Welcome Home, Brother is a collection of the personal memoirs of 31 veterans of the Vietnam War. Told by members of the Navy, Marines, Air Force and Army, these accounts depict combat and day-to-day life in-country, as well as the Vietnam War veterans' experiences as they returned home to a country divided by the war.
Growing up in the well-heeled Detroit suburb of Grosse Pointe, Michigan, Carey Neesley always thought she and her younger brother, Peter, would never be separated. The children of divorced parents and outcasts in their neighborhood, Carey and Peter supported, loved, and encouraged each other when it seemed no one else cared. It was a bond that grew through the years, and one that made Peter’s eventual decision to enlist in the Army all the more difficult for Carey. With Peter having stepped up to help her raise her young son, Carey was closer than ever to her brother, and the thought of him serving far from home was painful. While stationed in Iraq, Peter befriended a stray dog and her four puppies, only to watch three of the young pups die in the warzone. With only two surviving dogs—Mama and Boris—Peter became determined to save the strays. Carey helped her brother with his mission, but everything changed on Christmas Day in 2007 when word arrived at the Neesley household that Peter had been killed. Amidst the grief of coming to terms with her brother’s death and the turmoil of trying to plan his funeral, Carey devoted herself to bringing Peter’s dogs home to the U.S. It was the final honor she could pay to her brother and a way of keeping a piece of him with her. With the help of an unlikely network of heroes, including an animal rescue organization in Utah, a civilian airline, an Iraqi family, and a private security contractor with military connections, Mama and Boris mad the journey form the streets of Baghdad to Carey’s suburban house. Carey’s mission garnered widespread attention and requests from other soldiers for help in bringing home dogs they had become attached to on deployment, and she continues to work with organizations dedicated to bringing home wartime strays.
Welcome Home is a beautifully illustrated children's book by the talented Catie Atkinson. This visually captivating book is about pregnancy, home birth and a newborn.
A loving look at “disposable” horror culture from the 1960s and 1970s. Over two glorious decades the horror film waged war on good taste, exploiting every taboo and bursting every envelope along the way. TRASHFIEND is the definitive guide to the chaotic, creative and endlessly entertaining golden age of horror cinema. Scott Stine (author of The Gorehound’s Guide to Splatter Films series) shines a fond but satiric light on everything from low budget horror films to grisly comic art, lurid movie magazines to late-night creature features, campy monster toys to exploitive poster art. Packed with reviews, trivia, interviews, anecdotes and rare illustrations, and written with witty and insightful flair, TRASHFIEND will fascinate aficianados, nostalgists and cinema lovers of every stripe for a fun, energetic and critical look at this beloved genre.
In Bird Brother, Rodney Stotts shares his unlikely journey to becoming a conservationist and one of America's few Black master falconers. Rodney grew up in Washington, D.C. during the crack epidemic, with guns, drugs, and the threat of incarceration affecting the lives of everyone he knew. He was no exception, but he was also employed by the newly founded Earth Conservation Corps, helping to restore and conserve the polluted Anacostia River. This work eventually sent his life in a different direction, as he began to train to become a master falconer and to develop his own raptor education program and sanctuary. Eye-opening, witty, and moving, Bird Brother is a testament to the healing power of nature, and a reminder that no matter how much heartbreak we've endured, we still have the capacity to give back to our communities and follow our dreams.
In this first book of a chapter book series inspired by Marguerite Henry’s Misty of Chincoteague, siblings Willa and Ben Dunlap begin their new life on Chincoteague Island. Ten-year-old Willa Dunlap and her eight-year-old brother Ben are new to Chincoteague Island, but it’s a homecoming for their mother, who grew up there. Willa and Ben’s parents are busy planning the opening of their bed and breakfast, which gives the kids free rein to explore the island. But with so many new people and places to get used to, will Chincoteague ever feel like home?
"As the case with her fiction, Berlin's pieces here are as faceted as the brightest diamond." --Kristin Iversen, NYLON NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE. Named a Fall Read by Buzzfeed, Vulture, Newsday and HuffPost A compilation of sketches, photographs, and letters, Welcome Home is an essential nonfiction companion to the stories by Lucia Berlin Before Lucia Berlin died, she was working on a book of previously unpublished autobiographical sketches called Welcome Home. The work consisted of more than twenty chapters that started in 1936 in Alaska and ended (prematurely) in 1966 in southern Mexico. In our publication of Welcome Home, her son Jeff Berlin is filling in the gaps with photos and letters from her eventful, romantic, and tragic life. From Alaska to Argentina, Kentucky to Mexico, New York City to Chile, Berlin’s world was wide. And the writing here is, as we’ve come to expect, dazzling. She describes the places she lived and the people she knew with all the style and wit and heart and humor that readers fell in love with in her stories. Combined with letters from and photos of friends and lovers, Welcome Home is an essential nonfiction companion to A Manual for Cleaning Women and Evening in Paradise.
From 1972 to 1976, Hollywood made an unprecedented number of films targeted at black audiences. But following this era known as “blaxploitation,” the momentum suddenly reversed for black filmmakers, and a large void separates the end of blaxploitation from the black film explosion that followed the arrival of Spike Lee’s She's Gotta Have It in 1986. Illuminating an overlooked era in African American film history, Trying to Get Over is the first in-depth study of black directors working during the decade between 1977 and 1986. Keith Corson provides a fresh definition of blaxploitation, lays out a concrete reason for its end, and explains the major gap in African American representation during the years that followed. He focuses primarily on the work of eight directors—Michael Schultz, Sidney Poitier, Jamaa Fanaka, Fred Williamson, Gilbert Moses, Stan Lathan, Richard Pryor, and Prince—who were the only black directors making commercially distributed films in the decade following the blaxploitation cycle. Using the careers of each director and the twenty-four films they produced during this time to tell a larger story about Hollywood and the shifting dialogue about race, power, and access, Corson shows how these directors are a key part of the continuum of African American cinema and how they have shaped popular culture over the past quarter century.
Dazzling, highly stylised, excessively violent and brimming with sex, blaxploitation films enjoyed a brief but memorable moment in motion picture history. Never before, and never since, have so many African-American performers been featured in films, not in bit parts, but in name-above-the title starring roles. Here's a new and appreciative look back at a distinctly American motion picture phenomenon, the first truly comprehensive examination of the genre, its films, its trends and its far-reaching impact, covering more than 240 Blaxploitation films in detail. This is the primary reference book on the genre, covering not just the films' heyday (1971-1976) but the entire decade (1970-1980). Includes: film posters and ads
No greater love than this, that a man lay down his life for his friends... and I call you my friends.” For a Bother’s Love is a complex thriller, entwined with suspense portraying today’s society in the drug business. We follow Hank, better known as the “White Ghost”, return home from Vietnam, only to find himself in the middle of a war between his best friend and an old arch enemy whom he knows has killed his fiancée, but cannot prove it. When Khalid rapes his friend’s wife and beats him into a coma, the Ghost returns back from his home in Siloam Springs, Arkansas to fight Khalid and his warriors. Employing the help of another Vietnam veteran, they wage war against the drug business, burning dope houses, and taking the money ad distributing it among the poor in the community. As the Ghost befriends the local police officers, preacher and the community who all stand with him to battle the evilness destroying the Fifth Ward of Houston, Texas.