“It is well that war is so terrible,” Robert E. Lee reportedly said, “or we would grow too fond of it.” The essays collected here make the case that we have grown too fond of it, and therefore we must make the war terrible again. Taking a “freakonomics” approach to Civil War studies, each contributor uses a seemingly unusual story, incident, or phenomenon to cast new light on the nature of the war itself. Collectively the essays remind us that war is always about damage, even at its most heroic and even when certain people and things deserve to be damaged. Here then is not only the grandness of the Civil War but its more than occasional littleness. Here are those who profited by the war and those who lost by it—and not just those who lost all save their honor, but those who lost their honor too. Here are the cowards, the coxcombs, the belles, the deserters, and the scavengers who hung back and so survived, even thrived. Here are dark topics like torture, hunger, and amputation. Here, in short, is war.
Enlisting memory in a new fight for freedom From the Gilded Age through the Progressive era, labor movements reinterpreted Abraham Lincoln as a liberator of working people while workers equated activism with their own service fighting for freedom during the war. Matthew E. Stanley explores the wide-ranging meanings and diverse imagery used by Civil War veterans within the sprawling radical politics of the time. As he shows, a rich world of rituals, songs, speeches, and newspapers emerged among the many strains of working class cultural politics within the labor movement. Yet tensions arose even among allies. Some people rooted Civil War commemoration in nationalism and reform, and in time, these conservative currents marginalized radical workers who tied their remembering to revolution, internationalism, and socialism. An original consideration of meaning and memory, Grand Army of Labor reveals the complex ways workers drew on themes of emancipation and equality in the long battle for workers’ rights.
"Brian Craig Miller provides medical history of the procedure, looks at men who rejected amputation, and examines how Southern men and women adjusted their ideas about honor, masculinity, and love in response to the presence of large numbers of amputees during and after the war. While some historians have explored the lives of the wounded, disabled and amputated soldiers throughout the major military conflicts of the twentieth century, few monographs have returned to a time when medical care remained primitive at best in American history: the Civil War... In his travels in the South over the past five years, Miller has combed through archives, producing a wealth of surgical and medical manuals, hospital records, surgeons reports, diary, letter and journal entries pertaining to amputation, legislative records, pension files and applications, newspaper reports and numerous anecdotes about what it means to lose a limb."--Provided by publisher.
During the Civil War, cities, houses, forests, and soldiers' bodies were transformed into “dead heaps of ruins,” novel sights in the southern landscape. How did this happen, and why? And what did Americans—northern and southern, black and white, male and female—make of this proliferation of ruins? Ruin Nation is the first book to bring together environmental and cultural histories to consider the evocative power of ruination as an imagined state, an act of destruction, and a process of change. Megan Kate Nelson examines the narratives and images that Americans produced as they confronted the war's destructiveness. Architectural ruins—cities and houses—dominated the stories that soldiers and civilians told about the “savage” behavior of men and the invasions of domestic privacy. The ruins of living things—trees and bodies—also provoked discussion and debate. People who witnessed forests and men being blown apart were plagued by anxieties about the impact of wartime technologies on nature and on individual identities. The obliteration of cities, houses, trees, and men was a shared experience. Nelson shows that this is one of the ironies of the war's ruination—in a time of the most extreme national divisiveness people found common ground as they considered the war's costs. And yet, very few of these ruins still exist, suggesting that the destructive practices that dominated the experiences of Americans during the Civil War have been erased from our national consciousness.
Gender is the last vantage point from which the Civil War has yet to be examined in-depth, says LeeAnn Whites. Gender concepts and constructions, Whites says, deeply influenced the beliefs underpinning both the Confederacy and its vestiges to which white southerners clung for decades after the Confederacy's defeat. Whites's arguments and observations, which center on the effects of the conflict on the South's gender hierarchy, will challenge our understanding of the war and our acceptance of its historiography. The ordering principle of gender roles and relations in the antebellum South, says Whites, was a form of privileged white male identity against which others in that society were measured and accorded worth and meaning--women, wives, children, and slaves. Over the course of the Civil War the power of these men to so arbitrarily construct their world all but vanished, owing to a succession of hardships that culminated in defeat and the end of slavery. At the same time, Confederate women were steadily--and ambivalently--empowered. Drawn out of their domestic sphere, these women labored and sacrificed to prop up an apparently hollow notion of essential manliness that rested in part on an assumption of female docility and weakness. Whites focuses on Augusta, Georgia, to follow these events as they were played out in the lives of actual men and women. An antebellum cotton trading center, Augusta was central to the Confederacy's supply network and later became an exemplary New South manufacturing city. Drawing on primary sources from private family papers to census data, Whites traces the interplay of power and subordination, self-interest and loyalty, as she discusses topics related to the gender crisis in Augusta, including female kin networks, women's volunteer organizations, class and race divisions, emancipation, Sherman's invasion of Georgia, veteran aid societies, rural migration to cities, and the postwar employment of white women and children in industry. Whites concludes with an account of how elite white Augustans "reconstructed" themselves in the postwar years. By memorializing their dead and mythologizing their history in a way that presented the war as a valiant defense of antebellum domesticity, these Augustans sought to restore a patriarchy--however attenuated--that would deflect the class strains of industrial development while maintaining what it could of the old Southern gender and racial order. Inherent in this effort, as during the war, was an unspoken admission by the white men of Augusta of their dependency upon white women. A pioneering volume in Civil War history, this important study opens new debates and avenues of inquiry in culture and gender studies.
