Warsaw was once home to the largest and most diverse Jewish community in the world. It was a center of rich varieties of Orthodox Judaism, Jewish Socialism, Diaspora Nationalism, Zionism, and Polonization. This volume is the first to reflect on the entire history of the Warsaw Jewish community, from its inception in the late 18th century to its emergence as a Jewish metropolis within a few generations, to its destruction during the German occupation and tentative re-emergence in the postwar period. The highly original contributions collected here investigate Warsaw Jewry’s religious and cultural life, press and publications, political life, and relations with the surrounding Polish society. This monumental volume is dedicated to Professor Antony Polonsky, chief historian of the new Warsaw Museum for the History of Polish Jews, on the occasion of his 75th birthday.
Populated by urbane Jewish merchants and professionals as well as new arrivals from the shtetl, imperial Kiev was acclaimed for its opportunities for education, culture, employment, and entrepreneurship but cursed for the often pitiless persecution of its Jews. Kiev, Jewish Metropolis limns the history of Kiev Jewry from the official readmission of Jews to the city in 1859 to the outbreak of World War I. It explores the Jewish community's politics, its leadership struggles, socioeconomic and demographic shifts, religious and cultural sensibilities, and relations with the city's Christian population. Drawing on archival documents, the local press, memoirs, and belles lettres, Natan M. Meir shows Kiev's Jews at work, at leisure, in the synagogue, and engaged in the activities of myriad Jewish organizations and philanthropies.
This book examines the intersection of urban society and modern politics among Jews in turn of the century Warsaw, Europe's largest Jewish center at the time. By focusing on the tumultuous events surrounding the Revolution of 1905, Barricades and Banners argues that the metropolitanization of Jewish life led to a need for new forms of community and belonging, and that the ensuing search for collective and individual order gave birth to the new institutions, organizations, and practices that would define modern Jewish society and politics for the remainder of the twentieth century.
The Jewish Metropolis: New York City from the 17th to the 21st Century covers the entire sweep of the history of the largest Jewish community of all time. It provides an introduction to many facets of that history, including the ways in which waves of immigration shaped New York’s Jewish community; Jewish cultural production in English, Yiddish, Ladino, and German; New York’s contribution to the development of American Judaism; Jewish interaction with other ethnic and religious groups; and Jewish participation in the politics and culture of the city as a whole. Each chapter is written by an expert in the field, and includes a bibliography for further reading. The Jewish Metropolis captures the diversity of the Jewish experience in New York.
The readmission of some categories of Jews into Kiev in 1859 brought about a rapid rise of the Jewish community in the city. Kiev had a symbolical significance as "the mother of the Russian cities" and was an important religious center, so the massive migration of Jews in it provoked anxiety among the Christians. The authorities and to some extent voluntary associations of Kiev tried to maintain a segregation between the Jews and non-Jews; while attacking Jews for their "isolation", they opposed also Jewish cultural assimilation. Describes the pogrom of 1881 and the bloody pogrom of October 1905. Argues that the pogroms of 1881 in Kiev and elsewhere took place mainly in the areas of new Jewish settlement. The pogromists in Kiev called not so much to "beat the Jews" as to expel them from the city. Dismisses the view that the perpetrators of the pogrom were vagabond workers from central Russia: the role of the locals in the riot was significant. The 1905 pogrom was a by-product of the revolution, in which many Jews took part. The authorities not only were reluctant to stop it (as it was also in 1881), but even encouraged the rioters for violence. Christian neighbors nearly always refused to hide or to protect Jews. Dozens were killed in what the nationalists regarded as a symbolic reconquest of Kiev from "seditionist Jews". Describes also the Beilis case in Kiev, which can be regarded that an anti-Jewish campaign launched by the all-Russian right rather than by Kiev antisemites. The pogroms shattered the hopes of most Jews for peaceful coexistence with non-Jews, but did not stop the Jewish migration to Kiev and their acculturation.
A must-read book for understanding this vibrant and influential modern Jewish movement Hasidism originated in southeastern Poland, in mystical circles centered on the figure of Israel Ba’al Shem Tov, but it was only after his death in 1760 that a movement began to spread. Today, Hasidism is witnessing a remarkable renaissance around the world. This book provides the first comprehensive history of the pietistic movement that shaped modern Judaism. Written by an international team of scholars, its unique blend of intellectual, religious, and social history demonstrates that, far from being a throwback to the Middle Ages, Hasidism is a product of modernity that forged its identity as a radical alternative to the secular world.
The unifying thread of the interdisciplinary volume Jewish and Non-Jewish Spaces in the Urban Context is the fact that Jewish spaces are almost always generated in relation to non-Jewish spaces; they determine and influence each other. This general phenomenon will be scrutinized and put to the test again and again in a varied collection of articles by international experienced researchers as well as junior scholars using various urban contexts and discourses as data. From the viewpoints of different temporal and regional research traditions and disciplines the contributors deal with the question of how Jewish and non-Jewish spaces are imagined, constructed, negotiated and intertwined. All examples and case studies together create a mosaic of possibilities for the construction of Jewish and non-Jewish spaces in different settings. The list of examined topics ranges from synagogues to ghettos, from urban neighborhoods to cafés and festivals, from art to literature. This diversity makes the volume a challenging effort of giving an overview of the current academic discussion in Europe and beyond. Although the majority of the contributions are focused on Central and Eastern Europe, a more general tendency becomes apparent in all articles: the negotiation of urban spaces seems to be a complex and ambivalent process in which a large number of participants are involved. In this regard, the volume would also like to contribute to trans-disciplinary urban studies and critical research on spatial relations.
The Oxford Handbook of Jewish Music Studies is the most comprehensive and expansive critical handbook of Jewish music published to date. It is the first endeavor to address the diverse range of sounds, texts, archives, traditions, histories, geographic and political contexts, and critical discourses in the field. The thirty-one experts from thirteen countries who prepared the thirty original and groundbreaking chapters in this handbook are leaders in the disciplines of musicology and Jewish studies as well as adjacent fields. Chapters in the handbook provide a broad coverage of the subject area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections -- Land, City, Ghetto, Stage, Sacred and Ritual Spaces, Destruction / Remembrance, and Spirit -- the range and scope of The Oxford Handbook of Jewish Music Studies most significantly suggests a new framework for the study of Jewish music centered on spatiality and taking into consideration temporality and collectivity. Within each chapter, authors have selected what they consider to be the most important material relevant to their topic and, drawing on the most authoritative insights from historical and ethnomusicology, Jewish studies, history, anthropology, philology, religious studies, and the visual arts, have taken a genuinely inter- or transdisciplinary approach. Integrated chapter bibliographies provide material for further reading. Together the chapters form a first truly global look at Jewish music, incorporating studies from Central and East Asia, Europe, Australia, the Americas, and the Arab world. Together they span world history, from antiquity until the present day. As such, the Handbook provides a resource that researchers, scholars, and educators will use as the most important and authoritative overview of work within music and Jewish studies.
