Walter Sickert, Prints : a Catalogue Raisonné

Walter Sickert, Prints : a Catalogue Raisonné

Author: Ruth Bromberg

Publisher: Paul Mellon Ctr for Studies

Published: 2000

Total Pages: 312

ISBN-13: 9780300081619

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Walter Sickert (1860-1942) was possibly the most important and influential early modern British artist. He belonged to the generation that absorbed the modernity of late nineteenth-century French art into British painting and printmaking. His outstanding work as a printmaker has been largely overlooked and unexplored until now. This book and catalogue raisonni bring together for the first time the substantial body of 226 prints by Sickert, along with their numerous different states, many in rare or unique impressions, and reveals the unorthodox and experimental techniques Sickert used frequently 'in dialogue' with related paintings and drawings. Ruth Bromberg describes here the subject matter and techniques for each print in relation to Sickert's oeuvre. She also discusses the evolution of Sickert's career in printmaking; the influences on his work of Whistler and Degas, whom Sickert knew; his working procedures; and his innovative techniques and style in engraving, etching, aquatint, soft ground etching, and lithography. She explores the varied settings of his prints - which include early London and Dieppe street scenes, seascapes in Holland and famous views of Venice as well as t


Sickert

Sickert

Author: Wendy Baron

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 614

ISBN-13: 0300111290

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Walter Richard Sickert (1860-1942) was an artist of prodigious creativity. For sixty years, in his roles as painter, teacher, and polemicist, he was a source of inspiration and influence to successive generations of British painters. With his roots in the Victorian era, Sickert broke all taboos. He was uncompromisingly truthful, revealing beauty in the squalid as in the sublime: in cockney music halls, the crumbling streets of Dieppe, the grand sites of Venice, and the low-life of Camden Town. Decades before Warhol, he exploited the potential of photo-based imagery and of studio production lines to create iconic portraits of the grandees of theatrical, social, and political life. This catalogue is divided into two parts: essay chapters describe Sickert's chronology in terms of stylistic and technical development, and a fully illustrated catalogue presents more than 2800 drawings and paintings, many of which have never been published before.


Walter Sickert

Walter Sickert

Author: Matthew Sturgis

Publisher: HarperCollins UK

Published: 2005

Total Pages: 842

ISBN-13:

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First major life of the British painter; it re-appraises his talent and demolishes Patricia Corwell's assertions that he was Jack the Ripper.


Palaces in the Night

Palaces in the Night

Author: Margaret F. MacDonald

Publisher: Univ of California Press

Published: 2001

Total Pages: 172

ISBN-13: 9780520230491

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In "Palaces in the Night", MacDonald looks at a key period in James Whistler's career, examining his unique vision of Venice and his development of the medium of etching. 120 illustrations.


Irish London

Irish London

Author: Richard Kirkland

Publisher: Bloomsbury Publishing

Published: 2021-08-12

Total Pages: 379

ISBN-13: 1350133205

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Winner of the 2022 British Association of Irish Studies (BAIS) Book Prize In the years following the Irish Famine (1845–52), London became one of the cities of Ireland. The number of Irish in London swelled to over 100,000 and from this mass migration emerged a distinctive and vibrant culture based on a shared sense of history, identity and experience. In this book, Richard Kirkland brings together elements in Irish London's culture and history that had previously only been understood separately or indeed largely overlooked (as in the case of women's' contributions to London Irish politics and culture). In particular, Kirkland makes resonant cultural connections between Irish and cockney performers in the music halls, Irish trade fairs, temperance marches, the Fenian dynamite war of the 1880s, St Patrick's Day events, and the later cultural agitation of revivalists such as W.B. Yeats and Katharine Tynan. Irish London: A Cultural History 1850–1916 is both a significant contribution to our understanding of Irish emigrant communities in London at this time and an insightful case study for the comparative fields of cultural history and urban migration studies.


Becoming a Londoner

Becoming a Londoner

Author: David Plante

Publisher: Bloomsbury Publishing USA

Published: 2013-09-24

Total Pages: 545

ISBN-13: 1620401827

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The first volume of National Book Award finalist David Plante's extraordinary diaries of a life lived among the artistic elite in 1960s London. “Nikos and I live together as lovers, as everyone knows, and we seem to be accepted because it's known that we are lovers. In fact, we are, according to the law, criminals in our making love with each other, but it is as if the laws don't apply. It is as if all the conventions of sex and clothes and art and music and drink and drugs don't apply here in London . . .” In the 1960s, strangers to their new city and from the different worlds of New York and Athens, David and Nikos embarked on a life together, a partnership that would endure for forty years. At a moment of “absolute respect for differences,” London offered a freedom in love unattainable in their previous homes. Friendships with Stephen and Natasha Spender, Francis Bacon, Sonia Orwell, W. H. Auden, Christopher Isherwood, Steven Runciman, David Hockney, and R. B. Kitaj, meetings with such Bloomsbury luminaries as E. M. Forster and Duncan Grant, and a developing friendship with Philip Roth living in London with Claire Bloom, opened up worlds within worlds; connections appeared to crisscross, invisibly, through the air, interconnecting everyone. David Plante has kept a diary of his life for more than half a century. Both a deeply personal memoir and a fascinating and significant work of cultural history, this first volume spans his first twenty years in London, beginning in the mid-sixties, and pieces together fragments of diaries, notes, sketches, and drawings to reveal a beautiful, intimate portrait of a relationship and a luminous evocation of a world of writers, poets, artists, and thinkers.


The New York Times Book Reviews 2000

The New York Times Book Reviews 2000

Author: New York Times Staff

Publisher: Taylor & Francis

Published: 2001

Total Pages: 1284

ISBN-13: 9781579580582

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This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.


A.C.I.: Painting, sculpture, works on paper, prints, contemporary media

A.C.I.: Painting, sculpture, works on paper, prints, contemporary media

Author: Noelle Corboz

Publisher: Jrp Ringier

Published: 2009

Total Pages: 520

ISBN-13:

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Art Catalogue Index (A.C.I.) aims to provide a comprehensive list of all the catalogues raisonnés and reviews on artists born between 1780 and the postwar period. This first edition is focused on the so-called 'modern' period. It starts with the birth of Jean Auguste Dominique Ingres, in 1780 in Montauban, who competed for the Prix de Rome in 1800 with his contemporaries; he therefore both witnessed and took part in this turning point in time which opened the gates of the 'modern' period, and which led up to today and contemporary art. Published with BFAS, Geneva, and Thierry Meaudre, Paris. English text.


Walter Sickert

Walter Sickert

Author: Walter Sickert

Publisher:

Published: 2002

Total Pages: 748

ISBN-13: 9780199261697

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Walter Richard Sickert (1860-1942) was a major European artist and critic of the late nineteenth and early twentieth century, whose statements on art from the 1880s to the 1930s have been used by artists and writers for more than half a century. Containing over 400 entries, this collection offers new insight into Sickert as an artist and provides valuable information about other British artists of the late nineteenth and early twentieth centuries.