Tattoos have gone from badges of rebellion to fashion statements fully absorbed into mainstream culture. They are enjoying a renaissance, with graphic designers and artists creating specialty tattoos for a growing audience, unleashing a revival of interest in the bawdy vintage tattoo. Old school tattoos are being rediscovered (sometimes ironically, sometimes not) by a new generation. Originally embraced by rebels, sailors, and gangsters, these tattoos—broken hearts, naked girls, floral motifs, and maritime emblems—are now showing up on the fashion runway and in music videos. This book chronicles vintage motifs in thematic chapters interspersed with profiles of influential tattoo artists and their distinctive designs: Sailor Jerry Collins, Don Ed Hardy ("the Godfather of Tattoos"), Mike "Rollo Banks" Malone, Bert Grimm, Japan’s Horiyoshi III, and Shanghai’s Pinky Yun.
Vintage Tattoo Flash is a one-of-a-kind visual explorationof the history and evolution of tattooing in America. Aluscious, offset-printed, hardcover tome-a beautiful andserious addition to the understanding of one of the world'soldest and most popular art forms. Electric tattooing as we know it today was invented inNew York City at the turn of the 19th century. In the firstdays of American tattooing, tattoos were primarily wornby sailors and soldiers, outlaws and outsiders. The visuallanguage of what came to be known as "traditional tattooing"was developed in those early days on the Boweryand catered to the interests of the clientele. Commonimagery that soon became canon included sailing ships,women, hearts, roses, daggers, eagles, dragons, wolves,panthers, skulls, crosses, and popular cartoon charactersof the era. The first tattooists also figured out that usingbold outlines, complimented by solid color and smoothshading, was the proper technique for creating art on abody that would stand the test of time. In the over 100years since then, techniques and styles have evolved, andthe customer base has expanded, but the core subjectmatter and philosophy developed at the dawn of electrictattooing has persisted as perennial favorites through themodern era. While most tattoos are inherently ephemeral, transportedon skin until the death of the collector, a visual recordexists in the form of tattoo flash: the hand-painted sheetsof designs posted in tattoo shops for customers to selectfrom. Painted and repainted, stolen, traded, bought andsold, these sheets are passed between artists through onechannel or another, often having multiple useful lives in avariety of shops scattered across time and geography. Theutility of these original pieces of painted art has made itso that original examples can still be found in use or up forgrabs if you know where to look. Vintage Tattoo Flash draws from the personal collectionof Jonathan Shaw-renowned outlaw tattooist andauthor-and represents a selection of over 300 pieces offlash from one of the largest private collections in existence.Vintage Tattoo Flash spans the first roughly 75years of American tattooing from the 1900s Bowery, to50s Texas, through the Pike in the 60s and the developmentof the first black and grey, single-needle tattooingin LA in the 70s. The book lovingly reproduces entirelyunpublished sheets of original flash from the likes of BobShaw, Zeke Owen, Tex Rowe, Ted Inman, Ace Harlyn, EdSmith, Paul Rogers, the Moskowitz brothers, and many,many others relatively known and unknown.
Princes and prisoners, sailors and criminals, showgirls and soldiers - all have submitted to the tattooist's art. Vintage Tattoos features over 500 retro designs of every style and subject matter, including nautical, patriotic, hearts and banners, circus, girls, animals, roses, daggers and symbols. Legendary rock journalist Carol Clerk's curation of the most iconic traditional ink designs also includes profiles of history's illustrious tattoo artists, as well as interviews with contemporary practitioners.
