Cohen takes an in-depth critical look at three novelists and two poets who stand at the forefront of contemporary Israeli literature, and whose works have been widely read, studied, and admired in the Western world. The critiques examine all English translations of these Israeli writers' major works from the beginning of their careers up to the present. Cohen demonstrates the vitality and virtuosity of the so-called New Wave Israeli writers whose sources and influences are as ancient as the stories of the Hebrew Bible and as modern as the interiorization of reality found in Proust, Faulkner, Woolf, and Joyce; and the literary adaptation of relativity found in Borges, Lowry, and Durrell. Complementing the critiques are interviews with the five Israeli writers. The issues discussed--the relation of politics and literature, the influence of literature on life, the role of the writer in society, the moral responsibility of the writer--combine with the essays to provide comprehensive insight into the contemporary Israeli psyche.
My name is Yakir Shlomo and I live in Jerusalem, Israel. If you spin a globe, it won't be easy to find the country where I live. Israel is barely the size of your thumbnail on most world maps. But I feel like I live in the center of the universe. Everyone's home is unique and my city and country are special to me. I know my home is a teeny, tiny dot if you think about the earth and the whole gigantic solar system. But it really can't be that small, since we have to make room for the 3.5 million people from all over the world who come to visit Israel during just one year.I am almost eight years old and I can understand why Israel has so many visitors. My country is an interesting place--and especially fun for children. I am glad my mother decided to help me write this book about Israel. My friends and I can't wait to tell you why we think it is so interesting to be Israeli. We hope that after you read this book, you might decide you'd like to come here and see for yourself.
Twenty of Israel's leading art-music composers discuss the interaction of inspiration, method and cultural context in their work, revealing both international and national influence and scope. Israel’s contemporary art music reflects a modern society that is an intricate fabric of national and ethnic origins, languages and dialects, customs and traditions—a heterogeneous culture of cultures. It is a rich and distinctive environment—at once ancient and modern, spiritual and secular, traditional and progressive. Twenty Israeli Composers, the first published collection of interviews with Israeli composers, explores this developing and distinctive music culture. The featured composers have earned distinction in Israel and abroad, and reflect the pluralism of Israeli art music, culture, and society. In first-person narrative, they discuss the interaction of inspiration, method, and cultural context in their work, revealing both international and national influence and scope. Three generations of contemporary composers-immigrants from Central and Eastern Europe, North and South America, and naïve sabras- share their ideas about music, the creative process, and their experiences as artists living and working in Israel. Robert Fleisher furnishes a biographical sketch of each composer, followed by a summary of recent accomplishments. The book also includes a bibliography, discography, and information for further study.
"In this volume, a collection of strong Jewish voices come together to explore some of the most challenging issues facing diaspora Jews, notably in relation to the ongoing conflict in Israel-Palestine. Most of the contributors are signatories of the Independent Jewish Voices declaration which, when launched in 2007 in Britain, opened a floodgate of responses. This book bears witness to the urgency of that continuing debate. It provides powerful evidence of the vitality of independent Jewish opinion as well as demonstrating that criticism of Israel has a crucial role to play in the continuing history of a Jewish concern for social justice."--BOOK JACKET.
A diverse group of Israelis offers their views on Ariel Sharon's military invasions of the West Bank and Gaza and argue that his policies undermine the security, moral authority, democratic ideals, and liberal values of Israel. Reprint.
In the years following the founding of the State of Israel, close to a million Jews became refugees fleeing their ancestral homelands in the Middle East, North Africa, and Iran. State-sanctioned discrimination, violence, and political unrest brought an abrupt end to these once vibrant communities, scattering their members to the four corners of the earth. Their stories are mostly untold. Sephardi Voices: The Forgotten Exodus of the Arab Jews is a window into the experiences of these communities and their stories of survival. Through gripping first-hand accounts and stunning portrait and documentary photography, we hear on-the-ground stories of pogroms in Libya and Egypt, the burning of synagogues in Syria, the terrible Farhud in Iraq, families escaping via the great airlifts of the Magic Carpet and Operations Ezra and Nehemiah, husbands smuggled in carpets into Iran in search of wives. The authors also provide crucial historical background for these events, as well as updates on the lives of some of these Sephardi Jews who have gone on to rebuild fortunes in London and New York, write novels, and win Nobel Prizes. Sephardi Voices is at once a wide-ranging and intimate story of a large-scale catastrophe and a portrait of the vulnerability of the passage of time.
