Discover the contributions notable Black South Carolinians gave to bring encouragement and inspiration to their communities. Did you know that eighty-eight years before Rosa Parks's historic protest, a courageous black woman in Charleston kept her seat on a segregated streetcar? What about Robert Smalls, who steered a Confederate warship into Union waters, freeing himself and some of his family, and later served in the South Carolina state legislature? In this inspiring collection, historian Damon L. Fordham relates story after story of notable black South Carolinians, many of whose contributions to the state's history have not been brought to light until now. From the letters of black soldiers during the Civil War to the impassioned pleas by students of "Munro's School" for their right to an education, these are the voices of protest and dissent, the voices of hope and encouragement and the voices of progress.
The first detailed linguistic history of South Carolina, with a new preface by the author In Voices of Our Ancestors Patricia Causey Nichols offers the first detailed linguistic history of South Carolina as she explores the contacts between distinctive language cultures in the colonial and early federal eras and studies the dialects that evolved even as English became paramount in the state. As language development reflects historical development, Nichols's work also serves as a new avenue of inquiry into South Carolina's social history from the epoch of Native American primacy to the present day. Because Charleston was among the foremost colonial American seaports, South Carolina experienced a diverse influx of cultures and languages from the onset, drawing influences from Native Americans, enslaved African Americans, and a plethora of European peoples—Scots-Irish, English, Jewish, German, and French Huguenot chief among them. Nichols tells the richly complex story of language contact from groups representing three continents and myriad cultures. In examining how South Carolinians spoke in public and private we glean much about how they developed a common culture while still honoring as best they could the heritages and tongues of their ancestors. Nichols pays particular attention to the development of the Gullah language among the coastal African American peoples and the ways in which this language—and others of South Carolina's early inhabitants—continues to influence the communication and culture of the state's current populations. Nichols's synthetic treatment of language history makes expert use of primary source materials and is further enhanced by the author's field research with Gullah-speaking African Americans and with descendants of Native Americans, as well as her keen observation of her own European American community in South Carolina. Through her deft analysis of contemporary language variations and regional and ethnic speech communities, she advances our understanding of how diverse the South Carolina experience has been, from the lowcountry to the upcountry and all points in between, and yet how the need to communicate shared experiences and values has united the state's population with a common meaningful language in which the diverse voices of our ancestors can still be heard. In a new preface, Nichols reflects on the growing diversity of the United States as a whole and how relationships across communities shape language and culture.
From the Upstate to the Lowcountry, African Americans have had a gigantic impact on the Palmetto State. Unfortunately, their stories are often overshadowed. Collected here for the first time, this selection of essays by historian Damon L. Fordham brings these stories to light. Rediscover the tales of Samuel Smalls, the James Island beggar who inspired DuBose Heywards Porgy, and Denmark Vesey, the architect of the great would-be slave rebellion of 1822. Learn about the blacks who lived and worked at what is now Mepkin Abbey, the Spartanburg woman who took part in a sit-in at the age of eleven and Dr. Martin Luther King Jr.s visit to Charleston in 1967. These articles are well-researched and provide an enlightening glimpse at the overlooked contributors to South Carolinas past.
A Voice from the South was published in 1892 by Anna Julia Cooper, an educator who was one of the first two African-American women to be awarded a master’s degree. Since then it has been recognized as one of the first works of Black feminist theory. Setting forth a perspective that would be described as “intersectional” in contemporary terms, Cooper explores her own lived experience as an educated African-American woman, and advocates for the education of African-American women as a necessary means of achieving racial equality. However, her marked emphasis on women’s roles in the household has been critiqued by later theorists as a concession to the 19th century “cult of domesticity”—or, alternatively, a strategic engagement with the dominant cultural view towards women in her time. A Voice from the South continues to be read and analyzed today for its pioneering role in African-American female scholarship. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
"Coming Through marks the first complete publication of these interviews with former slaves and their descendants living in the Waccamaw Neck region of South Carolina as collected by Genevieve W. Chandler in the 1930s as part of the WPA Federal Writers' Project. Between 1936 and 1938 Chandler interviewed more than one hundred individuals in and around All Saints Parish, a portion of Horry and Georgetown counties located between the Waccamaw River and the Atlantic Ocean. Her subjects spoke freely with her on topics ranging from slave punishment to folk medicine, from conditions in the Jim Crow South to the exploits of Brer Rabbit." "Coming Through consists primarily of interviews with forty-nine Gullah-speaking African American informants sharing life experiences with Chandler. The subjects range in age from 9-year-old George Kato Singleton to 104-year-old Welcome Bees. A biography of each subject accompanies the interviews. Collectively these interviews form an intimate portrait of a fascinating subculture of the Carolina coast and the Sea Islands as shared with a remarkable woman who had special access to converse with the people of this traditionally insular world. Moreover they provide an unparalleled firsthand account of the African American experience in South Carolina in the words of those who lived it."--BOOK JACKET.
