Vienna Big Band Machine

Vienna Big Band Machine

Author: Walter Grassmann

Publisher: Alfred Music

Published: 2015-10

Total Pages:

ISBN-13: 9783892212737

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This unique publication for drummers includes a CD with 14 play-along tracks without drums, the original, hand-written drum parts (as used at the recording sessions), and computer typeset drum parts, including additional drum fills. Genres covered include: funk-shuffle, funk-rock, Latin-funk, straight funk, hip-hop shuffle, ballad, rap, and more.


The International Who's Who in Popular Music 2002

The International Who's Who in Popular Music 2002

Author: Andy Gregory

Publisher: Psychology Press

Published: 2002

Total Pages: 666

ISBN-13: 9781857431612

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TheInternational Who's Who in Popular Music 2002offers comprehensive biographical information covering the leading names on all aspects of popular music. It brings together the prominent names in pop music as well as the many emerging personalities in the industry, providing full biographical details on pop, rock, folk, jazz, dance, world and country artists. Over 5,000 biographical entries include major career details, concerts, recordings and compositions, honors and contact addresses. Wherever possible, information is obtained directly from the entrants to ensure accuracy and reliability. Appendices include details of record companies, management companies, agents and promoters. The reference also details publishers, festivals and events and other organizations involved with music.


Northern Sun, Southern Moon

Northern Sun, Southern Moon

Author: Mike Heffley

Publisher: Yale University Press

Published: 2005-01-01

Total Pages: 420

ISBN-13: 9780300106930

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Until the 1960s American jazz, for all its improvisational and rhythmic brilliance, remained rooted in formal Western conventions originating in ancient Greece and early Christian plainchant. At the same time European jazz continued to follow the American model. When the creators of so-called free jazz--Ornette Coleman, Cecil Taylor, John Coltrane, Albert Ayler, Sun Ra, Anthony Braxton, and others--liberated American jazz from its Western ties, European musicians found their own distinctive voices and created a vital, innovative, and independent jazz culture. Northern Sun, Southern Moon examines this pan-Eurasian musical revolution. Author and musician Mike Heffley charts its development in Scandinavia, Holland, England, France, Italy, and especially (former East and West) Germany. He then follows its spread to former Eastern-bloc countries. Heffley brings to life an evolving musical phenomenon, situating European jazz in its historical, social, political, and cultural contexts and adding valuable material to the still-scant scholarship on improvisation. He reveals a Eurasian genealogy worthy of jazz's well-established African and American pedigrees and proposes startling new implications for the histories of both Western music and jazz.


Cleveland

Cleveland

Author: William Ganson Rose

Publisher: Kent State University Press

Published: 1990

Total Pages: 1380

ISBN-13: 9780873384285

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Traces the history of the Ohio city from its days as a frontier settlement, through the coming of industrialization, to 1950.


Billboard

Billboard

Author:

Publisher:

Published: 1962-04-07

Total Pages: 58

ISBN-13:

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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.


Music in a New Found Land

Music in a New Found Land

Author: Wilfrid Mellers

Publisher: Routledge

Published: 2017-07-12

Total Pages: 638

ISBN-13: 1351504185

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The subject of this book is accurately defined by its subtitle. Music in a New Found Land does not pretend to be a comprehensive history of American music. Nor does Mellers strive to catalog what he considers to be authentic American music. Instead, he deals, in some detail, with comparatively few composers, most of whom have wellestablished reputations. It has always been difficult to separate American music from its immediate relevance to the twentieth century. Mellers' theme involves the relationship between "art" music, jazz and pop music; he sees the segregation of these genres as both illogical and artifi cial. If the pop music of Tin Pan Alley may be anti-art, it has also produced Gershwin, Ellington, and composing improvisers such as Louis Armstrong, Charlie Parker, and Miles Davis. The study of American music is as relevant into any inquiry into a national culture as the study of American literature and painting. This book contains a large number of quotations from American writers, because Mellers thought American sensibility should parallel, reinforce, and comment on American music. In sum, this is the closest available one-volume history of American music, and a window into American culture.