What is a homeland and when does it become a national territory? Why have so many people been willing to die for such places throughout the twentieth century? What is the essence of the Promised Land? Following the acclaimed and controversial The Invention of the Jewish People, Shlomo Sand examines the mysterious sacred land that has become the site of the longest-running national struggle of the twentieth and twenty-first centuries. The Invention of the Land of Israel deconstructs the age-old legends surrounding the Holy Land and the prejudices that continue to suffocate it. Sand’s account dissects the concept of “historical right” and tracks the creation of the modern concept of the “Land of Israel” by nineteenth-century Evangelical Protestants and Jewish Zionists. This invention, he argues, not only facilitated the colonization of the Middle East and the establishment of the State of Israel; it is also threatening the existence of the Jewish state today.
An intertextual examination of the storytelling of Israeli backpackers that analyzes their unique patterns of communication to create a thorough picture of this "narrative community." Backpacking, or Tarmila'ut, has been a time-honored rite of passage for young Israelis for decades. Shortly after completing their mandatory military service, young people set off on extensive backpacking trips to "exotic" and "authentic" destinations in so-called Third World regions in India, Nepal, and Thailand in Asia, and also Colombia, Ecuador, Peru, Brazil, Chile, and Argentina in Central and South America. Chaim Noy collects the words and stories of Israeli backpackers to explore the lively interplay of quotations, constructed dialogues, and social voices in the backpackers' stories and examine the crucial role they play in creating a vibrant, voiced community. A Narrative Community illustrates how, against the peaks of Mt. Everest, avalanches, and Incan cities, the travelers' storytelling becomes an inherently social drama of shared knowledge, values, hierarchy, and aesthetics. Based on forty-five in-depth narrative interviews, the research in this book examines how identities and a sense of belonging emerge on different social levels--the individual, the group, and the collective--through voices that evoke both the familiar and the Other. In addition, A Narrative Community makes a significant contribution to modern tourism literature by exploring the sociolinguistic dimension related to tourists' accounts and particularly the transformation of self that occurs with the experience of travel. In particular, it addresses the interpersonal persuasion that travelers use in their stories to convince others to join in the ritual of backpacking by stressing the personal development that they have gained through their journeys. This volume is groundbreaking in its dialogical conceptualization of the interview as a site of cultural manifestation, innovation, and power relations. The methods employed, which include qualitative sampling and interviewing, clearly demonstrate ways of negotiating, manifesting, and embodying speech performances. Because of its unique interdisciplinary nature, A Narrative Community will be of interest to sociolinguists, folklore scholars, performance studies scholars, tourism scholars, and those interested in social discourses in Israel.
As the Middle East peace process disintegrates and the second Palestinian Intifada begins, Wendy Pearlman, a young Jewish woman from the American Midwest travels to the West Bank and Gaza Strip in a quest to talk to ordinary Palestinians. A remarkable narrative emerges from her conversations with doctors, artists, school kids, and families who have lost loved ones or watched their homes destroyed. Their stories, ranging from the humorous to the tragic, paint a profile of the Palestinians that is as honest as it is uncommon in the Western media: that of ordinary people who simply want to live ordinary lives. As Pearlman writes, "the personal stories and heartfelt reflections that I encountered did not expose a hatred of Jews or a yearning to push Israelis into the sea. Rather, they painted a portrait of a people who longed for precisely that which had inspired the first Israelis: the chance to be citizens in a country of their own."
As an American, Cathy Sultan feels enormous responsibility for being part of a political system that proclaims itself the bastion of freedom. Determined to do something, she precociously flew to Israel-Palestine to see for herself what all the suicide bombing and village bulldozing was about. Partly due to her involvement with the National Peace Foundation, Sultan set up a network of contacts, on both sides of the political/religious divide, and dialogued with them about their beliefs and hopes for the future of this extraordinary region. This unique book, skillfully written by the indomitable housewife with bum knees who braved checkpoints, gunfire, barbed wire and Merkur tanks, is broken into several parts containing maps, history, narrative and dialogue. The magnificent and painstakingly accurate interviews will stun readers about the realities of what people actually have to endure and present a historical perspective of the conflict's growth to its present standoff. Through Sultan's bold account, readers discover that, in fact, it is only a vocal, influential and politically powerful few who advocate exclusivity, conflict and continued injustice. The vast majority of Israelis and Palestinians stand for equality, human rights and peaceful existence. Cathy Sultan is also author of A Beirut Heart: One Woman's War - a memoir about her experience as a wife and mother living day-to-day for eight years of the bloody Lebanese Civil War.
