Video Nasty Mayhem opens the vault on the British film distributor VIPCO, and finds there are plenty of surprises. The book also includes reviews on more than 60 of VIPCO's films, offers a standalone chapter on cult director Lucio Fulci, highlights Mike Lee's turn at producing movies, and more.
A carefree memoir of growing up during the golden age of VHS and video rental stores in the 1980s. This humorous nostalgia trip rewinds to an era of chunky plastic tapes, horror movie sleepovers, and rewinding woes. Relive the magic of discovering cinema through the blurry analogue footage, cheesy effects, and garish cover art of the VHS generation. A warm remembrance of all that was sublime and ridiculous about watching movies on tape during the heyday of the video rental store. From dodgy splatter films to DIY camcorder creations, this book celebrates a bygone media age and the role VHS played in shaping many a budding filmmaker. Sit back and soak in the fuzzy signals of yesteryear for a heartfelt trip back to the fascinating world of VHS.
Who would believe that choral singing could prove such a deadly pastime? Virginia and Richard Grainger, new members of the Standchester Choral Society, are looking forward, nervously, to their first public performance with the choir, in a production of Berlioz's 'Romeo and Juliet'. As the performance opens, though, tragedy strikes in the form of a very public death. While coping with the repercussions of this, Virginia also has to tussle with the personal problems of her next-door neighbour, Caroline. As plans to re-schedule the concert are being made, another death occurs, and Virginia begins to realise that her own life may be in danger, as she feels the tangled web of deceit and malice tighten around her ...
Do we want four-year-olds to watch slasher films? If not, who should decide? "Mayhem" lays out the ferocious arguments and the evidence on each side, as Bok reveals surprisingly ancient roots of the debate, from Roman critics of the gladiatorial games to restrictions on today's Internet.
In bestselling author John Gilstrap’s ticking time bomb of a thriller, freelance operative Jonathan Grave penetrates a terrorist cell to stop the detonation of total mayhem on home ground . . . America is under fire. One by one, simultaneous terror attacks have left the country reeling. The perpetrators are former Special Forces operatives working for ISIS. Jonathan Grave and his team are called to go undercover and eliminate the traitors. No need to collect intel. No need for arrest. Wipe them out—and get out. The assaults are rehearsals for extreme disaster. A plot codenamed Retribution. One terrorist is willing to talk—for a price. Grave’s only resort is to slip into a dark web where everything can be exposed. Where the rules of engagement do not hold. The bombs have been set and Grave is the one being hunted. Unless he can save himself first, a terrorist plot of unimaginable scope will become history’s deadliest disaster . . .
A fourteen-year-old gets accepted into a school for extreme athletes. Suddenly, his life goes from ordinary to extraordinary. He learns parkour and all the moves and risks of wingsuits and daredevil stunts. But controversy follows hot on his tail, attracting both positive and negative attention. One source of such attention is a corrupt businessman who tries to weasel his way out of a fair deal, and soon the two square off in an obstacle course of his creation. Miles Monahan's novel Shift to the Extreme is the first in an exciting series focused on young teens and the way they use their extreme-sports skills to change the world and save the day. With this page-turning story, Monahan seems to tell his young readers: Don't just wait for magic to happen-be active now, and maybe you too can do something incredible.
Following the great success of 2015's Gothic Fantasy, deluxe edition short story compilations, Ghosts, Horror and Science Fiction, this latest in the series is packed with hard-boiled detectives, monsters, psychopaths and a high body count. Tales of death and destruction from classic authors are cast with previously unpublished stories by exciting contemporary hardcore crime writers. New, contemporary and notable writers featured are: Sara Dobie Bauer, Michael Cebula, Carolyn Charron, James Dorr, Tim Foley, Steven Thor Gunnin, Kate Heartfield, David M. Hoenig, Liam Hogan, Patrick J. Hurley, Michelle Ann King, Claude Lalumière, Gerri Leen, K.A. Mielke, Alexandra Camille Renwick, Fred Senese, Donald Jacob Uitvlugt, Dean H. Wild, and Nemma Wollenfang. These appear alongside classic stories by authors such as Ambrose Bierce, Wilkie Collins, Dick Donovan, Edith Nesbit, Edgar Allan Poe and Bram Stoker.
A social history of the ‘video nasty’. In the early 1980s, video technology forever changed the face of home entertainment. The videocassette – a handy-sized cartridge of magnetic tape inside a plastic shell – domesticated cinema as families across Britain began to consume films in an entirely new way. Demand was high and the result was a video gold rush, with video rental outlets appearing on every high street almost overnight. Without moderation their shelves filled with all manner of films depicting unbridled sex and violence. A backlash was inevitable. Video was soon perceived as a threat to society, a view neatly summed up in the term ‘video nasties’. CANNIBAL ERROR chronicles the phenomenal rise of video culture through a tumultuous decade, its impact and its aftermath. Based on extensive research and interviews, the authors provide a first-hand account of Britain in the 1980s, when video became a scapegoat for a variety of social ills. It examines the confusion spawned by the Video Recordings Act 1984, the subsequent witch hunt that culminated in police raids and arrests, and offers insightful commentary on many contentious and ‘banned’ films that were cited by the media as influential factors in several murder cases. It also investigates the cottage industry in illicit films that developed as a direct result of the ‘video nasty’ clampdown. CANNIBAL ERROR, a revised and reworked edition of SEE NO EVIL (2000), is an exhaustive and startling overview of Britain’s ‘video nasty’ panic, the ramifications of which are still felt today.