Proceedings

Proceedings

Author: Society of Antiquaries of Newcastle upon Tyne

Publisher:

Published: 1931

Total Pages: 404

ISBN-13:

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Remembered Places, Forgotten Pasts

Remembered Places, Forgotten Pasts

Author: Tim Cockrell

Publisher: Archaeopress Publishing Ltd

Published: 2017-10-31

Total Pages: 236

ISBN-13: 1784917028

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South Yorkshire and the North Midlands have long been ignored or marginalized in narratives of British Prehistory. In this book, unpublished data is used for the first time in a work of synthesis to reconstruct the prehistory of the earliest communities across the River Don drainage basin.


Cabinets for the Curious

Cabinets for the Curious

Author: Ken Arnold

Publisher: Routledge

Published: 2017-03-02

Total Pages: 290

ISBN-13: 1351953591

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The last few years has, within museums, witnessed nothing short of a revolution. Worried that the very institution was itself in danger of becoming a dusty, forgotten, culturally irrelevant exhibit, vigorous efforts have been made to reshape the museum mission. Fearing that history was coming to be ignored by modern society, many institutions have instead marketed a de-intellectualised heritage, overly relying on computer technology to captivate a contemporary audience. The theme of this work is that we can do much to reassess the rationale that inspires contemporary collections through a study of seventeenth century museums. England's first museums were quite literally wonderful; founded that is on the disciplined application of the faculty of wonder. The type of wonder employed was not that post-Romantic idea of disbelief, but rather an active form of curiosity developed during the Renaissance, particularly by the individuals who set about gathering objects and founding museums to further their enquiries. The argument put forward in this book is that this museological practice of using objects actually to create, as well as disseminate knowledge makes just as much sense today as it did in the seventeenth century and, further, that the best way of reinvigorating contemporary museums, is to return to that form of wonder. By taking such a comparative approach, this book works both as a scholarly historical text, and as an historically informed analysis of the key issues facing today's museums. As such, it will prove essential reading both for historians of collecting and museums, and for anyone interested in the philosophies of modern museum management.


The Newark Earthworks

The Newark Earthworks

Author: Lindsay Jones

Publisher: University of Virginia Press

Published: 2016-04-01

Total Pages: 352

ISBN-13: 0813937795

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Considered a wonder of the ancient world, the Newark Earthworks—the gigantic geometrical mounds of earth built nearly two thousand years ago in the Ohio valley--have been a focal point for archaeologists and surveyors, researchers and scholars for almost two centuries. In their prime one of the premier pilgrimage destinations in North America, these monuments are believed to have been ceremonial centers used by ancestors of Native Americans, called the "Hopewell culture," as social gathering places, religious shrines, pilgrimage sites, and astronomical observatories. Yet much of this territory has been destroyed by the city of Newark, and the site currently "hosts" a private golf course, making it largely inaccessible to the public. The first book-length volume devoted to the site, The Newark Earthworks reveals the magnitude and the geometric precision of what remains of the earthworks and the site’s undeniable importance to our history. Including contributions from archaeologists, historians, cultural geographers, and cartographers, as well as scholars in religious studies, legal studies, indigenous studies, and preservation studies, the book follows an interdisciplinary approach to shine light on the Newark Earthworks and argues compellingly for its designation as a World Heritage Site.


Interpreting Medieval Effigies

Interpreting Medieval Effigies

Author: Brian Gittos

Publisher: Oxbow Books

Published: 2019-05-31

Total Pages: 256

ISBN-13: 1789251311

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This innovative study examines and analyses the wealth of evidence provided by the monumental effigies of Yorkshire, from the thirteenth and fourteenth centuries, including some of very high sculptural merit. More than 200 examples survive from the historic county in varying states of preservation. Together, they present a picture of the people able to afford them, at a time when the county was frequently at the forefront of national politics and administration, during the Scottish wars. Many monuments display remarkable realism, depicting people as they themselves wished to be remembered, and are accompanied by a great volume of contemporary sculptural and architectural detail. Stylistic analysis of the effigies themselves has been employed, better to understand how they relate to one another and give a firmer basis for their dating and production patterns. They are considered in relation to the history and material culture of the area at the time they were produced. A more soundly based appreciation of the sculptor's intentions and the aspirations of patrons is sought through close attention to the full extent of the visible evidence afforded by the monuments and their surroundings. The corpus is of sufficient size to permit meaningful analysis to shed light on aspects such as personal aspiration, social networks, patterns of supply and production, piety and wealth. It demonstrates the value of funerary monuments to the wider understanding of medieval society. The text will be accompanied by a comprehensive catalogue, making available a substantial body of research for the first time. The study considers the relationship between the monuments and related sculpture, architecture, painting, glass etc, together with contemporary documentary evidence, where it is available. This material and the underlying methodology are now available to illuminate monuments of the medieval period across the whole country. Its methods and messages extend understanding of all monuments, broadening its potential audience from the purely local to everyone concerned with medieval sculpture and church archaeology.