Across a 45-mile front, no fewer than two million German soldiers hurl themselves at the Allied lines, with the specific intention of splitting the British and French forces, and driving all the way through to the town of Villers-Bretonneux, at which point their artillery will be able to rain down shells on the key train-hub town of Amiens, thus throttling the Allied supply lines. For nigh on two weeks, the plan works brilliantly, and the Germans are able to advance without check, as the exhausted British troops flee before them, together with tens of thousands of French refugees. In desperation, the British commander, General Douglas Haig, calls upon the Australian soldiers to stop the German advance, and save Villers-Bretonneux. If the Australians can hold this, the very gate to Amiens, then the Germans will not win the war. 'It's up to us, then, ' one of the Diggers writes in his diary. .
By the time of the Armistice, Villers-Bretonneux - once a lively and flourishing French town - had been largely destroyed, and half its population had fled or died. From March to August 1918, Villers-Bretonneux formed part of an active front line, at which Australian troops were heavily involved. As a result, it holds a significant place in Australian history. Villers-Bretonneux has since become an open-air memorial to Australia's participation in the First World War. Successive Australian governments have valourised the Australian engagement, contributing to an evolving Anzac narrative that has become entrenched in Australia's national identity. Our Corner of the Somme provides an eye-opening analysis of the memorialisation of Australia's role on the Western Front and the Anzac mythology that so heavily contributes to Australians' understanding of themselves. In this rigorous and richly detailed study, Romain Fathi challenges accepted historiography by examining the assembly, projection and performance of Australia's national identity in northern France.
It's early 1918, and after four brutal years, the fate of the Great War hangs in the balance. On the one hand, the fact that Vladimir Lenin and the Bolsheviks have seized power in Russia - immediately suing for peace with Germany - means that no fewer than one million of the Kaiser's soldiers can now be transferred from there to the Western Front. On the other, now that America has entered the war, it means that two million American soldiers are also on their way, to tip the scales of war to the Allies. The Germans, realising that their only hope is striking at the Allied lines first, do exactly that, and on the morning of 21 March 1918, the Kaiserschlacht, the Kaiser's battle, is launched - the biggest set-piece battle the world has ever seen. Across a 45-mile front, no fewer than two million German soldiers hurl themselves at the Allied lines, with the specific intention of splitting the British and French forces, and driving all the way through to the town of Villers-Bretonneux, at which point their artillery will be able to rain down shells on the key train-hub town of Amiens, thus throttling the Allied supply lines. For nigh on two weeks, the plan works brilliantly, and the Germans are able to advance without check, as the exhausted British troops flee before them, together with tens of thousands of French refugees. In desperation, the British commander, General Douglas Haig, calls upon the Australian soldiers to stop the German advance, and save Villers-Bretonneux. If the Australians can hold this, the very gate to Amiens, then the Germans will not win the war. 'It's up to us, then,' one of the Diggers writes in his diary. Arriving at Villers-Bretonneux just in time, the Australians are indeed able to hold off the Germans, launching a vicious counterattack that hurls the Germans back the first time. And then, on Anzac Day 1918, when the town falls after all to the British defenders, it is again the Australians who are called on to save the day, the town, and the entire battle. Not for nothing does the primary school at Villers-Bretonneux have above every blackboard, to this day, 'N'oublions jamais, l'Australie.' Never forget Australia. And they never have.
