Cornelia Peake McDonald kept a diary during the Civil War (1861- 1865) at her husband's request, but some entries were written between the lines of printed books due to a shortage of paper and other entries were lost. In 1875, she assembled her scattered notes and records of the war period into a blank book to leave to her children. The diary entries describe civilian life in Winchester, Va., occupation by Confederate troops prior to the 1st Manassas, her husband's war experiences, the Valley campaigns and occupation of Winchester and her home by Union troops, the death of her baby girl, the family's "refugee life" in Lexington, reports of battles elsewhere, and news of family and friends in the army.
Emilie Davis was a free African American woman who lived in Philadelphia during the Civil War. She worked as a seamstress, attended the Institute for Colored Youth, and was an active member of her community. She lived an average life in her day, but what sets her apart is that she kept a diary. Her daily entries from 1863 to 1865 touch on the momentous and the mundane: she discusses her own and her community’s reactions to events of the war, such as the Battle of Gettysburg, the Emancipation Proclamation, and the assassination of President Lincoln, as well as the minutiae of social life in Philadelphia’s black community. Her diaries allow the reader to experience the Civil War in “real time” and are a counterpoint to more widely known diaries of the period. Judith Giesberg has written an accessible introduction, situating Davis and her diaries within the historical, cultural, and political context of wartime Philadelphia. In addition to furnishing a new window through which to view the war’s major events, Davis’s diaries give us a rare look at how the war was experienced as a part of everyday life—how its dramatic turns and lulls and its pervasive, agonizing uncertainty affected a northern city with a vibrant black community.
This historical biography provides a scholarly analysis of the personal diaries of a young, freeborn mulatto woman during the Civil War years. In Notes from a Colored Girl, Karsonya Wise Whitehead examines the life and experiences of Emilie Frances Davis through a close reading of three pocket diaries she kept from 1863 to 1865. Whitehead explores Davis’s worldviews and politics, her perceptions of both public and private events, her personal relationships, and her place in Philadelphia’s free black community in the nineteenth century. The book also includes a six-chapter historical reconstruction of Davis’s life. While Davis’s entries provide brief, daily snapshots of her life, Whitehead interprets them in ways that illuminate nineteenth-century black American women’s experiences. Whitehead’s contribution of edited text and original narrative fills a void in scholarly documentation of women who dwelled in spaces between white elites, black entrepreneurs, and urban dwellers of every race and class. Drawing on scholarly traditions from history, literature, feminist studies, and sociolinguistics, Whitehead investigates Davis’s diary both as a complete literary artifact and in terms of her specific daily entries. With few primary sources written by black women during this time in history, Davis’s diary is a rare and extraordinarily valuable historical artifact.
This account by a woman who fought the Nazis alongside her husband is “an indelible portrait of extraordinary strength of character” (The New Yorker). Virginia Roush fell in love with Philippe d’Albert-Lake during a visit to France in 1936; they married soon after. In 1943, they both joined the Resistance, where Virginia put her life in jeopardy as she sheltered downed airmen and later survived a Nazi prison camp. After the war, she stayed in France with Philippe, and was awarded the Légion d’Honneur and the Medal of Honor. This book includes two rare documents—Virginia’s diary of wartime France until her capture in 1944, and her prison memoir written immediately after the war. Together they offer “an invaluable record of the workings of the French Resistance by one of the very few American women who participated in it” (Providence Journal). “A sharply etched and moving story of love, companionship, commitment, and sacrifice . . . This beautifully edited diary and memoir throw an original light on the French Resistance.” —Robert Gildea, author of Marianne in Chains: In Search of the German Occupation, 1940–1945 “At once a stunning self-portrait and dramatic narrative of a valorous young American woman . . . an exciting and gripping story.” —Walter Cronkite
Frances Dallam Peter was one of the eleven children of Union army surgeon Dr. Robert Peter. Her candid diary chronicles Kentucky's invasion by Confederates under General Braxton Bragg in 1862, Lexington's monthlong occupation by General Edmund Kirby Smith, and changes in attitude among the enslaved population following the Emancipation Proclamation. As troops from both North and South took turns holding the city, she repeatedly emphasized the rightness of the Union cause and minced no words in expressing her disdain for "the secesh." Peter articulates many concerns common to Kentucky Unionists. Though she was an ardent supporter of the war against the Confederacy, Peter also worried that Lincoln's use of authority exceeded his constitutional rights. Her own attitudes toward Black people were ambiguous, as was the case with many people in that time. Peter's descriptions of daily events in an occupied city provide valuable insights and a unique feminine perspective on an underappreciated aspect of the war. Until her death in 1864, Peter conscientiously recorded the position and deportment of both Union and Confederate soldiers, incidents at the military hospitals, and stories from the countryside. Her account of a torn and divided region is a window to the war through the gaze of a young woman of intelligence and substance.
