Set in a world five hundred years in the future, Welly and the wizard Merlin are forced to take on a new type of powerful magic in a highly complex and technical world after Welly's friend, Heather, is kidnapped by the sorceress Morgan LeFay. Reprint.
Out of Time? has many different meanings, amongst them outmoded, out of step, under time pressure, no time left, or simply delayed. In the disability context, it may also refer to resistant attitudes of living in “crip time” that contradict time as a linear process with a more or less predictable future. According to Alison Kafer, “crip time bends the clock to meet disabled bodies and minds.” What does this mean in the disability arts? What new concepts of accessibility, crip futures, and crip resistance can be staged or created by disability performance? And how does the notion of “out of time” connect crip time with pandemic time in disability performance? The collective volume seeks to respond to these questions by exploring crip time in disability performance as both a concept and a phenomenon. The book tackles the topic from two angles: on the one hand from a theoretical point of view that connects performance analysis with crip and performance theory, on the other hand from a practice-based perspective of disability artists who develop new concepts and dramaturgies of crip time based on their own lived experiences and observations in the field of the performing and disability arts. The book gathers different types of text genres, forms, and styles that mirror the diversity of their authors. Besides theoretical and academic chapters on disability performance, the book also includes essays, poems, dramatic texts, and choreographic concepts that ref lect upon the alternative knowledge in the disability arts.
It's 500 years after the nuclear holocaust that devastated the earth's population and left the few survivors dealing with unending winter. At their remote British boarding school, Wellington Jones and Heather McKenna have a lot in common. Both are misfits trying to avoid attention, and both are fascinated by Earl, a tall, calm, older boy with no recollection of his past, but a remarkable knack for showing up when he is needed most. When a blow to the head brings Earl's memory back, he claims that he is actually Merlin . . . a 2000-year-old wizard. Originally published in two volumes in the mid-1980s, Pamela F. Service's creative, futuristic spin on the Camelot legend will appeal to Arthurian purists and fantasy lovers alike.
The arts have a crucial role in empowering young people with special needs through diverse dance initiatives. Inclusive pedagogy that integrates all students in rich, equitable and just dance programmes within education frameworks is occurring alongside enabling projects by community groups and in the professional dance world where many high-profile choreographers actively seek opportunities to work across diversity to inspire creativity. Access and inclusion is increasingly the essence of projects for disenfranchised and traumatised youth who find creative expression, freedom and hope through dance. This volume foregrounds dance for young people with special needs and presents best practice scenarios in schools, communities and the professional sphere. International perspectives come from Australia, Brazil, Cambodia, Canada, Denmark, Fiji, Finland, India, Indonesia, Jamaica, Japan, Malaysia, New Zealand, Norway, Papua New Guinea, Portugal, Singapore, South Africa, Spain, Taiwan, Timor Leste, the UK and the USA. Sections include: inclusive dance pedagogy equality, advocacy and policy changing practice for dance education community dance initiatives professional integrated collaborations
Australia is a land full of opportunities, but where can you go to find the things that matter to women? This book is a guide to the land as well as the diverse culture of women. Women's culture in Australia goes back more than 40,000 years and is a rich mosaic of story, art and music. On the top of this has come the culture of the past 200 years: from the British convicts, from China, from the Pacific, from the newer waves of migration and from the women's movement. This is reflected in literature, theatre, the visual arts, music, circuses and dance. Rural and urban women describe the places they know and love, they also describe their histories and show something of what lies behind a first impression. Contributors featured include: Oodgeroo Noonuccal, Faith Bandler, Portia Robinson, Elizabeth Jolley, Sara Dowse, Janine Haines, Dale Spender, Ruby Langford Ginibi, Kate Llewellyn, and Finola Moorhead.
