Walker Evans: the Interview
Walker Evans: the Interview

Author:

Publisher:

Published: 2019-05-21

Total Pages: 64

ISBN-13: 9780871300782

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In 1971, Art in America published an interview with Walker Evans conducted by Leslie George Katz, writer and publisher of the Eakins Press. The interview is charming and illuminating in its clarity and candor. Nearing the end of his life, Evans speaks freely about his influences and how he got started as a photographer ("I was damn well going to be an artist and I wasn't going to be a businessman," he remembers), and reflects back on his work and his thinking. The interview has become legendary, consulted by curators, scholars and students for half a century and considered a definitive source for insights into the process, philosophy and personality of one of America's greatest photographers. In 1995, the Eakins Press Foundation republished Evans' interview in a deluxe clothbound edition titled Walker Evans Incognito. More than 20 years later, this new edition brings the Evans interview back into print in an elegant and affordable volume for a new generation. Walker Evans scholar Anne Bertrand introduces the interview and its publication history, and contributes notes throughout the text that provide important contextual information. Walker Evans: The Interview offers an opportunity to rediscover the man behind the famous images, in his own words. Born in St. Louis, Missouri, Walker Evans (1903-75) took up photography in 1928. His book collaboration with James Agee, Let Us Now Praise Famous Men (1941), which portrayed the lives of three white tenant families in southern Alabama during the Depression, has become one of that era's most defining documents. Evans joined the staff of Time magazine in 1945, and shortly after moved to Fortune magazine, where he stayed until 1965. That year, he became a professor of photography at the Yale University School of Art. Evans died at his home in Old Lyme, Connecticut, in 1975. Leslie George Katz (1918-97) was the founder and publisher of the Eakins Press Foundation. Until his death in 1997, he wrote extensively about American art and culture, and through his sustained efforts to celebrate his heroes--Thomas Eakins, Walt Whitman, and Walker Evans--found a way to define a new sort of democratic, patriotic intellectualism.

Many are Called
Many are Called

Author: Walker Evans

Publisher: Yale University Press

Published: 2004-01-01

Total Pages: 220

ISBN-13: 9780300106176

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Between 1936 and 1941 Walker Evans and James Agee collaborated on one of the most provocative books in American literature, Let Us Now Praise Famous Men (1941). While at work on this book, the two also conceived another less well-known but equally important book project entitled Many Are Called. This three-year photographic study of subway passengers made with a hidden camera was first published in 1966, with an introduction written by Agee in 1940. Long out of print, Many Are Called is now being reissued with a new foreword and afterword and with exquisitely reproduced images from newly prepared digital scans. Many Are Called came to fruition at a slow pace. In 1938, Walker Evans began surreptitiously photographing people on the New York City subway. With his camera hidden in his coat—the lens peeking through a buttonhole—he captured the faces of riders hurtling through the dark tunnels, wrapped in their own private thoughts. By 1940-41, Evans had made over six hundred photographs and had begun to edit the series. The book remained unpublished until 1966 when The Museum of Modern Art mounted an exhibition of Evans’s subway portraits. This beautiful new edition—published in the centenary year of the NYC subway—is an essential book for all admirers of Evans’s unparalleled photographs, Agee’s elegant prose, and the great City of New York.

Walker Evans
Walker Evans

Author: Svetlana Alpers

Publisher: Princeton University Press

Published: 2023-11-07

Total Pages: 416

ISBN-13: 0691222614

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A magisterial study of celebrated photographer Walker Evans Walker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle. Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style. A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.

Too Heavy a Yoke
Too Heavy a Yoke

Author: Chanequa Walker-Barnes

Publisher: Wipf and Stock Publishers

Published: 2014-06-19

Total Pages: 229

ISBN-13: 1630871923

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Black women are strong. At least that's what everyone says and how they are constantly depicted. But what, exactly, does this strength entail? And what price do Black women pay for it? In this book, the author, a psychologist and pastoral theologian, examines the burdensome yoke that the ideology of the Strong Black Woman places upon African American women. She demonstrates how the three core features of the ideology--emotional strength, caregiving, and independence--constrain the lives of African American women and predispose them to physical and emotional health problems, including obesity, diabetes, hypertension, and anxiety. She traces the historical, social, and theological influences that resulted in the evolution and maintenance of the Strong Black Woman, including the Christian church, R & B and hip-hop artists, and popular television and film. Drawing upon womanist pastoral theology and twelve-step philosophy, she calls upon pastoral caregivers to aid in the healing of African American women's identities and crafts a twelve-step program for Strong Black Women in recovery.

