Obscene Modernism
Obscene Modernism

Author: Rachel Potter

Publisher: OUP Oxford

Published: 2013-08-29

Total Pages: 247

ISBN-13: 0191503118

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During the period 1900-1940 novels and poems in the UK and US were subject to strict forms of censorship and control because of their representation of sex and sexuality. At the same time, however, writers were more interested than ever before in writing about sex and excrement, incorporating obscene slang words into literary texts, and exploring previously uncharted elements of the modern psyche. This book explores the far-reaching literary, legal and philosophical consequences of this historical conflict between law and literature. Alongside the famous prosecutions of D. H. Lawrence's The Rainbow and James Joyce's Ulysses huge numbers of novels and poems were altered by publishers and printers because of concerns about prosecution. Far from curtailing the writing of obscenity, however, censorship seemed to stimulate writers to explore it further. During the period covered by this book novels and poems became more experimentally obscene, and writers were intensely interested in discussing the author's rights to free speech, the nature of obscenity and the proper parameters of literature. Literature, seen as a dangerous form of corruption by some, was identified with sexual liberation by others. While legislators tried to protect UK and US borders from obscene literature, modernist publishers and writers gravitated abroad, a development that prompted writers to defend the international rights of banned authors and books. While the period 1900-1940 was one of the most heavily policed in the history of literature, it was also the time when the parameters of literature opened up and writers seriously questioned the rights of nation states to control the production and dissemination of literature.

Vulgar Modernism
Vulgar Modernism

Author: J. Hoberman

Publisher:

Published: 1991

Total Pages: 346

ISBN-13: 9780877228646

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For the past dozen years, J. Hoberman has been publishing witty, impassioned, vivid film criticism in the pages of New York's alternative weekly, The Village Voice. His first collection includes a variety of these (mostly) movie reviews, as well as a number of longer essays and film-festival reports, all written during the 1980s. For Hoberman, film criticism is a form of social commentary, and his articles reflect a decade when an actor was president, the Vietnam War was refought on the nation's movie screens, and soundbites determined elections. The variety of Hoberman's interests and the intellectual depth of his critiques are remarkable. Writing from the perspective of Lower Manhattan, he places movies in the context of the other visual arts--painting, photography, comics, video, and TV--as well as that of postmodem theorists such as Leslie Fiedler and Jean Baudrillard. Demonstrating the widest range of any American film critic writing today, Hoberman is equally at home discussing the work of Steven Spielberg and Andrei Tarkovsky, films by cutting-edge artists Raul Ruiz and Yvonne Rainer, and historical figures as disparate as Charles Chaplin and Andy Warhol. Vulgar Modernism offers an entertaining, trenchant, informed, and informative view of the past decade's popular culture.

Film Theory
Film Theory

Author: Philip Simpson

Publisher: Taylor & Francis

Published: 2004

Total Pages: 446

ISBN-13: 9780415259750

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This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.

The Wow Climax
The Wow Climax

Author: Henry Jenkins

Publisher: NYU Press

Published: 2007

Total Pages: 292

ISBN-13: 0814742831

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Whether highlighting the sentimentality at the heart of the Lassie franchise, examining the emotional experiences created by horror filmmakers such as Wes Craven, or discussing the emerging aesthetics of video games, these essays get to the heart of what gives popular culture its emotional impact.

Modernism and Hegemony
Modernism and Hegemony

Author: Neil Larsen

Publisher: U of Minnesota Press

Published: 1990

Total Pages: 175

ISBN-13: 0816617856

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Annotation A critique of high modernism from a newly formulated Marxist perspective, achieved through analyses of texts by Marx and Adorno, Manet's paintings, and the works of several Latin American writers. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com).

Modernism in the Streets
Modernism in the Streets

Author: Marshall Berman

Publisher: Verso Books

Published: 2017-04-25

Total Pages: 452

ISBN-13: 1784784990

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Marshall Berman was one of the great urbanists and Marxist cultural critics of the twentieth and twenty-first centuries, and his brilliant, nearly sui generis book All That Is Solid Melts Into Air is a masterpiece of the literature on modernism. But like many New York intellectuals, the essay was his characteristic form, accommodating his multifarious interests and expressing his protean, searching exuberant mind. This collection includes early essays from and on the radical '60s, on New York City, on literary figures from Kafka to Pamuk, and late essays on rock, hip hop, and gentrification. Concluding with his last essay, completed just before his death in 2013, this book is Berman's intellectual autobiography, tracing his career as a thinker through the way he read the 'signs in the street'.