This second edition of Making an Entrance is a practical and thought-provoking introduction to teaching dance with disabled and non-disabled students, updated with expanded coverage, new and revised exercises, and chapters that cover post-pandemic and online practice, diversity and inclusivity. With improvisation as his central concern Benjamin covers an extensive range of topics, including new autoethnographic writing, mental health, performance, feedback, and The Dancers’ Forest, and interrogates what we mean when we talk about ‘inclusive’ and ‘integrated dance.’ There are over 50 stimulating and challenging exercises purposefully designed for dance students of all levels accompanied by teaching notes, and examples drawn from the author’s experience as a teacher, performer, and dance maker. Useful hints are provided on the practicalities of setting up workshops covering issues such as class sizes, the safety aspects of wheelchairs and accessibility. An essential read for both students and teachers of improvisation who are seeking ways to engage with issues of diversity, written to be accessible whilst offering areas of increasing complexity and challenge for more experienced practitioners.
THE NUMBER ONE BESTSELLING HILARIOUS NEW BOOK FROM THE NATION'S FAVOURITE COMEDIAN, BILLY CONNOLLY Being a Rambling Man was what I always wanted to be, to live the way I damn well pleased. I've met the weirdest and most wonderful people who walk the Earth, seen the most bizarre and the most fantastic sights - and I've rarely come across something I couldn't get a laugh at. I don't think I've ever had a bad trip. Well, apart from in the 1970s, but that's a whole other story . . . When Billy set out from Glasgow as a young man he never looked back. He played his banjo on boats and trains, under trees, and on top of famous monuments. He danced naked in snow, wind and fire. He slept in bus stations, under bridges and on strangers' floors. He travelled by foot, bike, ship, plane, sleigh - even piggy-backed - to get to his next destination. Billy has wandered to every corner of the earth and believes that being a Rambling Man is about more than just travelling - it's a state of mind. Rambling Men and Women are free spirits who live on their wits, are interested in people and endlessly curious about the world. They love to play music, make art or tell stories along the way but, above all, they have a longing in their heart for the open road. In his joyful new book, Billy explores this philosophy and how it has shaped him, and he shares hilarious new stories from his lifetime on the road. From riding his trike down America's famous Route 66, building an igloo on an iceberg in the Arctic, playing elephant polo (badly) in Nepal and crashing his motorbike (more than once), to eating witchetty grubs in Australia, being serenaded by a penguin in New Zealand, and swapping secrets in a traditional Sweat Lodge ritual in Canada, Rambling Man is a truly global adventure with the greatest possible travel companion.
Ewan Mostyn thinks a job as a duke's daughter's bodyguard will be easy—but Lady Lorraine has a few tricks up her sleeve that spark an undeniable passion. "I know we aren't suited. You are silent, and I speak all the time. You're a younger son with no fortune or title, and I'm the daughter of a duke. You are a brave war hero, and I've never done anything of any note. But I cannot seem to help how I feel when we are together. You are the only true thing in my life. Don't you see? Everything else is a diversion." Fiercely loyal to the survivor's club that make up his friends and comrades, Ewan Mostyn is the toughest in a group of younger sons of nobility who met as soldiers and are now trying desperately to settle back into peaceful Society. Ewan trusts his brawn more than his brains, but when he's offered a job watching the Duke of Ridlington's stubbornly independent daughter, he finds both are challenged. Lady Lorraine wants none of her father's high-handed ways, and she'll do everything in her power to avoid her distressingly attractive bodyguard—until she lands herself in real trouble. Lorraine begins to see Ewan's protectiveness in a new light, and she can only hope that her stoic guardian will do for her what he's always done—fight for what he wants. Praise for Shana Galen's Regency Romance Third Son's a Charm: "Shana Galen's deliciously brooding hero and delightfully quirky heroine turn this tale of adventure into an endearing love story that kept me up all hours reading... Wonderful!"—SABRINA JEFFRIES, New York Times bestselling author "Shana Galen delivers again!... A sharp, poignant battle of wills between a wonderful wounded hero and the only heroine brave enough to get past his defenses. Don't miss it!"—EILEEN DREYER, New York Times bestselling author "Galen charms readers with poignant and unforgettable characters, humor, and a passionate page-turning tale that's impossible to put down"—LORRAINE HEATH, New York Times and USA Today bestselling author