With frequent references to archeological finds, this book explores the ancient Egyptian concept of the afterlife. Author Ernest Alfred Wallis Budge was an English Egyptologist who worked for the British Museum. While Budge was not exempt from the darker side of Egyptology--he was complicit in the smuggling of antiquities, and by purchasing from dealers rather than engaging in excavation he helped encourage archeological looting--his tenure was marked by a decided increase in the quality of the museum's collection. Budge wrote this book using the full resources of the British Museum, and the resulting work offers an in-depth look at ancient Egyptian funerary practices.
Sir E.A. Wallis Budge (1857-1934) is today mostly known as the author of such books as The Egyptian Book of the Dead (1895), The Gods of Egypt (1904), and An Egyptian Hieroglyphic Dictionary (1920). Born an impoverished and illegitimate child in rural Cornwall, Budge bit and clawed his way through the barriers of Victorian and Edwardian class prejudice to a knighthood in 1920. As Keeper of Egyptian and Assyrian Antiquities in the British Museum from 1894 to 1924, Budge's career was entwined with the great issues of his day: the rise of the European Empires in the Middle East and the decline of the Ottoman Empire; the French and British struggle to control Egypt and its antiquities; the conflicts between Ottoman and European antiquarian interests in the Ottoman province of Iraq; and the British invasion and colonization of the Sudan. Budge was both a proponent of a liberalized Christianity and a believer in the reality of the occult world, and his books were viewed by many as a primary source for alternative religious inspiration. More than an account of the professional conflicts and the controversial smuggling of antiquities for which Budge is now remembered in academic circles, this is an intriguing story of antiquities and empire - and of how one man's life was saturated with both.
Rich, detailed survey of Egyptian conception of "God" and gods, magic, cult of animals, Osiris, more. Also, superb English translations of hymns and legends. 240 illustrations.
Focusing on the monuments on either side of the Nile, the author describes Egyptians, their writing, religion and gods, plus historic locales and objects: Alexandria, Cairo, the Rosetta Stone, the pyramids, the Sphinx; the statue of Rameses II, the temples at Luxor and Karnak, major sites where royal mummies were discovered, and more.
Fascinating account of great linguistic detective story — discovery of Stone, history of the decipherment of Egyptian hieroglyphics; work of Young, Champollion, other scholars; much more. 23 photographs. Bibliography.
Egyptian magic dates from the time when the predynastic and prehistoric dwellers in Egypt believed that the earth, and the underworld, and the air, and the sky were peopled with countless beings, visible and invisible, which were held to be friendly or unfriendly to man according as the operations of nature, which they were supposed to direct, were favourable or unfavourable to him. In -nature and attributes these beings were thought by primitive man to closely resemble himself and to possess all human passions, and emotions, and weaknesses, and defects; and the chief object of magic was to give man the pre-eminence over such beings. The favour of the beings who were placable and friendly to man might be obtained by means of gifts and offerings, but the cessation of hostilities on the part of those that were implacable and unfriendly could only be obtained by wheedling, and cajolery, and flattery, or by making use of an amulet, or secret name, or magical formula, or figure, or picture which had the effect of bringing to the aid of the mortal who possessed it the power of a being that was mightier than the foe who threatened to do evil to him. The magic of most early nations aimed at causing the transference of power from a supernatural being to man, whereby he was to be enabled to obtain superhuman results and to become for a time as mighty as the original possessor of the power; but the object of Egyptian magic was to endow man with the means of compelling both friendly and hostile powers, nay, at a later time, even God Himself, to do what he wished, whether the were willing or not. The belief in magic, the word being used in its best sense, is older in Egypt than the belief in God, and it is certain that a very large number of the Egyptian religious ceremonies, which were performed in later times as an integral part of a highly spiritual worship, had their origin in superstitious customs which date from a period when God, under any name or in any form, was unconceived in the minds of the Egyptians. Indeed it is probable that even the use of the sign which represents an axe, and which stands the hieroglyphic character both for God and "god," indicates that this weapon and. tool was employed in the performance of some ceremony connected with religious magic in prehistoric, or at any rate in predynastic times, when it in some mysterious way symbolized the presence of a supreme Power. But be this as it may, it is quite certain that magic and religion developed and flourished side by side in Egypt throughout all periods of her history, and that any investigation which we may make of the one necessarily includes an examination of the other.