Demonstrates how Walter Scott, one of Romanticism's most globally influential authors, put Scotland's ecologies at the heart of nineteenth-century writing.
This is a comprehensive collection devoted to the work of Sir Walter Scott, drawing on the innovative research and scholarship which have revitalised the study of the whole range of his exceptionally diverse writing in recent years.
No writer has ever been as famous as Sir Walter Scott once was; and no writer has ever enjoyed such huge acclaim followed by such absolute neglect and outright hostility. But Scotland would not be Scotland except for Scott. All the icons of Scottishness have their roots in Scott's novels, poems, public events and histories. It's a legacy both inspiring and constraining, and just one of the ironies that fuse Scott and Scotland into Scott-land. In this book Stuart Kelly reveals Scott the paradox: the celebrity unknown, the nationalist unionist, the aristocrat loved by communists, the forward-looking reactionary. Part literary study, part biography, part travelogue, part surreptitious autobiography, Scott-land unveils a complex, contradictory man and the complex contradictory country he created. Insightful, accessible, witty and melancholy, this is a 'voyage around my fatherland' like no other.
This lively and erudite cultural history of Scotland, from the Jacobite defeat of 1745 to the death of an icon, Sir Walter Scott, in 1832, examines how Scottish identity was experienced and represented in novel ways. Weaving together previously unpublished archival materials, visual and material culture, dress and textile history, Viccy Coltman re-evaluates the standard clichés and essentialist interpretations which still inhibit Scottish cultural history during this period of British and imperial expansion. The book incorporates familiar landmarks in Scottish history, such as the visit of George IV to Edinburgh in August 1822, with microhistories of individuals, including George Steuart, a London-based architect, and the East India Company servant, Claud Alexander. It thus highlights recurrent themes within a range of historical disciplines, and by confronting the broader questions of Scotland's relations with the rest of the British state it makes a necessary contribution to contemporary concerns.
"Hugh Cheape, Head of the Scottish Material Culture Research Centre at the National Museums of Scotland, explores the story of tartan from the medieval love of display to the Victorian invention of exclusive clan identity. With the spotlight also thrown on Bonnie Prince Charlie's kilt and 'ancient' tartans, the history of the Highlands and its society is brought vividly to life. A revised edition of a classic text, this book contains a full-colour section on clan tartans, with useful historical information to find our more about your own tartan, and family history and genealogy."--BOOK JACKET.