Why did the war to free Iraq from Saddam Hussein occur? Was the conflict a moral war to end a democide during the sanctions era and to build a democracy? The national debate and the author's essays continued through the war and onto the era of a troubled 'peace' and national elections.
The short stories and novellas are among my earliest science fiction works. Writing in Alaska in 1987 I made a couple of trips to Europe while enrolled in an English writing course at the University of Alaska at Juneau. Most of these stories were written at or at least mention Wrangell- a small town 150 miles to the south of the state capitol at Juneau. 140,000 words.
105 essays written by Gary C. Gibson between 2007 and 2009 on contemporary philosophical interests. Christian ideas are considered with theological and cosmological juxtapositions for analytical purposes.
"Waveform Politics Volume Four; Equilibrium Pattern begins in the aftermath of the Coalition of the Willing?s 2003 war in Iraq continuing to the apocalyptic tsunami of Dec 26, 2004. These essays regard U.S. and world issues from Gary Gibson's point of view as an interested U.S. citizen with a descriptive and prescriptive character. The Waveform Politics series examined social philosophical questions of the relation of an ordinary American citizen to politics: Is it really possible to understand or positively affect complex and interrelated national and international political subjects in real time? The essays were written in a contentious on-line environment and treat a vast survey of public affairs, philosophical, religious and social issues. This author's book was published a few days before the tsunami, which occurred on his birthday. The largest X-Ray stellar event to reach the earth also reached the earth about the 26th of Dec 2004, perhaps accompanied by a gravity wave from the center of the explosive event occurring approximately 50,000 years ago to journey toward the Earth at the speed of light and perhaps eventually help to trigger a tectonic shift causing the giant wave. 697 pages"
The author of these interdisciplinary essays Gary Clifford Gibson wrote this collection on U.S. contemporary issues for the years 2006, 2007 and 2008. The essays are themselves arranged in a convenient chronological order from most recent to earliest. The familiar journal format makes for easy and informative learning time. We discover how important issues of the day are throughput as regularly as water under a bridge, yet are concerned that such superficial treatment of important issues nationally by politicians and broadcast media contribute over-much to the decline of the ecological and economic interests of the people of the United States of America.
In this significant Marxist critique of contemporary American imperialism, the cultural theorist Randy Martin argues that a finance-based logic of risk control has come to dominate Americans’ everyday lives as well as U.S. foreign and domestic policy. Risk management—the ability to adjust for risk and to leverage it for financial gain—is the key to personal finance as well as the defining element of the massive global market in financial derivatives. The United States wages its amorphous war on terror by leveraging particular interventions (such as Iraq) to much larger ends (winning the war on terror) and by deploying small numbers of troops and targeted weaponry to achieve broad effects. Both in global financial markets and on far-flung battlegrounds, the multiplier effects are difficult to foresee or control. Drawing on theorists including Michel Foucault, Giorgio Agamben, Michael Hardt, Antonio Negri, and Achille Mbembe, Martin illuminates a frightening financial logic that must be understood in order to be countered. Martin maintains that finance divides the world between those able to avail themselves of wealth opportunities through risk taking (investors) and those who cannot do so, who are considered “at risk.” He contends that modern-day American imperialism differs from previous models of imperialism, in which the occupiers engaged with the occupied to “civilize” them, siphon off wealth, or both. American imperialism, by contrast, is an empire of indifference: a massive flight from engagement. The United States urges an embrace of risk and self-management on the occupied and then ignores or dispossesses those who cannot make the grade.
This book is in great demand by baseball enthusiasts. Having been connected with every department of the game from player to magnate, Mr. Spalding has contributed a very important work to the game's history. As the invincible pitcher of the Boston Club, previous to the formation of the National League, his book of so many pages is an interesting record of events dating from the beginning of the great American pastime. It is not exactly a history of the game, but deals largely with incidents during the author's career, who was a player in the late 1860s and early 1870s, and helped organize the National League in 1876. One chapter, devoted to sundry topics, gives an account of the sale of the immortal "King Kelly," the original "$10,000 beauty," by Chicago to the Boston Club in the late 1880s. Other Chapters are devoted to the literature of the game, quoting several instances of the baseball paragrapher's art and also specimens of the distinct poetry of the pastime, of which "Casey at the Bat" is probably the most widely known. The Cincinnati Red Stockings Mr. Spalding gives credit as being the pioneer professional organization. It was not, however, until 1871 that professional baseball playing, as recognized today, was instituted. Mr. Spalding shows how cricket could not do for Americans. He says it is suitable for the British temperament, but not for the Yankee hustling spirit. He also tells how he worked into the game through a one-handed catch when a small boy. To lovers of baseball, whose name is legion, and whose number increases yearly, this book comprises in itself a whole library of useful information.
The stories of the most amazing days and nights in the rave underground, as told by the ravers themselves! From "Electric Daisy Carnival" to Burning Man, THE RAVER STORIES PROJECT tells how electronic music has changed peoples lives in often memorable and profound ways. It pulls back the curtain on DJ culture, and the most important musical era since hip-hop! THE RAVER STORIES PROJECT is music, secrets and controversy, all rolled into one!
What could an omnipresent and seemingly omnipotent entity want with a humble pot-healer? Or with the dozens of other odd creatures it has lured to Plowman's Planet? And if the Glimmung is a god, are its ends positive or malign? Combining quixotic adventure, spine-chilling horror, and deliriously paranoid theology, Galactic Pot-Healer is a uniquely Dickian voyage to alternate worlds of the imagination.
DANCEFLOOR THUNDERSTORM: Land Of The Free, Home Of The Rave is the spectacular visual storytelling of when the rave scene brought electronic music up from obscurity, and changed the way America looked at dance music forever. Written by rave super-insider Michael Tullberg, the book takes the reader back to the halcyon days of the U.S. rave underground in the 1990s, when the seeds of modern-day EDM were sown. Photographing and writing for the major dance music magazines of the day, Tullberg amassed an enormous collection of photos, live reviews, interviews, rave memorabilia and ephemera over the years. It is this collection that forms the basis for this book. DANCEFLOOR THUNDERSTORM takes the reader into the very heart of the rave scene, when these controversial parties hosted the hottest and most cutting-edge dance music in the country. It gives you VIP, backstage and on-stage access with the biggest electronic music talent in the world, including dance music legends like Paul Oakenfold, Carl Cox, Moby, Fat Boy Slim and more. The first book of its kind in the U.S., DANCEFLOOR THUNDERSTORM pulls back the curtain and captures this cultural explosion as it shot across the country, converting millions into fans of electronic music. A must-have for any fan of music or pop culture, the book is a time warp back to a time of magical nights and miraculous rhythms.