at Neverland. Told from the point of view of Tootles, Pan's best boi, the lost bois call the Neverland squat home, creating their own idea of family, and united in their allegiance to Pan, the boi who cannot be broken, and their refusal to join ranks with Hook and the leather pirates. Like a fever-pitched dream, Lost Boi situates a children's fantasy within a subversive alternative reality, chronicling the lost bois' search for belonging, purpose, and their struggle against the biggest battle of all: growing up. Sassafras Lowrey is a straight-edge queer punk who won the Lambda Literary Emerging Writer Award and was named to the inaugural Trans 100 list by We Be Trans. Sassafras's books, Kicked Out, Roving Pack, and Leather Ever After, have been honored by organizations ranging from the National Leather Association to the American Library Association.
A young man decides to chase his dream after high school instead of following the path laid out by society. His vision leads to adventures that exceed his expectations. It also leads to imprisonment. After each incarceration, however, he is still determined to continue his quest for the good life. Told from an outlaw's point of view, Busted: Wheelin' N Dealin' is a baby boomer's anthem. Infused with author Thomas Frederick Mills's own childhood experiences with music, movies, books, and TV, Busted is a story everyone in his world-changing generation can relate to.
Over the last five decades, the films of director Brian De Palma (b. 1940) have been among the biggest successes (The Untouchables; Mission: Impossible) and the most high-profile failures (The Bonfire of the Vanities) in Hollywood history. De Palma helped launch the careers of such prominent actors as Robert De Niro, John Travolta, and Sissy Spacek (who was nominated for an Academy Award as Best Actress in Carrie). Indeed, Quentin Tarantino named Blow Out as one of his top three favorite films, praising De Palma as the best living American director. Picketed by feminists protesting its depictions of violence against women, Dressed to Kill helped to create the erotic thriller genre. Scarface, with its over-the-top performance by Al Pacino, remains a cult favorite. In the twenty-first century, De Palma has continued to experiment, incorporating elements from videogames (Femme Fatale), tabloid journalism (The Black Dahlia), YouTube, and Skype (Redacted and Passion) into his latest works. What makes De Palma such a maverick even when he is making Hollywood genre films? Why do his movies often feature megalomaniacs and failed heroes? Is he merely a misogynist and an imitator of Alfred Hitchcock? To answer these questions, author Douglas Keesey takes a biographical approach to De Palma's cinema, showing how De Palma reworks events from his own life into his films. Written in an accessible style and including a chapter on every one of his films to date, this book is for anyone who wants to know more about De Palma's controversial films or who wants to better understand the man who made them.