Hitler Moves East
Hitler Moves East

Author: G. B. Trudeau

Publisher: Levinthal and Trudeau

Published: 2013-03-19

Total Pages: 0

ISBN-13: 9781449428594

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“A serious chronicle of war and a sympathetic—even moving—portrayal of the soldier’s hopeless stoicism. " — New York Times First published to little notice in 1977, Hitler Moves East is now widely regarded as a groundbreaking classic of modern photography. In this elegant, large-format limited edition, David Levinthal and Garry Trudeau’s seminal book is finally being presented at a scale that does full justice to their haunting vision of war. As the New York Times pointed out ten years after publication, “Levinthal’s war pictures are radically new," and indeed they were. Using cheap, molded plastic toy soldiers and tanks, art school classmates Trudeau and Levinthal conceived a fascinating new narrative form, a “paper movie,” at once deeply evocative and unabashedly fake. Combining selected archival materials with photographs of 1/35-scale toys placed in meticulously constructed miniature settings, the two artists conjured up an astonishing reimagining of World War II’s most epic campaign—the German invasion of the Soviet Union. Traveling precariously between fantasy and reality, Levinthal and Trudeau produced a work now recognized as both a sublime graphic manifesto and a powerful documentary of men at war. David Levinthal and Garry Trudeau began their collaboration on Hitler Moves East shortly after both had graduated from the Yale School of Art and Architecture in 1973. Levinthal has since published numerous book of photographs, including Modern Romance, The Wild West, and Mein Kampf. Trudeau is the Pulitzer Prize-winning creator of the long-running comic strip Doonesbury.

Walker Evans
Walker Evans

Author: John T. Hill

Publisher: National Geographic Books

Published: 2015-11-25

Total Pages: 0

ISBN-13: 3791382233

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This resplendent volume is the most comprehensive study of Walker Evans’s work ever published, containing masterful images accompanied by authoritative commentary from leading photography historians. The name Walker Evans conjures images of the American everyman. Whether it’s his iconic contributions to James Agee’s depressionera classic book, Let Us Now Praise Famous Men, his architectural explorations of antebellum plantations, or his subway series, taken with a camera hidden in his coat, Evans’s accessible and eloquent photographs speak to us all. This comprehensive book traces the entire arc of Evans’s remarkable career, from the 1930s to the 1970s. The illustrations in the book range from his earliest images taken with a vest pocket camera to his final photos using the then new SX-70 because his regular equipment had become too heavy to carry around. The book includes commentary from three of Evans’s longtime friends, photographers John T. Hill and Jerry Thompson and professor emeritus (Yale University) Alan Trachtenberg. Their insight and first-hand experience give depth to their critical writings on Evans’s work. In addition to offering a broad perspective on Evans’s work, the book also clarifies the photographer’s "anti-art" philosophy. Eschewing aesthetic hyperbole, Evans wanted his pictures to resonate with a wide audience. At the same time, his natural curiosity made him one of the most inventive photographers of all time. What these photographs and writings attest to is a huge and timeless talent, which came not from a camera, but from Evans’s uniquely hungry eye.

Sleeping by the Mississippi
Sleeping by the Mississippi

Author: Alec Soth

Publisher:

Published: 2008

Total Pages: 130

ISBN-13:

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Evolving from a series of road trips along the Mississippi River, Alec Soth's Sleeping by the Mississippi captures America's iconic yet oft-neglected "third coast." Soth's richly descriptive, large format color photographs describe an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject, his book elicits a consistent mood of loneliness, longing and reverie. "In the book's forty-six ruthlessly edited pictures," writes Anne Wilkes Tucker, "Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex... The coherence of the project places Soth's book exactly within the tradition of Walker Evans' American Photographs and Robert Frank's The Americans." Like Frank's classic book, Sleeping by the Mississippi merges a documentary style with a poetic sensibility. The Mississippi is less the subject of the book than its organizing structure. Not bound by a rigid concept or ideology, the series is created out of a quintessentially American spirit of wanderlust. This is the third print run and third new cover of a book which has become one of the most highly collected and widely acclaimed photo-books of recent times.

Approaching Nowhere
Approaching Nowhere

Author: Jeff Brouws

Publisher: National Geographic Books

Published: 2006-08-29

Total Pages: 0

ISBN-13: 0393062740

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Evocative images of buildings and places, seen from the American road. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered, paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward, documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time.