This full-colour coffee table book, full of prose, poetry, art, and photography, is the final celebratory installment of Vine Leaves Literary Journal, which ceased publication in 2017, after six wonderful years of publishing extraordinary talent from all around the globe.
A graphic novel of the dramatic life and death of German revolutionary Rosa Luxemburg A giant of the political left, Rosa Luxemburg is one of the foremost minds in the canon of revolutionary socialist thought. But she was much more than just a thinker. She made herself heard in a world inimical to the voices of strong-willed women. She overcame physical infirmity and the prejudice she faced as a Jew to become an active revolutionary whose philosophy enriched every corner of an incredibly productive and creative life—her many friendships, her sexual intimacies, and her love of science, nature and art. Always opposed to the First World War, when others on the German left were swept up on a tide of nationalism, she was imprisoned and murdered in 1919 fighting for a revolution she knew to be doomed. In this beautifully drawn work of graphic biography, writer and artist Kate Evans has opened up her subject’s intellectual world to a new audience, grounding Luxemburg’s ideas in the realities of an inspirational and deeply affecting life.
War sears its imprint on the human spirit in infinite ways. After her family is murdered and her body ravaged by Serbian soldiers, Nermina Beganovic's only chance of survival is to flee her Bosnian homeland during the Balkan War, circa 1992. Nermina's Chance by Dina Greenberg reimagines the essence of family and plumbs the depths of a mother's ardent connection to her daughter.
A heart-expanding, magical debut from one of the most exciting new voices in the grand tradition of southern literature. “Wrapped in prose as mysterious and lovely as a southern breeze lies a story about loss that haunts, and the ghosts that help us heal. This story is a treasure.”—Natalie Lloyd, New York Times bestselling author of A Snicker of MagicSparrow doesn't have many friends. Some kids believe her house near the swamp is haunted. Others think there's something "unusual" about her.But Sparrow's not lonely -- she has a best friend who's always with her. He sits with Sparrow on her porch swing. He makes her smile by playing pranks in church. Yet Sparrow is the only one who can see him . . . because the Boy is a ghost.So when her mama passes away, Sparrow doesn't give up hope. After all, if the Boy can linger after death, then surely Mama can return as well.But the Boy has a secret of his own, one that Sparrow will need to uncover before the ghost will lead her to Mama. To solve the mystery, Sparrow joins forces with some unlikely allies -- Maeve and Johnny, siblings from a family of town outcasts --and Elena, a visiting child fortune-teller.With its loving depiction of small town life, and characters who feel like old friends, this magical debut will enchant you, dazzle you . . . and make you feel at home.
Drunks. Addicts. Killers. The dead, dying, deformed, damaged, ashamed, and abused. Misunderstood and overlooked human beings are everywhere around us, and have a story to tell to those who are willing to listen. You Don't See Any of This is an emotional, quirky, and sometimes dangerous tour through the lives of downtrodden, regular, working-class characters who inhabit complicated inner worlds. Two little girls struggle as they're crushed under the weight of their mother's hoarding. A woman born with physical deformities creates her own way of healing others. A brutal man finds his humanity while a young girl finds the killer inside her. Faced with grief, loss, death, ageing, as well as their own failures and defects, these are stories of people we pass by every day, but rarely see unless we take the time to look.
Victor and Isaac aren't sure how long they'll make it in their foster homes. Isaac is comfortable around his foster parents, but afraid they'll give him up. Victor has just landed in a new, crowded home with lots of rules, and is accused of stealing. The brothers make a secret plan to run away from their foster parents and make a home of their own. Will their plan work, or will they lose everything trying?
Learning to Jump seeks what sustains us during troubled times. Across a range of spaces, from the ancient Celtic ring forts of the Aran Islands, to an artist's studio, to an old woman's dressing table, these poems attend to urgencies too often neglected in the press of everyday obligations. Here are celebrations of making and of things well-made, expressions of gratitude, and acts of preservation, along with meditations on those befores and afters defining peoples' lives: a child loses a front tooth, a poet takes religious vows, a man dies of a heart attack in the street. To counter the pain of grief, these poems discover--in a hummingbird feeding, in a goat giving birth, in wind heard through dry stone walls--images of beauty and mystery that connect us with nature and each other. Whether focusing on how to cut boards with a handsaw or paint in egg tempura, make chicken soup from scratch or read Ulysses to pieces, this book also honors skills passed on and hard-won habits that enrich ordinary days with meaning. Only by paying such scrupulous attention can we trust our many leaps and the ground we land on.
Desperate to find respite from her father's verbal abuse, his various affairs, and her step-mother's psychological torment, Gina spent hours doing Jane Fonda's workouts, smoked cigarettes instead of eating food, and became obsessed with her thinness... with the notion of fading away. She found solace in restlessness-drinking hallucinogenic mushroom tea and inhaling crushed pills and powders-perching herself on the periphery of danger again and again. Gina soon glimpsed a better life for herself when her grandfather, a man who was a surrogate father to her, became terminally ill. She soon fell in love with John, a stranger who was utterly familiar, but who was addicted to heroin. She moved from New Hampshire to California, crossing the country in an attempt to alleviate her self-destructive tendencies, but found herself pulled back to New Hampshire, to John, a man with whom, despite his struggle, she could not deny the sense of home she felt. What would it cost for a girl to run wildly and recklessly into womanhood, making instant, temporary homes?