"Household War is a collection of essays that explores the Civil War through the household. According to the editors, the household served as 'the basic building block for American politics, economics, and social relations.' As such, the scholars of this volume make the case that the Civil War can be understood as a revolutionary moment in the transformation of the household order. From this vantage point, they look at the interplay of family and politics, studying the ways in which the Civil War shaped and was shaped by the American household. The volume offers a unique approach to the study of the Civil War that allows an inclusive examination of how the war 'flowed from, required, and . . . resulted in the restructuring of the household' between regions and those enslaved and free. This volume seeks to address how households redefined and reordered themselves as a result of the changes stemming from the Civil War. Scholars of this volume provide compelling histories of the myriad ways in which the household played a central role during an era of social upheaval and transformation"--
These letters chronicle the wartime courtship of a Confederate soldier and the woman he loved—a sister-in-law of Abraham Lincoln. It is a relative rarity for the correspondence of both writers in Civil War letter collections to survive, as they have here. Rarer still is how frequently and faithfully the two wrote, given how little they truly knew each other at the start of their exchange. As a romantic pair, Nathaniel Dawson and Elodie Todd had no earlier history; they had barely met when separated by the war. Letters were their sole lifeline to each other and their sole means of sharing their hopes and fears for a relationship (and a Confederacy) they had rashly embraced in the heady, early days of secession. The letters date from April 1861, when Nathaniel left for war as a captain in the Fourth Alabama Infantry, through April 1862, when the couple married. During their courtship through correspondence, Nathaniel narrowly escaped death in battle, faced suspicions of cowardice, and eventually grew war weary. Elodie had two brothers die while in Confederate service and felt the full emotional weight of belonging to the war’s most famous divided family. Her sister Mary not only sided with the Union (as did five other Todd siblings) but was also married to its commander in chief. Here is an engrossing story of the Civil War, of Abraham Lincoln’s shattered family, of two people falling in love, of soldiers and brothers dying nobly on the wrong side of history. The full Dawson–Todd correspondence comprises more than three hundred letters. It has been edited for this volume to focus tightly on their courtship. The complete, annotated text of all of the letters, with additional supporting material, will be made available online.
Frank Herbert's Dune is the biggest-selling science fiction story of all time; the original book and its numerous sequels have transported millions of readers into the alternate reality of the Duniverse. Dune and Philosophy raises intriguing questions about the Duniverse in ways that will be instantly meaningful to fans. Those well-known characters--Paul Atreides, Baron Harkkonen, Duncan Idaho, Stilgar, the Bene Gesserit witches--come alive again in this fearless philosophical probing of some of life's most basic questions. Dune presents us with a vast world in which fanaticism is merciless and history is made by the interplay of ruthless conspiracies. Computers have long been outlawed, so that the abilities of human beings are developed to an almost supernatural level. The intergalactic empire controlled by a privileged aristocracy raises all the old questions of human interaction in a strange yet weirdly familiar setting. Do secret conspiracies direct the future course of human political evolution? Can manipulation of the gene pool create a godlike individual? Are strife and bloodshed essential to progress? Can we know so much about the future that we lose the power to make a difference? Does reliance on valuable resources--such as "spice," oil, and water--place us at the mercy of those who can destroy those resources? When gholas are reconstructed from the cells of dead people and given those people's memories, is the ghola the dead person resurrected? Can the exploitation of religion for political ends be reduced to a technique? Philosophers who are fans of Dune will trek through the desert of the Duniverse seeing answers to these and other questions.
The Confederate States of America boasted five capital cities in four years. The center of the Confederate government moved from one Southern city to another, including Montgomery, Richmond, Danville, Greensboro and Charlotte. From the heady early days of the new country to the dismal last hours of a transient government, each city played a role in the Confederate story. While some of these sites are commemorated with impressive monuments and museums, others offer scant evidence of their importance in Civil War history. Join award-winning historian Michael C. Hardy as he recounts the harrowing history of the capitals of the Confederacy. Book jacket.
