The Wages of Sin
Author: Lea Jacobs
Publisher: Univ of California Press
Published: 1997-06
Total Pages: 224
ISBN-13: 9780520207905
DOWNLOAD EBOOKExamines how film censors and producers treated the "fallen woman" or "sex picture" subject.
Posts
Everything Is Cinema
Author: Richard Brody
Publisher: Macmillan + ORM
Published: 2008-05-13
Total Pages: 721
ISBN-13: 1429924314
DOWNLOAD EBOOKFrom New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.
The Decline of the Cinema
Author: John Spraos
Publisher: Routledge
Published: 2013-12-17
Total Pages: 158
ISBN-13: 1317928458
DOWNLOAD EBOOKBetween 1952 and 1962, when this book was originally published, the number of people visiting British cinemas had fallen by nearly two thirds and was little more than half the pre-war total. Nearly 1500 of the 4500 cinemas functioning in 1955 had closed five years later, and the author here predicts a further substantial fall. The causes of this drastic decline are traced to the competition of television but also to the dramatic halving of the number of new American films and to the difficulty of transferring a cinema’s ‘congregation’ when it is closed. This decline has few parallels in recent times and in conjunction with a disproportionate and unexpected increase in the price of seats presents a fascinating study for the economist, which the author fully exploits. But the film industry is of general interest so that the author’s conclusions and his social recommendations will appeal to the general reader as well as those in the industry.
The World According to Hollywood, 1918-1939
Author: Ruth Vasey
Publisher: Univ of Wisconsin Press
Published: 1997
Total Pages: 326
ISBN-13: 9780299151942
DOWNLOAD EBOOKThe most visible cultural institution on earth between the World Wars, the Hollywood movie industry tried to satisfy worldwide audiences of vastly different cultural, religious, and political persuasions. The World According to Hollywood shows how the industry's self-regulation shaped the content of films to make them salable in as many markets as possible. In the process, Hollywood created an idiosyncratic vision of the world that was glamorous and exotic, but also oddly narrow. Ruth Vasey shows how the Motion Picture Producers and Distributors of America (MPPDA), by implementing such strategies as the industry's Production Code, ensured that domestic and foreign distribution took place with a minimum of censorship or consumer resistance. Drawing upon MPPDA archives, studio records, trade papers, and the records of the U.S. Department of Commerce, Vasey reveals the ways the MPPDA influenced the representation of sex, violence, religion, foreign and domestic politics, corporate capitalism, ethnic minorities, and the conduct of professional classes. Vasey is the first scholar to document fully how the demands of the global market frequently dictated film content and created the movies' homogenized picture of social and racial characteristics, in both urban America and the world beyond. She uncovers telling evidence of scripts and treatments that were abandoned before or during the course of production because of content that might offend foreign markets. Among the fascinating points she discusses is Hollywood's frequent use of imaginary countries as story locales, resulting from a deliberate business policy of avoiding realistic depictions of actual countries. She argues that foreign governments perceived movies not just as articles of trade, but as potential commercial and political emissaries of the United States. Just as Hollywood had to persuade its domestic audiences that its products were morally sound, its domination of world markets depended on its ability to create a culturally and politically acceptable product.
Reforming Hollywood
Author: William D. Romanowski
Publisher: Oxford University Press
Published: 2012-06-14
Total Pages: 329
ISBN-13: 0199942587
DOWNLOAD EBOOKReligious Communication Association's Book of the Year Hollywood and Christianity often seem to be at war. Indeed, there is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious "damn," to The Life of Brian and The Last Temptation of Christ. But the reality, writes William Romanowski, has been far more complicated--and remarkable. In Reforming Hollywood, Romanowski, a leading historian of popular culture, explores the long and varied efforts of Protestants to influence the film industry. He shows how a broad spectrum of religious forces have played a role in Hollywood, from Presbyterians and Episcopalians to fundamentalists and evangelicals. Drawing on personal interviews and previously untouched sources, he describes how mainline church leaders lobbied filmmakers to promote the nation's moral health and, perhaps surprisingly, how they have by and large opposed government censorship, preferring instead self-regulation by both the industry and individual conscience. "It is this human choice," noted one Protestant leader, "that is the basis of our religion." Tensions with Catholics, too, have loomed large--many Protestant clergy feared the influence of the Legion of Decency more than Hollywood's corrupting power. Romanowski shows that the rise of the evangelical movement in the 1970s radically altered the picture, in contradictory ways. Even as born-again clergy denounced "Hollywood elites," major studios noted the emergence of a lucrative evangelical market. 20th Century-Fox formed FoxFaith to go after the "Passion dollar," and Disney took on evangelical Philip Anschutz as a partner to bring The Chronicles of Narnia to the big screen. William Romanowski is an award-winning commentator on the intersection of religion and popular culture. Reforming Hollywood is his most revealing, provocative, and groundbreaking work on this vital area of American society.
Chindi
Author: Jack McDevitt
Publisher: Penguin
Published: 2003-10-28
Total Pages: 532
ISBN-13: 1101190531
DOWNLOAD EBOOKOn a routine survey mission studying a neutron star, an Academy starship receives a transmission in an unknown language. Before leaving the area, the starship launches a series of satellites to find the signal—and perhaps discover its origins. Five years later, a satellite finally encounters the signal—which is believed to be of extraterrestrial origin by the Contact Society, a wealthy group of enthusiasts who fund research into the existence of alien life. Providing a starship to the Academy to be piloted by Captain Priscilla “Hutch” Hutchins, the Contact Society embarks on a mission to find the source of the transmission. Across a myriad of stars, from world to world, Hutch and her crew follow the signal, but find only puzzles and lethal surprises. Then, in a planetary system far beyond the bounds of previous exploration, they discover an object. It is immense, ominous, and mysterious. And it may hold the answer not only to the questions of the Contact Society, but to those of every person who has ever looked to the sky and wondered if we were alone...
Pre-Code Hollywood
Author: Thomas Doherty
Publisher: Columbia University Press
Published: 1999-08-27
Total Pages: 450
ISBN-13: 9780231500128
DOWNLOAD EBOOKPre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films—a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema—but the moral terrain is so off-kilter that they seem imported from a parallel universe. In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded—in sum, pretty much the raw stuff of American culture, unvarnished and unveiled. No other book has yet sought to interpret the films and film-related meanings of the pre-Code era—what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression... and afterward.
The Cinema; Its Present Position and Future Possibilities
Author: National Council of Public Morals. Cinema Commission of Inquiry
Publisher:
Published: 1917
Total Pages: 480
ISBN-13:
DOWNLOAD EBOOKAmerican Postfeminist Cinema
Author: Michele Schreiber
Publisher: Edinburgh University Press
Published: 2014-03-11
Total Pages: 209
ISBN-13: 0748693378
DOWNLOAD EBOOKIn light of their tremendous gains in the political and professional sphere, and their ever expanding options, why is it that most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected and negotiated in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status.
"Bold! Daring! Shocking! True!"
Author: Eric Schaefer
Publisher: Duke University Press
Published: 1999
Total Pages: 492
ISBN-13: 9780822323747
DOWNLOAD EBOOKA social and cultural history of exploitation films, which were produced on the fringes of Hollywood and often dealt with subjects forbidden by the Production Code.