More of what people loved about the first volume! InVintage Tattoo Flash: Volume 2, Jonathan Shaw unearths more gems from his extensive and world-renowned collection of traditional American tattoo art. Comprised entirely of previously unseen and unpublished work,Volume 2picks up where the first volume left off-contributing a new and important body of work to the historical record of this outsider art form. Electric tattooing as we know it today was invented in New York City at the turn of the 20th century. In the first days of American tattooing, tattoos were primarily worn by sailors and soldiers, outlaws and outsiders. The visual language of what came to be known as "traditional tattooing" was developed in those early days on the Bowery and catered to the interests of the clientele. Common imagery that soon became canon included sailing ships, women, hearts, roses, daggers, eagles, dragons, wolves, panthers, skulls, crosses, and popular cartoon characters of the era. The first tattooists also figured out that using bold outlines, complimented by solid color and smooth shading, was the proper technique for creating art on a body that would stand the test of time. In the over 100 years since then, techniques and styles have evolved, and the customer base has expanded, but the core subject matter and philosophy developed at the dawn of electric tattooing has persisted as perennial favorites through the modern era. While most tattoos are inherently ephemeral, transported on skin until the death of the collector, a visual record exists in the form of tattoo flash: the hand-painted sheets of designs posted in tattoo shops for customers to select from.Vintage Tattoo Flash: Volume 2represents a selection of over 100 pieces of flash from one of the largest private collections in existence and spans the first roughly 75 years of American tattooing from the 1900s Bowery, to 50s Texas, through the Pike in the 60s and the development of the first black and grey, single-needle tattooing in LA in the 70s. The book lovingly reproduces entirely unpublished sheets of original flash from the likes of Bob Shaw, Zeke Owen, Tex Rowe, Ted Inman, Ace Harlyn, Ed Smith, Paul Rogers, the Moskowitz brothers, and many, many others relatively known and unknown.
Between these pages are images of the original acetate rubbings from Charlie Wagner's turn of the 20th century tattoo shop, The Black Eye Barbershop, in the Bowery at Chatham Square in New York. This is the only known art that has survived from this shop, where Samuel J. O'Reilley's modern-day electric tattoo machine was born and patented. The imagery of this classic flash preserves the origins of American tattoos, when tattoo art was transferred to the client from these templates via an acetate stencil. Everything was done by hand until O'Reilley's electrified tattoo machine changed history. This rich heritage of folk art has more than 900 individual pieces of flash that provide commentary on the shop's clientele and reveal some of the social, economic, and political ideas of the time. Including nautical themes, Asian imagery, flowers, boxers, circus characters, and plenty of girls, this is an exciting collection of early American flash and a necessary book for the tattoo artist, aficionado, and student.
Tattoos have been around for thousands of years. (The ancient Egyptians seemed to have favored geometric figures.) Regarded by many who wear them today as a form of personal identification, tattoo designs range from symbols of courage and patriotism to expressions of love and affection. This collection of colorable tattoos — all adapted from patterns created during the first half of the 20th century — lets colorists of all ages apply their own eye-catching hues to thirty pages of intriguing designs. From frightening figures and powerful beasts to good luck symbols, pretty girls, and pierced hearts, the traditional tattoos represent a unique form of body art — and a great source of coloring fun.
Packed with illustrations, this book celebrates the art of the tattoo. It includes tattoo designs that all specially drawn for the book range from traditional motifs hearts, sailors, girls, skulls, roses to more elaborate compositions with a contemporary edge.
The original work of Christian Warlich, Europe's preeminent tattoo artist in the first half of the 20th century, is brought back to life in a stunning new volume. Christian Warlich was a world famous German tattooist and his flash book is one of the most coveted objects in the tattoo world. It is now available in this exquisite edition that includes over three hundred hand-drawn designs restored to their original vibrant state. It also includes photographs and other archival material, much of which has never been published before. This book brings Warlich's career into new focus, reflecting the latest research on how his early years at sea may have influenced his work. Intricate renderings of cowboys and indigenous Americans, Chinese dragons and Japanese geishas, daggers, snakes, and skulls reveal not only Warlich's influence in the iconography of tattoos, but also suggest the interplay of ideas with tattooists across Europe, North America, and Asia. The book also explores how the art of tattooing was reframed during the Nazi era and how Warlich's estate helped shape the state of tattoo art today. This elegant book is invaluable in understanding the importance of Warlich to the history of tattooing.
