There isn't a poet in the world, extinct or extant, who hasn't written about love or will write about love. Every poet in the future, no matter how far into the future we managed to get, will write about love. Some of those poets have written quite well about love. Others...not so much. I'd sure like to think I've cut into line somewhere between the two extremes. Good love. Bad love. Somewhere-in-between love. You'll find each represented in these pages.
“Transfixing…[Wayne’s] prison diary is, above all, a testament to the irrepressibility of his charisma—his is a force that can never go dormant, even when it’s not plainly on display.” –The New Yorker From rap superstar Lil Wayne comes Gone ’Til November, a deeply personal and revealing account of his time spent incarcerated on Rikers Island for eight months in 2010. In 2010, recording artist Lil Wayne was at the height of his career. A fixture in the rap game for more than a decade, Lil Wayne (aka Weezy) had established himself as both a prolific musician and a savvy businessman, smashing long-held industry records, winning multiple Grammy Awards, and signing up-and-coming talent like Drake and Nicki Minaj to his Young Money label. All of this momentum came to a halt when he was convicted of possession of a firearm and sentenced to a yearlong stay at Rikers Island. Suddenly, the artist at the top of his game was now an inmate at the mercy of the American penal system. At long last, Gone ’Til November reveals the true story of what really happened while Wayne was behind bars, exploring everything from his daily rituals to his interactions with other inmates to how he was able to keep himself motivated and grateful. Taken directly from Wayne’s own journal, this intimate, personal account of his incarceration is an utterly humane look at the man behind the artist.
Wayne Holloway-Smith's second collection Love Minus Love is an internal universe, fragmented and glued back together with uncanny logic. A strange layering of time, in which multiple things happen at once, in a looping track of intrusive thoughts - shot through with dead cows, pop songs, dead dads, the white noise of televisions - rotten teeth are raining everywhere. Somewhere at the core of all this, the seemingly fixed boundaries of masculinity, family, trauma and mental health are blurred towards a new type of vinegary identity, in a pitch of emotional intensity that punches you right in the gut. Wayne Holloway-Smith's debut collection Alarum was shortlisted for the Seamus Heaney Centre for Poetry Prize and the Roehampton Poetry Prize as well as being a Poetry Book Society Wild Card Choice. His poem 'the posh mums are dancing in the square' - included in Love Minus Love - won first prize in the Poetry Society's 2018 National Poetry Competition.
An imagined personal exchange with Marvin Gaye, in verse, on life in Michigan. come see about me, marvin is accessible, honest poetry about and for real people. In the collection, brian g. gilmore seeks to invite the reader into a fantastical dialogue between himself and Marvin Gaye—two black men who were born in the nation's capital, but who moved to the Midwest for professional ambitions. In trying to acclimate himself to a new job in a new place—a place that seemed so different from the home he had always known—gilmore often looked to Marvin Gaye as an example for how to be. These poems were derived as a means of coping in a strange land. The book is divided into four sections, beginning with section one, "love that will shelter you," and features poems about dealing with life in Michigan as it is in reality. Sections two and three, "nowhere to hide" and "no ordinary pain," include poems about the brutality of the Midwest and some of the historical realities as gilmore came to understand them. The final section, "let your love come shining through," attempts to invoke hope in poetry. come see about me, marvinis gilmore's answer to life's perplexing issues, with Marvin Gaye as the perfect vehicle to explore these ideals. Readers of poetry and lovers of Motown will embrace this love letter to a local legend.
Enter the world of Wayne DePriest's poetry where, as the title says, "They Ain't All Pretty, But Some Of Them Rhyme." Compiled here are upwards of a hundred poems of wit and whimsy and not a bit of angst-filled longing or despair or self-analysis in the bunch. Animals, grandchildren, lawn chairs, and buildings are the subject matter. Body parts and grammar and classic movies provide fodder for the author's imagination. One might even discover a "message" lurking in the lines, though one might suspect it wasn't intentional.
From the school yards of the South Bronx to the tops of the "Billboard" charts, rap has emerged as one of the most influential cultural forces of our time. This pioneering anthology brings together more than 300 lyrics written over 30 years, from the "old school" to the present day.
NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.
Outside of his love for God and his family, Pastor Wayne Hoag's greatest love is for the Body of Christ. For forty-three years he has been a shepherd of God's flock. The past twenty-nine years he has served Sierra Bible Church in the mountain town of Truckee, California. Several years ago his attention was drawn to the New Testament admonitions that call God's children to either be or do something for their fellow believers in the local church. In fact, the call appears a total of twenty-nine times. Upon further study, Wayne became convinced that the twenty-nine one another admonitions were God's unique strategy to shape and mold His children into the image of His Son. He began to see that following the work of salvation in one's life, God then placed the new believer in a local fellowship where they would be further shaped and refined by and through their life with other believers. That is when the One Another Project was born. The Project was originally a ten week series of sermons that were then further explored in weekly home study groups. The questions that were asked and explored in the small groups are listed at the end of each chapter. Pastor Wayne has not only taught these truths to his Truckee congregation but also to others who want to more fully understand God's strategy of the One Another call. For further information and discussion about this topic please visit www.oneanotheronline.org. The key verse for this study is Romans 12:5, "...so we, who are many, are one body in Christ, and individually members of one another." As you read may you grow in your understanding of just how much you need your brothers and sisters in Christ.
THE DEVIL'S IN THE DETAILS - Before you sign that Hellish contract, make sure you understand the fine print. JANET AND GEORGE - One day you fall down the stairs. When you wake up you're not quite yourself. Or anybody else you know. BRUMLEY'S GIFT - Even a gift of gab can't talk you out of everything. SECOND CHANCES - Make sure that Do Over moment is really what you want. A HELL OF A STORY - Collaborations aren't always the best idea. These and ten additional stories make the debut of the ""Angeltown"", ""Selected"" and ""The Button Man"" author into short fiction.
