Art by the Book
Art by the Book

Author: J. P. Park

Publisher: University of Washington Press

Published: 2016-06-01

Total Pages: 340

ISBN-13: 0295807032

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Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital.

The Aesthetics of Qiyun and Genius
The Aesthetics of Qiyun and Genius

Author: Xiaoyan Hu

Publisher: Rowman & Littlefield

Published: 2021-08-10

Total Pages: 321

ISBN-13: 1793641579

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In The Aesthetics of Qiyun and Genius: Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes, Xiaoyan Hu provides an interpretation of the notion of qiyun, or spirit consonance, in Chinese painting, and considers why creating a painting—especially a landscape painting—replete with qiyun is regarded as an art of genius, where genius is an innate mental talent. Through a comparison of the role of this innate mental disposition in the aesthetics of qiyun and Kant’s account of artistic genius, the book addresses an important feature of the Chinese aesthetic tradition, one that evades the aesthetic universality assumed by a Kantian lens. Drawing on the views of influential sixth to fourteenth-century theorists and art historians and connoisseurs, the first part explains and discusses qiyun and its conceptual development from a notion mainly applied to figure painting to one that also plays an enduring role in the aesthetics of landscape painting. In the light of Kant’s account of genius, the second part examines a range of issues regarding the role of the mind in creating a painting replete with qiyun and the impossibility of teaching qiyun. Through this comparison with Kant, Hu demystifies the uniqueness of qiyun aesthetics and also illuminates some limitations in Kant’s aesthetics. The publication of this work was supported by the Fundamental Research Funds for the Central Universities (project no: 3213042202A1).

Dimensions of Originality
Dimensions of Originality

Author: Katharine P Burnett

Publisher: The Chinese University of Hong Kong Press

Published: 2013-03-13

Total Pages: 444

ISBN-13: 9629964562

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This book investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was "qi", literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of "qi" as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes, and explains how the value lost its luster at the end of the seventeenth century.

Ways with Words
Ways with Words

Author: Pauline Yu

Publisher: Univ of California Press

Published: 2000-09-19

Total Pages: 300

ISBN-13: 9780520224667

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This is an interdisciplinary collection of articles analyzing seven classic premodern Chinese texts that are provided in translation.

Chinese Buddhism and the Scholarship of Erik Zürcher
Chinese Buddhism and the Scholarship of Erik Zürcher

Author: Jonathan A. Silk

Publisher: BRILL

Published: 2022-11-14

Total Pages: 468

ISBN-13: 9004522158

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Since Erik Zürcher's landmark Buddhist Conquest of China, the study of earlier phases of Chinese Buddhist history has made great progress with new materials, new interpretations and new problematizations. This volume brings together 12 contributions from the leading scholars in the field offering new perspectives on this old tradition.

Fruitful Sites
Fruitful Sites

Author: Craig Clunas

Publisher: Reaktion Books

Published: 2013-06-01

Total Pages: 242

ISBN-13: 178023158X

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Gardens are sites that can be at one and the same time admired works of art and valuable pieces of real estate. As the first account in English to be wholly based on contemporary Chinese sources, this beautifully illustrated book grounds the practices of garden-making in Ming Dynasty China (1369–1644) firmly in the social and cultural history of the day. Who owned gardens? Who visited them? How were they represented in words, in paintings and in visual culture generally, and what meanings did these representations hold at different levels of Chinese society? Drawing on a wide range of recent work in cultural theory, Craig Clunas provides for the first time a historical and materialist account of Chinese garden culture, and replaces broad generalizations and orientalist fantasy with a convincing picture of the garden's role in social life.