Elilal, exile, is the condition of thousands of Mayas who have fled their homelands in Guatemala to escape repression and even death at the hands of their government. In this book, Victor Montejo, who is both a Maya expatriate and an anthropologist, gives voice to those who until now have struggled in silence--but who nevertheless have found ways to reaffirm and celebrate their Mayaness. Voices from Exile is the authentic story of one group of Mayas from the Kuchumatan highlands who fled into Mexico and sought refuge there. Montejo's combination of autobiography, history, political analysis, and testimonial narrative offers a profound exploration of state terror and its inescapable human cost.
The sixteen essays in this volume are a tribute to Hamish Ritchie’s deep interest in exile as a literary and historical phenomenon. The first eight focus on the British and Irish context, including studies of Jürgen Kuczynski and his family, Martin Miller, Lilly Kann, Hermann Sinsheimer, Albin Stuebs, Ludwig Hopf and Paul Bondy, as well as contributions on the Association of Jewish Refugees and the exile experience as reflected in Klaus Mann’s Der Vulkan. The following four contributions widen the discussion to encompass Germany, the Netherlands, Austria and Yugoslavia by focusing on the diaries of Anne Frank and Etty Hillesum, the early poetry of Bertolt Brecht, and works by Vladimir Vertlib, Aleksandar Ajzinberg, and David Albahari. The historical dimension is deepened with contributions on William Joyce, Joseph Jonas, the marginalisation of the mass emigration of the Jews within German memory, and the ‘exile’ of princesses for whom until recent times marriage often meant a life far from home.
2023 marks the fiftieth anniversary of General Pinochet's coup on September 11, 1973. During the wave of mass arrests, torture, and executions that followed, people began fleeing Chile. Over the next fifteen years some two hundred thousand Chileans sought exile in countries around the world. Out of their anguish and anger come these moving and powerful testimonies of their fractured lives--the first oral history of the Chilean diaspora, now revised and updated. Many who fled had been tortured, and they clung to the principle that the dictatorship was an evil that had to be destroyed. But their zeal and solidarity with other refugees often failed to sustain families. Many marriages collapsed, and children lost interest in their native land and culture. After civilian rule returned in 1990, many returning exiles felt estranged from a homeland forever changed. This timely update of the 1998 collection continues to remind us of the fracturing legacy and enduring oppression of usurpation and authoritarian rule long after its time has passed.
Ever since Bessie Smith's powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century's most beloved and challenging voices.
Professor Brueggemann here examines the literature and experience of an era in which Israel's prophets faced the pastoral responsibility of helping people to enter into exile, to be in exile, and to depart out of exile. He addresses three major prophetic traditions: Jeremiah (the pathos of God), Ezekiel (the holiness of God), and 2 Isaiah (the newness of God). This literature is seen to contain the theological resources for handling both brokenness and surprise with freedom, courage, and imagination. Throughout, Brueggemann demonstrates how these resources offer vitality for ministry today.
The songs, sermons and other materials collected in this anthology thoroughly characterize and demonstrate the distinctive language and culture that developed when African and European exiles came together on the plantations of Jamaica. Accounts of planters, slave-trading captains, and other testimonies from both the colonial and indigenous population effectively illustrate the unfolding of this unique culture.
Realms of Exile brings together authors writing on diverse themes of Eastern European exile to define the experiential and linguistic peculiarities of exiled people who share similar cultural, geographical, and mythological backgrounds and who have suffered under totalitarian rule. Interdisciplinary and cross-cultural scholarship at its best, the book casts new light on the many nuances and variations of many of the cultures and ethnic groups of Eastern Europeans.
When Hitler came to power and the German army began to sweep through Europe, almost 20,000 Jewish refugees fled to Shanghai. A remarkable collection of the letters, diary entries, poems, and short stories composed by these refugees in the years after they landed in China, Voices from Shanghai fills a gap in our historical understanding of what happened to so many Jews who were forced to board the first ship bound for anywhere. Once they arrived, the refugees learned to navigate the various languages, belief systems, and ethnic traditions they encountered in an already booming international city, and faced challenges within their own community based on disparities in socioeconomic status, levels of religious observance, urban or rural origin, and philosophical differences. Recovered from archives, private collections, and now-defunct newspapers, these fascinating accounts make their English-languge debut in this volume. A rich new take on Holocaust literature, Voices from Shanghai reveals how refugees attempted to pursue a life of creativity despite the hardships of exile.
Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.
Resistance brings together the voices of writers whose personal experience and testimonies of human rights abuses and conflict are transmuted into powerful poetry and memoir. The book includes the work of renowned writers and writers who have experienced torture, or prison, or loss of their homelands. Their poems and prose lay bare the realities of persecution and war and the pain of displacement. In so doing, their searing art becomes a form of protest and illumination