“If you don’t know my name, you don’t know your own.”—James Baldwin An anthology of African-American literature featuring contributions from some of the most prominent Black and African-American authors of our time, including James Baldwin, Arna Bontemps, Gwendolyn Brooks, W. E. B. Du Bois, Ralph Ellison, Langston Hughes, Leroi Jones, Margaret Walker, Richard Wright, Malcom X, and many more. Featuring fiction, poetry, autobiography, and literary criticism, Black Voices captures the diverse and powerful words of a literary explosion, the ramifications of which can be seen and heard in the works of today’s African-American artists. A comprehensive and impressive primer, this anthology presents some of the greatest and most enduring work born out of the African-American experience in the United States. Contributors Also Include: Sterling A. Brown Charles W. Chesnutt John Henrik Clarke Countee Cullen Frederick Douglass Paul Laurence Dunbar James Weldon Johnson Naomi Long Madgett Paule Marshall Clarence Major Claude McKay Ann Petry Dudley Randall J. Saunders Redding Jean Toomer Darwin T. Turner Lerone Bennett, Jr. Frank London Brown Arthur P. Davis Frank Marshall Davis Owen Dodson Mari Evans Rudolph Fisher Dan Georgakas Robert Hayden Frank Horne Blyden Jackson Lance Jeffers Fenton Johnson George E. Kent Alain Locke Diane Oliver Stanley Sanders Richard G. Stern Sterling Stuckey Melvin B. Tolson
Stephens was a black reporter for the black newspaper Weekly Anglo-African when the Civil War broke out. He joined the 54th Massachusetts, the first black Union regiment. Promoted to sergeant, he stormed Battery Wagner with his regiment. Surviving the Union defeat, Stephens served with the 54th through the end of the war.
Oral histories of formerly enlaved people and their families along the South Carolina coast Coming Through marks the first complete publication of these interviews with former slaves and their descendants living in the Waccamaw Neck region of South Carolina as collected by Genevieve W. Chandler as part of the WPA Federal Writers Project. Between 1936 and 1938 Chandler interviewed more than one hundred individuals in and around All Saints Parish, a portion of Horry and Georgetown counties located between the Waccamaw River and the Atlantic Ocean. Her subjects spoke freely with her on topics ranging from slave punishment to folk medicine, from conditions in the Jim Crow South to the exploits of Brer Rabbit. A teacher, artist, writer, and later museum curator, Chandler had no formal training as an oral historian or folklorist, yet the sophistication of her work as documented here anticipates developments in these fields of study a generation later. Her detailed descriptions add social context to folktales, and her careful and systematic renderings of the Gullah language have since been praised as foundational work by Creole linguists. Chandler's Gullah-speaking African American informants range in age from the 9-year-old George Kato Singleton to 104-year-old Welcome Bees. A biography of each subject accompanies the interviews. Collectively these interviews form an intimate portrait of a fascinating subculture of the Carolina coast and the Sea Islands as shared with a remarkable woman who has special access to converse with the people of this traditionally insular world. Moreover they provide an unparalleled firsthand account of the African American experience in South Carolina in the words of those who lived it. The volume is edited by Chandler's daughter, Genevieve C. Peterkin, and two scholars, Kincaid Mills and Aaron McCollough. The three have carefully established the texts of the interviews in a manner that highlights Chandler's skills as a field linguist and have supplemented the texts with revealing documentation. The collection is enhanced with a foreword by Charles W. Joyner, Burroughs Distinguished Professor of History at Coastal Carolina University; appendixes respecting the WPA project and the nuances of Gullah language and culture; and photographs of the subjects taken by renowned photographer Bayard Wootten—many published here for the first time.
The groundbreaking, bestselling history of slavery, with a new foreword by Pulitzer Prize–winning historian Annette Gordon-Reed With the publication of the 1619 Project and the national reckoning over racial inequality, the story of slavery has gripped America’s imagination—and conscience—once again. No group of people better understood the power of slavery’s legacies than the last generation of American people who had lived as slaves. Little-known before the first publication of Remembering Slavery over two decades ago, their memories were recorded on paper, and in some cases on primitive recording devices, by WPA workers in the 1930s. A major publishing event, Remembering Slavery captured these extraordinary voices in a single volume for the first time, presenting them as an unprecedented, first-person history of slavery in America. Remembering Slavery received the kind of commercial attention seldom accorded projects of this nature—nationwide reviews as well as extensive coverage on prime-time television, including Good Morning America, Nightline, CBS Sunday Morning, and CNN. Reviewers called the book “chilling . . . [and] riveting” (Publishers Weekly) and “something, truly, truly new” (The Village Voice). With a new foreword by Pulitzer Prize–winning scholar Annette Gordon-Reed, this new edition of Remembering Slavery is an essential text for anyone seeking to understand one of the most basic and essential chapters in our collective history.
The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, "Lift Every Voice and Sing" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life up through the present day. In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office. Drawing on a wide array of sources, Perry uses "Lift Every Voice and Sing" as a window on the powerful ways African Americans have used music and culture to organize, mourn, challenge, and celebrate for more than a century.
