Fleeing from his ferocious and parasitic pack, Braden accidentally stumbles across a former werewolf slayer. A double-edged sword of opportunity and death presents itself. The loner attempts to convince his new acquaintance to assist him in terminating his unwanted clan. Contemplating available options, the retired lycanthrope hunter debates whether to engage in one last mission and help an outcast slaughter his own family or simply kill the abomination that stands before her. In any event, given the current unexpected circumstances, the lady knows that she cannot remain in the sanctuary provided by a sleepy backwoods village.
Danger and passion collide in two paranormal romances from Harlequin Nocturne. This Strange Witchery by Michele Hauf All Torsten Rindle wants is to be normal. As soon as he completes his last job, he’s done with the supernatural. Then Melissande Jones sashays into his life, and Tor finds that he can’t resist this sultry sorceress. He might be able to protect her from vampires and zombies, but can he leave the paranormal world behind after Mel has bewitched him? Tamed by the She-Wolf by Kristal Hollis Ever since her heart was shattered, wolf shifter Angeline O’Brien has guarded her emotions. And her new neighbor, paramilitary operative Lincoln Adams, irritates her nerves like none other. He’s the last man she should trust, but the only one she can’t resist. As sparks fly, Angeline and Lincoln can’t deny that what’s between them is more than passion; it just might be love…
They are the fearful images that have stalked humanity’s nightmares for centuries, supernatural creatures that feast on flesh and haunt the soul, macabre and uncanny beings that frighten and fascinate the imagination. Vampires, Zombies, Werewolves, and Ghosts collects classic stories from literary masters inspired by folklore and mythology who dared to explore the darker side of human nature and crafted tales that defied convention, stirred up controversy, and gave life to a storytelling genre that has endured for generations. With stories by Charles Dickens, Rudyard Kipling, Henry James, Anne Sexton, Oscar Wilde, Yvonne Navarro, Fritz Leiber, Ramsey Campbell, Chelsea Quinn Yarbro, Angela Carter, and others…
She has never feared the walking dead. It's the power required to reanimate the dead that startles her, seduces her. The power that dwells inside her . . . and is growing. For Professor Ruby Montagne, being a necromancer has brought her nothing but heartache, and she walked away from that part of her life long ago. However, her quiet existence in San Francisco is shattered when she stumbles upon the body of a slain witch, and the supernatural community insists she transform him into a revenant to track the killer. But his murder was just the beginning, and Ruby soon realizes that the stakes are higher than anyone can imagine--and that revenants have nasty minds of their own. Now demonic creatures have escaped into the human world, and zombies once again walk the streets. For humanity's sake, Ruby forms an unlikely alliance with a witch, a revenant, and Ewan March, a demon warrior who sets her senses on fire. She's always distrusted demons, and Ewan is no exception. But circumstances push them closer together, and Ruby not only finds it harder to resist him, she isn't sure she even wants to. But she suspects his job of patrolling the portal separating humans and demons conceals a dark and deadly past that may consume them both. With events spiraling out of control, Ruby unravels a plot that threatens the human and demon realms and puts Ruby's very soul in jeopardy. Because when the dead walk, no one is safe. Especially Ruby.
Welcome back to the Town of the Turned in the smash-hit sequel to Bite Risk. The Rippocalypse turned the whole world upside down, but Rippers are now free, happy and calm once a month… Until they suddenly become uncontrollably angry after Howl Night.
In recent years, shapeshifting characters in literature, film and television have been on the rise. This has followed the increased use of such characters as metaphors, with novelists and critics identifying specific meanings and topics behind them. This book aims to unravel the shapeshifting trope. Rather than pursue a case-based study, the works are grouped around specific themes--adolescence, gender, sexuality, race, disability, addiction, and spirituality--that are explored through the metaphor of shapeshifting. Because of the transformative possibilities of this metaphor and its flexibility, the shapeshifter has the potential to change how we see our world. With coverage of iconic fantasy texts and a focus on current works, the book engages with the shapeshifting figure in popular culture from the United States, Canada, the United Kingdom, and Australia. Instructors considering this book for use in a course may request an examination copy here.
In its seven years on television, Buffy the Vampire Slayer has earned critical acclaim and a massive cult following among teen viewers. One of the most distinguishing features of the program is the innovative way the show's writers play with language: fabricating new words, morphing existing ones, and throwing usage on its head. The result has been a strikingly resonant lexicon that reflects the power of both youth culture and television in the evolution of American slang. Using the show to illustrate how new slang is formed, transformed, and transmitted, Slayer Slang is one of those rare books that combines a serious explanation of a pop culture phenomena with an engrossing read for fans of the show, word geeks, and language professionals. Michael Adams begins his book with a synopsis of the program's history and a defense of ephemeral language. He then moves to the main body of the work: a detailed glossary of slayer slang, annotated with actual dialogue and recorded the style accepted by the American Dialect Society. The book concludes with a bibliography and a lengthy index, a guide to sources (novels based on the show, magazine articles about the show, and language culled from the official posting board) and an appendix of slang-making suffixes. Introduced by Jane Espenson, one of the show's most inventive writers (and herself a linguist), Slayer Slang offers a quintessential example of contemporary youth culture serving as a vehicle for slang. In the tradition of The Physics of Star Trek, Slayer Slang is one of those rare books that offers a serious examination a TV cult phenomenon appealing to fans and thinkers alike. A few examples from the Slayer Slang glossary: bitca n [AHD4 bitch n in sense 2.a + a] Bitch 1997 Sep 15 Whedon When She Was Bad "[Willow:] 'I mean, why else would she be acting like such a b-i-t-c-h?' [Giles:] 'Willow, I think we're all a little old to be spelling things out.' [Xander:] 'A bitca?'" break and enterish adj [AHD4 sv breaking and entering n + -ish suff in sense 2.a] Suitable for crime 1999 Mar 16 Petrie Enemies "I'll go home and stock up on weapons, slip into something a little more break and enterish." [B] carbon-dated adj [fr. AHD4 carbondating + -ed] Very out of date 1997 Mar 10 Whedon Welcome to the Hellmouth "[Buffy:] 'Deal with that outfit for a moment.' [Giles:] 'It's dated?' [Buffy:] 'It's carbon-dated.'" cuddle-monkey n [AHD4 cuddle v + monkey n in sense 2, by analogy fr. RHHDAS (also DAS3 and NTC) sv cuddle bunny 'an affectionate, passionate, or sexually attractive young woman'] Male lover 1998 Feb 10 Noxon Bewitched, Bothered, and Bewildered "Every woman in Sunnydale wants to make me her cuddle-monkey." [X]
An "authentic" guidebook to vampire watching and hunting that will excite vampire fans everywhere, "The Vampire Watcher's Handbook" presents a wealth of information on the lore and history of vampires.
Religion and spirituality are being transformed in our late modern and secularising times. New forms of belief proliferate, often notable for not being limited to traditional systems of reference or expression. Increasingly, these new religions present worldviews which draw directly upon popular culture - or occulture - in fiction, film, art and the internet. Fantasy and Belief explores the context and implications of these types of beliefs through the example of the Otherkin community. The Otherkin are a loosely-affiliated group who believe themselves to be in some way more than just human, their non-humanity often rooted in the characters and narratives of popular fantasy and science fiction. Challenging much current sociological thinking about spirituality and consumption, Fantasy and Belief reveals how popular occulture operates to recycle, develop, and disseminate metaphysical ideas, and how the popular and the sacred are combining in new ways in today's world.
