Visualizing Nature
Visualizing Nature

Author: Stuart Kestenbaum

Publisher: Chronicle Books

Published: 2021-06-25

Total Pages: 112

ISBN-13: 1648960375

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Visualizing Nature brings together contemporary visionaries to share deeply personal essays on nature, ecology, sustainability, climate change, philosophy, and more. Compiled by editor and poet Stuart Kestenbaum, the contributors represent a wide range of backgrounds and experiences, each honoring nature's power to heal, inspire, guide, amaze, and strengthen. Activist Maulian Dana of the Penobscot Nation writes on the intertwining relationship of motherhood and Mother Earth. Biology professor David Haskell tells the story of the resilient bristlecone pine trees, which live to be as old as 2,100 years. Iranian scholar Alireza Taghdarreh speaks to his experience of translating Emerson's "Nature" into Farsi. A previously unpublished 1962 speech by Rachel Carson complements the collection of more than twenty essays, each inviting the reader into a quiet space of reflection with the opportunity to think deeply about how they relate to the natural world.

Representing, Modeling, and Visualizing the Natural Environment
Representing, Modeling, and Visualizing the Natural Environment

Author: Nick Mount

Publisher: CRC Press

Published: 2008-12-22

Total Pages: 424

ISBN-13: 142005550X

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The explosion of public interest in the natural environment can, to a large extent, be attributed to greater public awareness of the impacts of global warming and climate change. This has led to increased research interest and funding directed at studies of issues affecting sensitive, natural environments. Not surprisingly, much of this work has re

The Insect and the Image
The Insect and the Image

Author: Janice Neri

Publisher: U of Minnesota Press

Published: 2011

Total Pages: 265

ISBN-13: 0816667640

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How the picturing of insects inspired new ideas about art, science, nature, and commerce

Visual Voyages
Visual Voyages

Author: Daniela Bleichmar

Publisher: Yale University Press

Published: 2017-01-01

Total Pages: 241

ISBN-13: 0300224028

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An unprecedented visual exploration of the intertwined histories of art and science, of the old world and the new From the voyages of Christopher Columbus to those of Alexander von Humboldt and Charles Darwin, the depiction of the natural world played a central role in shaping how people on both sides of the Atlantic understood and imaged the region we now know as Latin America. Nature provided incentives for exploration, commodities for trade, specimens for scientific investigation, and manifestations of divine forces. It also yielded a rich trove of representations, created both by natives to the region and visitors, which are the subject of this lushly illustrated book. Author Daniela Bleichmar shows that these images were not only works of art but also instruments for the production of knowledge, with scientific, social, and political repercussions. Early depictions of Latin American nature introduced European audiences to native medicines and religious practices. By the 17th century, revelatory accounts of tobacco, chocolate, and cochineal reshaped science, trade, and empire around the globe. In the 18th and 19th centuries, collections and scientific expeditions produced both patriotic and imperial visions of Latin America. Through an interdisciplinary examination of more than 150 maps, illustrated manuscripts, still lifes, and landscape paintings spanning four hundred years, Visual Voyages establishes Latin America as a critical site for scientific and artistic exploration, affirming that region's transformation and the transformation of Europe as vitally connected histories.

Describing Nature Through Visual Data
Describing Nature Through Visual Data

Author: Ursyn, Anna

Publisher: IGI Global

Published: 2020-07-03

Total Pages: 367

ISBN-13: 1799857549

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People have described nature since the beginning of human history. They do it for various purposes, including to communicate about economic, social, governmental, meteorological, sustainability-related, strategic, military, and survival issues as well as artistic expression. As a part of the whole world of living beings, we use various types of senses, known and unknown, labeled and not identified, to both communicate and create. Describing Nature Through Visual Data is a collection of impactful research that discusses issues related to the visualization of scientific concepts, picturing processes, and products, as well as the role of computing in advancing visual literacy skills. Organized into four sections, the book contains descriptions, theories, and examples of visual and music-based solutions concerning the selected natural or technological events that are shaping present-day reality. The chapters pertain to selected scientific fields, digital art, computer graphics, and new media and confer the possible ways that visuals, visualization, simulation, and interactive knowledge presentation can help us to understand and share the content of scientific thought, research, artistic works, and practice. Featuring coverage on topics that include mathematical thinking, music theory, and visual communication, this reference is ideal for instructors, professionals, researchers, and students keen on comprehending and enhancing the role of knowledge visualization in computing, sciences, design, media communication, film, advertising, and marketing.