A well-educated, outspoken member of a politically prominent family in Bowling Green, Kentucky, Josie Underwood (1840–1923) left behind one of the few intimate accounts of the Civil War written by a southern woman sympathetic to the Union. This vivid portrayal of the early years of the war begins several months before the first shots were fired on Fort Sumter in April 1861. “The Philistines are upon us,” twenty-year-old Josie writes in her diary, leaving no question about the alarm she feels when Confederate soldiers occupy her once-peaceful town. Offering a unique perspective on the tensions between the Union and the Confederacy, Josie reveals that Kentucky was a hotbed of political and military action, particularly in her hometown of Bowling Green, known as the Gibraltar of the Confederacy. Located along important rail and water routes that were vital for shipping supplies in and out of the Confederacy, the city linked the upper South’s trade and population centers and was strategically critical to both armies. Capturing the fright and frustration she and her family experienced when Bowling Green served as the Confederate army’s headquarters in the fall of 1861, Josie tells of soldiers who trampled fields, pilfered crops, burned fences, cut down trees, stole food, and invaded homes and businesses. In early 1862, Josie’s outspoken Unionist father, Warner Underwood, was ordered to evacuate the family’s Mount Air estate, which was later destroyed by occupying forces. Wartime hardships also strained relationships among Josie’s family, neighbors, and friends, whose passionate beliefs about Lincoln, slavery, and Kentucky’s secession divided them. Published for the first time, Josie Underwood’s Civil War Diary interweaves firsthand descriptions of the political unrest of the day with detailed accounts of an active social life filled with travel, parties, and suitors. Bringing to life a Unionist, slave-owning young woman who opposed both Lincoln’s policies and Kentucky’s secession, the diary dramatically chronicles the physical and emotional traumas visited on Josie’s family, community, and state during wartime.
Abandoned and ostracised during the Civil War, Elizabeth hides with her infant child in a Tennessee backwoods, where she is taken in hand by a woman who teaches the value of independence, and helps her forge a new life.
Lucy Pier Stevens, a twenty-one-year-old woman from Ohio, began a visit to her aunt’s family near Bellville, Texas, on Christmas Day, 1859. Little did she know how drastically her life would change on April 4, 1861, when the outbreak of the Civil War made returning home impossible. Stranded in enemy territory for the duration of the war, how would she reconcile her Northern upbringing with the Southern sentiments surrounding her? Lucy Stevens’s diary—one of few women’s diaries from Civil War–era Texas and the only one written by a Northerner—offers a unique perspective on daily life at the fringes of America’s bloodiest conflict. An articulate, educated, and keen observer, Stevens took note of seemingly everything—the weather, illnesses, food shortages, parties, church attendance, chores, schools, childbirth, death, the family’s slaves, and political and military news. As she confided her private thoughts to her journal, she unwittingly revealed how her love for her Texas family and the Confederate soldier boys she came to care for blurred her loyalties, even as she continued to long for her home in Ohio. Showing how the ties of heritage, kinship, friendship, and community transcended the sharpest division in US history, this rare diary and Vicki Adams Tongate’s insightful historical commentary on it provide a trove of information on women’s history, Texas history, and Civil War history.
First published serially in the Yiddish daily newspaper di Varhayt in 1916–18, Diary of a Lonely Girl, or The Battle against Free Love is a novel of intimate feelings and scandalous behaviors, shot through with a dark humor. From the perch of a diarist writing in first person about her own love life, Miriam Karpilove’s novel offers a snarky, melodramatic criticism of radical leftist immigrant youth culture in early twentieth-century New York City. Squeezed between men who use their freethinking ideals to pressure her to be sexually available and nosy landladies who require her to maintain her respectability, the narrator expresses frustration at her vulnerable circumstances with wry irreverence. The novel boldly explores issues of consent, body autonomy, women’s empowerment and disempowerment around sexuality, courtship, and politics. Karpilove immigrated to the United States from a small town near Minsk in 1905 and went on to become one of the most prolific and widely published women writers of prose in Yiddish. Kirzane’s skillful translation gives English readers long-overdue access to Karpilove’s original and provocative voice.
