What Was History Painting and What Is It Now?

What Was History Painting and What Is It Now?

Author: Mark Salber Phillips

Publisher: McGill-Queen's Press - MQUP

Published: 2019-10-10

Total Pages: 311

ISBN-13: 0228000351

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The dominant visual language of European painting from the Renaissance to the nineteenth century, history paintings were formidable in their monumental scale, ambitious moral lessons, and intricate narratives. With the rise of modernist avant-gardes, the genre receded from the forefront of artistic production into the realm of nostalgia. Yet history painting cast a shadow that would subtly colour even the works that sought to displace it. Exploring the resilience of this distinctive mode of visual representation, What Was History Painting and What Is It Now? brings together an internationally distinguished group of scholars to trace the endurance, adaptation, and mutation of history painting. These studies offer a reexamination of the fortunes of the genre from North America to Europe and Africa. Organized around illuminating themes, the book explores the creation of an audience attuned to the genre's didactic aims, the entry of history painting into the marketplace of commercial art and attractions, and the reimagination of the mode in response to the edicts of modern and contemporary art. Spanning the full range and diversity of history painting, this collection is a broad reconsideration of the tradition and the vibrant ways in which it resonates through the art of the present.


The Renaissance Restored

The Renaissance Restored

Author: Matthew Hayes

Publisher: Getty Publications

Published: 2021-07-13

Total Pages: 210

ISBN-13: 160606696X

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This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.


The History of Art

The History of Art

Author: A. N. Hodge

Publisher: The Rosen Publishing Group, Inc

Published: 2016-07-15

Total Pages: 216

ISBN-13: 1499464037

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From the glories of the High Renaissance in Italy to the emotional visions of the Romantics, and from the groundbreaking techniques of the Impressionists to the radical canvases of the Abstract Expressionists, this book provides a fascinating look at the major movements in the history of Western painting. A clear chronological structure allows the reader to see each movement in its historical context and to appreciate the patterns that emerge. The historical framework shows the extent to which the powers of royalty, religion, and revolution have exerted their influence in the artistic sphere.


Painting Now

Painting Now

Author: Suzanne Hudson

Publisher:

Published: 2018-08

Total Pages: 216

ISBN-13: 9780500294055

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Painting is a continually expanding and evolving form of creative expression. The radical changes in the medium that took place in the 1960s and 70s - the period that saw the shift from a modernist to a postmodernist visual language - have led to painting's continued energy and diversity. Suzanne Hudson provides an intelligent and original survey of contemporary painting - a critical snapshot that brings together more than 200 artists from around the world who are defining the painterly ideas and aesthetics of our time. A contextual introduction maps out the history of painting in the modern and postmodern eras, followed by six chapters that explores the themes of appropriation, attitude, production and distribution, the body, painting about painting, and painters who introduce performance, installation and textiles into their work to critique painting itself. Compellingly argued and beautifully illustrated, Painting Now is an invaluable primer on the state of painting today.


Grand Themes

Grand Themes

Author: Jochen Wierich

Publisher: Penn State Press

Published: 2012-01-01

Total Pages: 237

ISBN-13: 0271050322

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"Explores history painting in the United States during the middle decades of the nineteenth century, as exemplified by Emanuel Leutze's Washington Crossing the Delaware (1851). Includes the work of artists such as Daniel Huntington, Lilly Martin Spencer, and Eastman Johnson"--Provided by publisher.


The History of Gardens in Painting

The History of Gardens in Painting

Author: Nils Büttner

Publisher: Abbeville Publishing Group

Published: 2008-09-23

Total Pages: 248

ISBN-13:

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"This book by Nils Buttner traces the history of gardens, as seen through the eyes of artists, over the course of 2,000 years. The focus of this book is not gardens themselves or different concepts of the garden, but rather the representation of gardens in art. In this study the author explains why pictures of gardens are a mirror of the social, historical, and aesthetic context in which gardens were conceived. He also examines how artists paint gardens by presenting some 185 beautifully reproduced pictures, including full views and details of both well-heralded and little-known masterpieces." "The wide-ranging coverage includes late-medieval devotional pictures featuring Madonnas in idyllic gardens, Botticelli's masterwork La Primavera, an allegory of love, set in a grove of orange trees, that was created for a bridal chamber; sixteenth-century views of well-known historic gardens, like those of the Vatican, which were in demand because of a new interest in geography and topography; realistic depictions of nature, without any attempt to beautify it, by Courbet and other so-called "naturalists'; painters' gardens, like Monet's Giverny; and representations of modern gardens, like David Hockney's Red Pots in the Garden, which are extremely varied in style and reflect the artist's subjectivity. In sum, the carefully chosen paintings in this book represent a progression of developments in art history and foster a deep appreciation for actual gardens as well as paintings of them."--BOOK JACKET.


Painting & the Market in Early Modern Antwerp

Painting & the Market in Early Modern Antwerp

Author: Elizabeth A. Honig

Publisher: Yale University Press

Published: 1998-01-01

Total Pages: 374

ISBN-13: 9780300072396

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This study of the ways in which Flemish painting between 1550 and 1650 reflected the burgeoning capitalism of Antwerp, focuses not only on the market-scene paintings, but also on the interaction between painters and markets as it was influenced by merchants, governments and consumers.


Art

Art

Author: Frederick Hartt

Publisher:

Published: 1993

Total Pages: 1136

ISBN-13:

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The History of Florence in Painting

The History of Florence in Painting

Author: Antonella Fenech Kroke

Publisher: National Geographic Books

Published: 2013-12-10

Total Pages: 0

ISBN-13: 0789211459

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A landmark, hardcover, slipcased volume that tells the story of the archetypal Renaissance city anew, through its art. Placed at the heart of Italy, Florence was already in the Middle Ages a center of commerce and fine craftsmanship. Spurred on by a few powerful dynasties of merchants and financiers—above all the Medici, but also the Strozzi, the Pitti, and others—the city became the leading force in the Renaissance of the arts, literature, and science. Challenging the primacy of the Venetian Republic and even the city of the Popes, Florence attained a glory that was reflected down through the later centuries of Medici rule. And Florence was all along a city of painters, who recorded its sights; the likenesses of its leaders and luminaries; its battles, civic myths, and patron saints; and, of course, the changing tastes of their Tuscan patrons. In this magnificent volume are assembled a wide variety of artworks, both familiar and rarely seen, that, interwoven with an authoritative text, illustrate the eventful history of Florence—from the age of Cimabue and Giotto, through the High Renaissance of Leonardo and Michelangelo, to the Mannerism of Vasari and Bronzino, and even to the era of modern travelers like Sargent and Degas. The History of Florence in Painting is a feast for the eyes and the intellect, and worthy companion to the previous volumes in this series, The History of Venice in Painting, The History of Paris in Painting, and The History of Rome in Painting.