Einstein's Intuition
Einstein's Intuition

Author: Thad Roberts

Publisher:

Published: 2015-12-11

Total Pages: 476

ISBN-13: 9780996394246

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Presented in clear and accessible language with wonderfully supportive graphics, Roberts offers the reader a voyage through the development of human knowledge. He then examines the outstanding mysteries of modern physics-the phenomena that lie outside the boarders of our current understanding (dark energy, dark matter, the Big Bang, wave-particle duality, quantum tunneling, state vector reduction, etc.) and suggests that the next step in our intellectual journey is to treat the vacuum of space as a superfluid-modeling it as being composed of interactive quanta, which, in a self similar way, are composed of subquanta, and so on. With this proposition Roberts engenders the vacuum with fractal geometry, and opens the door to explaining the outstanding mysteries of physics geometrically. Roberts' model, called quantum space theory, has been praised for how it offers an intuitively accessible picture of eleven-dimensions and for powerfully extending the insight of general relativity, eloquently translating the four forces into unique kinds of geometric distortions, while offering underlying deterministic dynamics that give rise to quantum mechanics. That remarkably simple picture explains the mysteries of modern physics in a way that is fully commensurate with Einstein's intuition. It is a refreshingly unique perspective that generates several testable predictions. "This work is mathematically beautiful and scientifically priceless, and the kicker is that it comes with a vivid and satisfying picture." Chris J. Wilshaw "This book fundamentally changed my understanding of our universe." Matt Emmi

Visualizing Medieval Medicine and Natural History, 1200–1550
Visualizing Medieval Medicine and Natural History, 1200–1550

Author: Jean A. Givens

Publisher: Routledge

Published: 2016-12-05

Total Pages: 325

ISBN-13: 1351875566

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Images in medieval and early modern treatises on medicine, pharmacy, and natural history often confound our expectations about the functions of medical and scientific illustrations. They do not look very much like the things they purport to portray; and their actual usefulness in everyday medical practice or teaching is not obvious. By looking at works as diverse as herbals, jewellery, surgery manuals, lay health guides, cinquecento paintings, manuscripts of Pliny's Natural History, and Leonardo's notebooks, Visualizing Medieval Medicine and Natural History, 1200-1550 addresses fundamental questions about the interplay of art and science from the thirteenth to the mid-sixteenth century: What counts as a medical illustration in the Middle Ages? What are the purposes and audiences of the illustrations in medieval medical, pharmaceutical, and natural history texts? How are images used to clarify, expand, authenticate, and replace these texts? How do images of natural objects, observed phenomena, and theoretical concepts amplify texts and convey complex cultural attitudes? What features lead us to regard some of these images as typically 'medieval' while other exactly contemporary images strike us as 'Renaissance' or 'early modern' in character? Art historians, medical historians, historians of science, and specialists in manuscripts and early printed books will welcome this wide-ranging, interdisciplinary examination of the role of visualization in early scientific inquiry.

Visualizing Data
Visualizing Data

Author: Ben Fry

Publisher: "O'Reilly Media, Inc."

Published: 2008

Total Pages: 384

ISBN-13: 0596519303

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Provides information on the methods of visualizing data on the Web, along with example projects and code.

Visualizing Theory
Visualizing Theory

Author: Lucien Taylor

Publisher: Routledge

Published: 2014-02-04

Total Pages: 504

ISBN-13: 1136651330

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Visualizing Theory is a lavishly illustrated collection of provocative essays, occasional pieces, and dialogues that first appeared in Visual Anthropology Review between 1990 and 1994. It contains contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Reclaiming visual anthropology as a space for the critical representation of visual culture from the naive realist and exoticist inclinations that have beleaguered practitioners' efforts to date, Visualizing Theory is a major intervention into this growing field.

"Art, Technology and Nature "

Author: CamillaSkovbjerg Paldam

Publisher: Routledge

Published: 2017-07-05

Total Pages: 333

ISBN-13: 1351575376

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Since 1900, the connections between art and technology with nature have become increasingly inextricable. Through a selection of innovative readings by international scholars, this book presents the first investigation of the intersections between art, technology and nature in post-medieval times. Transdisciplinary in approach, this volume?s 14 essays explore art, technology and nature?s shifting constellations that are discernible at the micro level and as part of a larger chronological pattern. Included are subjects ranging from Renaissance wooden dolls, science in the Italian art academies, and artisanal epistemologies in the followers of Leonardo, to Surrealism and its precursors in Mannerist grotesques and the Wunderkammer, eighteenth-century plant printing, the climate and its artistic presentations from Constable to Olafur Eliasson, and the hermeneutics of bioart. In their comprehensive introduction, editors Camilla Skovbjerg Paldam and Jacob Wamberg trace the Kantian heritage of radically separating art and technology, and inserting both at a distance to nature, suggesting this was a transient chapter in history. Thus, they argue, the present renegotiation between art, technology and nature is reminiscent of the ancient and medieval periods, in which art and technology were categorized as aspects of a common area of cultivated products and their methods (the Latin ars, the Greek techne), an area moreover supposed to imitate the creative forces of nature.