Breathtaking home designs that fit perfectly into the unique landscape of the West. Architects and designers are breaking new ground on the West Coast, incorporating tested ideas with modern technologies, materials, and concepts in thrilling and sustainable designs. This collection of more than 25 inspiring residences by such renowned western architects and interior designers as Ricardo and Victor Legorreta, Tom Kundig, Jim Jennings, Steven Ehrlich, Marmol Radziner, Aidlin Darling, Paul Wiseman, Terry Hunziker, and Gary Hutton showcases large and small homes that respond to the deserts, mountains, plains, and coastlines of the West. The sculptural forms and elegant interiors are at once both urban and rural, open to the outdoors, and always contemporary, comfortable, and stylish. Zahid Sardar is a San Francisco editor and writer specializing in architecture, interiors, and design. His work has appeared in Dwell, Interiors, Interior Design, California Home & Design, Elle Decor, House Beautiful, and the San Francisco Chronicle. He teaches design history at the California College of the Arts and has written several books, including San Francisco Modern and New Garden Design. Matthew Millman has photographed architecture and interior design in the western United States for the past 20 years. His work has appeared in Dwell, Architectural Digest, and the New York Times, as well as the design titles Concrete Countertops, Concrete at Home, and Model Making.
A landmark study of one of Canada' most important architectural movementsThe West Coast Modern House chronicles the development of Vancouver residential architecture from the 1940's through its continued influence on contemporary practice. The post-war era in Vancouver defined what has become popularly know as the 'West Coast Style'. Through the work of seminal figures such as BC Binning, Ned Pratt, Ron Thom, Fred Hollingsworth, Douglas Simpson, Barry Downs and Arthur Erickson, Vancouver architects won national awards and international recognition for their innovative house designs. This period is now seen as one of the most important in the cities architectural history. Focusing on the years from 1940 to the mid-1960's, The West Coast Modern House features over fifty examples of modern houses. The book is richly Illustrated by photographs taken at the time by noted architectural photographers Graham Warrington, Selwyn Pullan and John Fulker. Essays by Greg Bellerby, Jana Tyner and Chris Macdonald elaborate on the history and innovative design strategies of the early period, through to an examination of the ways modern architectural concerns are being utilized by contemporary practitioners. The West Coast Modern House enables the reader to come to a greater understanding of the significance of modern residential architecture on the west coast and the persistence and relevance of its innovative design, material and construction strategies.
A must-have guide to one of the most fertile regions for the development of Mid-Century Modern architecture This handbook - the first ever to focus on the architectural wonders of the West Coast of the USA - provides visitors with an expertly curated list of 250 must-see destinations. Discover the most celebrated Modernist buildings, as well as hidden gems and virtually unknown examples - from the iconic Case Study houses to the glamour of Palm Springs' spectacular Modern desert structures. Much more than a travel guide, this book is a compelling record of one of the USA's most important architectural movements at a time when Mid-Century style has never been more popular. First-hand descriptions and colour photography transport readers into an era of unparalleled style, glamour, and optimism.
Ted Gioia tells the story of jazz as it has never been told before, in a book that brilliantly portrays the legendary players, the breakthrough styles, and the world in which it evolved. Gioia provides readers with lively portraits of great musicians, intertwined with vibrant commentary on the music they created. 9 photos.
As an emerging photographer in the 1950s and '60s, Selwyn Pullan played an important role in popularising the new style of West Coast modernist architecture. Today his photographs are all that remain of many of these projects, now demolished or altered beyond recognition. His archive forms a crucial record of a definitive architectural movement.
In the 1960s, a group of Los Angeles artists fashioned a body of work that has come to be known as the “LA Look” or West Coast Minimalism. Its distinct aesthetic is characterized by clean lines, simple shapes, and pristine reflective or translucent surfaces, and often by the use of bright, seductive colors. While the role of materials and processes in the advent of these truly indigenous Los Angeles art forms has often been commented on, it has never been studied in depth — until now. Made in Los Angeles focuses on four pioneers of West Coast Minimalism — Larry Bell, Robert Irwin, Craig Kauffman, and John McCracken — whose working methods, often borrowed from other industries, featured the use of synthetic paints and resins as well as industrial processes to create objects that are both painting and sculpture. Bell, for example, coated plate glass with films of material that alter the way the light is absorbed, reflected, and transmitted, while Kauffman employed a process usually reserved for commercial signs for his work. McCracken coated plywood with fiberglass then spray painted it with countless layers of automotive paints, and Irwin spray-painted discs of hammered aluminum or vacuum-formed plastics. The detailed study of each artist’s work is presented in the context of the emergence of modern art in Los Angeles, the burgeoning mid-twentieth-century gallery scene, and the light-infused LA cityscape. Initially undertaken as part of the Pacific Standard Time: Art in L.A.1945–1980 initiative, this volume combines technical art history and scientific analysis to investigate conservation issues associated with the work of these artists, which are often emblematic of issues in the conservation of contemporary art in general.
The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.P>California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.iders, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.
The beach house is more than just a place to live—it is a symbol of a life well lived. —from the Introduction Coastal homes capture our imagination because they hold the promise of freedom, escape, and pure relaxation. Celebrity decorator Tim Clarke is acclaimed for creating residences that are deep reflections of the people who live in them, as well as of the gorgeous natural environments that surround them. In these luscious pages, you will be transported to fifteen of the most extraordinary homes inspired by the essence of the coast—every one a unique blend of beauty and comfort. In a style Tim identifies as Scandia surf, white paneling, blue-gray hand-blocked curtains, and timeworn driftwood side tables offer a quiet retreat from the owners’ busy lives. Tim’s native woods aesthetic plays out in a sprawling outdoor living room with a reed ceiling and a Balinese light fixture; lush foliage planted around the perimeter lends an exotic ambience. And in a refined beach classic home, where nothing is too precious for the everyday and where flip-flops are welcome, furniture made from weatherproof fabrics and vintage nautical objects make the rooms feel as timeless as khakis and a white shirt. Noted photographer Noah Webb captures the warmth and elegance of these seamlessly connected interiors and exteriors. Paired with Tim’s unique insights into sophisticated yet undeniably fresh design, this beautiful volume will inspire you to channel all that you love about the shore into a truly livable modern home.
"The mid-twentieth century was one of the most productive and inventive periods in Frank Lloyd Wright's career, producing such masterworks as the Guggenheim Museum, Price Tower, Fallingwater, the Usonian Houses, and the Lovness House, as well as a vast array of innovative furniture and object design. With a wide variety of shapes and forms-ranging from honeycombs to spirals-this period defies simplistic definition. Simplicity, democratic designs, and organic forms characterize Mid-Century Modern, and, mentoring such mid-century talents as Richard Neutra and Rudolph Schindler among others, Wright was one of its most influential proponents. Frank Lloyd Wright: Mid-Century Modern is a comprehensive examination of an under-explored period in Wright's career, a time dating from roughly 1935 to 1958, during which this master architect was at his most daring and innovative."--Jacket
There is no hotter style today than the cooler than cool work of modern designers and architects from the 1940s and 50s. Endlessly inventive and emminently livable, mid-century modernism has an optimism and confidence born of postwar abundance, and a spirited elegance that appeals powerfully fifty years later. In CLASSIC MODERN, design expert Deborah Dietsch introduces readers to the basic tenets of modern design and explains how the simple yet inspired forms typical of this style were so readily disseminated into mainstream American culture. Filled throughout with enticing examples of mid-century pieces from such timeless designers as Charles and Ray Eames, Eero Saarinen, Arne Jacobsen, and George Nelson, this beautiful book recaptures the excitement of the period's brilliant designs.