Anti-Nazi Modernism
Anti-Nazi Modernism

Author: Mia Spiro

Publisher: Northwestern University Press

Published: 2012-12-31

Total Pages: 322

ISBN-13: 0810128632

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Mia Spiro's Anti-Nazi Modernism marks a major step forward in the critical debates over the relationship between modernist art and politics. Spiro analyzes the antifascist, and particularly anti-Nazi, narrative methods used by key British and American fiction writers in the 1930s. Focusing on works by Djuna Barnes, Christopher Isherwood, and Virginia Woolf, Spiro illustrates how these writers use an "anti-Nazi aesthetic" to target and expose Nazism’s murderous discourse of exclusion. The three writers challenge the illusion of harmony and unity promoted by the Nazi spectacle in parades, film, rallies, and propaganda. Spiro illustrates how their writings, seldom read in this way, resonate with the psychological and social theories of the period and warn against Nazism’s suppression of individuality. Her approach also demonstrates how historical and cultural contexts complicate the works, often reinforcing the oppressive discourses they aim to attack. This book explores the textual ambivalences toward the "Others" in society—most prominently the Modern Woman, the homosexual, and the Jew. By doing so, Spiro uncovers important clues to the sexual and racial politics that were widespread in Europe and the United States in the years leading up to World War II.

No more giants
No more giants

Author: Jessica Kelly

Publisher: Manchester University Press

Published: 2023-01-24

Total Pages: 229

ISBN-13: 1526143771

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Architecture is more than buildings and architects. It also involves photographers, writers, advertisers and broadcasters, as well as the people who finance and live in the buildings. Using the career of the critic J. M. Richards as a lens, this book takes a new perspective on modern architecture. Richards served as editor of The Architectural Review from 1937 to 1971, during which time he consistently argued that modernism was integrally linked to vernacular architecture, not through style but through the principle of being an anonymous expression of a time and public spirit. Exploring the continuities in Richards’s ideas throughout his career disrupts the existing canon of architectural history, which has focused on abrupt changes linked to individual ‘pioneers’, encouraging us to think again about who is studied in architectural history and how they are researched.

Twentieth-Century Victorian
Twentieth-Century Victorian

Author: Cranfield Jonathan Cranfield

Publisher: Edinburgh University Press

Published: 2016-06-14

Total Pages: 303

ISBN-13: 1474406777

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A literary history of Arthur Conan Doyle's work with the Strand Magazine in the twentieth centuryYou know Arthur Conan Doyle as the stereotypically 'Victorian' author of the Sherlock Holmes stories which, on the lavishly-illustrated pages of the Strand Magazine, captivated and defined the late nineteenth-century marketplace for popular fiction and magazine publishing. This book tells the story of that relationship and the aftermath its enormous success as author and publication sought to shepherd their determinedly Victorian audience through the problems and crises of the early twentieth century. Here you can discover the Conan Doyle who used his public platform to fight for divorce reform, for the rights of colonised peoples, for State welfare programmes, for the abolition of blood sports and who, even in his last years, foresaw the coming of the Second World War, the Cold War and the age of weapons of mass destruction. The twentieth-century Conan Doyle was not a man with his eyes fixed upon the past but determinedly responding to a changing world with as much vigour and commitment as any modernist writer.Key FeaturesOriginal approach to Conan Doyle as a 'popular modernist'Analyses many forgotten and neglected novels, short stories, letters, pamphlets and non-fiction pieces, many of which have gone entirely unremarked within existing criticismProvides new periodical context by using forgotten material from the Strand to situate the work of Conan Doyle (and other popular writers from the period) within their historical moment Draws on original research into the artistic and business history of the Strand magazine, its writers and its employees

Funny Pictures
Funny Pictures

Author: Daniel Ira Goldmark

Publisher: Univ of California Press

Published: 2011-07-21

Total Pages: 341

ISBN-13: 0520950127

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This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom’s earliest days through the twentieth century. Written by a who’s who of animation authorities, Funny Pictures offers a stimulating range of views on why animation became associated with comedy so early and so indelibly, and illustrates how animation and humor came together at a pivotal stage in the development of the motion picture industry. To examine some of the central assumptions about comedy and cartoons and to explore the key factors that promoted their fusion, the book analyzes many of the key filmic texts from the studio years that exemplify animated comedy. Funny Pictures also looks ahead to show how this vital American entertainment tradition still thrives today in works ranging from The Simpsons to the output of Pixar.