The Great War was, for the majority of Australians, one that was fought at home. As casualties of this monstrous war mounted, they triggered a political crisis of unprecedented ferocity in Australian history. The fault-lines that emerged in 1916-18 around
Experience the chilling combat of World War I from inside an early biplane in this classic novel, by a pilot who lived through the war himself. France, 1914. The war on the land is taking to the skies . . . Pilot Tom Cundall is ready to take on the enemy in his trusty Camel fighter plane. But as he sees more and more planes shot down in flames, he begins to question the war, and what, or who, he is fighting for. There is no bitter snarl nor self-pity in this classic novel about the air war of 1914-1918, based very largely on the author’s experiences. Combat, loneliness, fatigue, fear, comradeship, women, excitement—they all are part of a brilliantly told story of war and courage by one of the most valiant pilots of the then Royal Flying Corps. Praise for Winged Victory “The greatest novel of war in the air.” —The Daily Mail (UK) ‘Beautifully written with a poet’s eye as well as a pilot’s eye.” —Evening Echo (UK) “Not only one of the best war books . . . but as a transcription of reality, faithful and sustained in its author’s purpose of re-creating the past life he knew, it is unique.” —Henry Williamson, author of Tarka the Otter
It’s early 1918, and after four brutal years, the fate of the Great War hangs in the balance. On the one hand, the fact that Vladimir Lenin and the Bolsheviks have seized power in Russia – immediately suing for peace with Germany – means that no fewer than one million of the Kaiser’s soldiers can now be transferred from there to the Western Front. On the other, now that America has entered the war, it means that two million American soldiers are also on their way, to tip the scales of war to the Allies. The Germans, realising that their only hope is striking at the Allied lines first, do exactly that, and on the morning of 21 March 1918, the Kaiserschlacht, the Kaiser’s battle, is launched – the biggest set-piece battle the world has ever seen. Across a 45-mile front, no fewer than two million German soldiers hurl themselves at the Allied lines, with the specific intention of splitting the British and French forces, and driving all the way through to the town of Villers-Bretonneux, at which point their artillery will be able to rain down shells on the key train-hub town of Amiens, thus throttling the Allied supply lines. For nigh on two weeks, the plan works brilliantly, and the Germans are able to advance without check, as the exhausted British troops flee before them, together with tens of thousands of French refugees. In desperation, the British commander, General Douglas Haig, calls upon the Australian soldiers to stop the German advance, and save Villers-Bretonneux. If the Australians can hold this, the very gate to Amiens, then the Germans will not win the war. 'It's up to us, then,' one of the Diggers writes in his diary. Arriving at Villers-Bretonneux just in time, the Australians are indeed able to hold off the Germans, launching a vicious counterattack that hurls the Germans back the first time. And then, on Anzac Day 1918, when the town falls after all to the British defenders, it is again the Australians who are called on to save the day, the town, and the entire battle. Not for nothing does the primary school at Villers-Bretonneux have above every blackboard, to this day, 'N’oublions jamais, l’Australie.' Never forget Australia. And they never have. ______________________________________________ PRAISE FOR PETER FITZSIMONS 'Peter FitzSimons is an Australian phenomenon.' The Canberra Times '[FitzSimons] knows how to make words race like eager sled dogs on their homeward run.' Newcastle Herald 'Meticulously researched, well-written and incredibly presented.' Weekend Notes
The number 1 non-fiction bestseller.More than 100,000 copies sold! 'What we have, we hold'MOttO OF AUStRALIA'S 2/17tH BAttALIONIn the tradition of his bestselling Kokoda, Peter FitzSimons, Australia's most beloved popular historian, focuses on one of the seminal moments in Australian history: the Battle of tobruk in 1941, in which more than 15 000 Australian troops - backed by British artillery - fought in excruciating desert heat through eight long months, against Adolf Hitler's formidable Afrika Korps.During the dark heart of World War II, when Hitler turned his attention to conquering North Africa, a distracted and far-fl ung Allied force could not give its all to the defence of Libya. So the job was left to the roughest, toughest bunch that could be mustered: the Australian Imperial Force. the AIF's defence of the harbour city of tobruk against the Afrika Korps' armoured division is not only the stuff of Australian legend, it is one of the great battles of all time, as against the might of General Rommel and his Panzers, the Australians relied on one factor in particular to give them the necessary strength against the enemy: mateship.Drawing on extensive source material - including diaries and letters, many never published before - this extraordinary book, written in Peter FitzSimons' highly readable style, is the definitive account of this remarkable chapter in Australia's history.Foreword by Manfred Rommel.
This is the true story of a young Australian soldier whose life of opportunity was challenged by trauma and salvaged by strength. Nelson Ferguson, from Ballarat, was a stretcher-bearer on the Western Front in France in World War I. He survived the dangers of stretcher-bearing in some of Australia's most horrific battles: the Somme, Bullecourt, Ypres and Villers-Bretonneux. In April 1918, at Villers-Bretonneux, he was severely gassed. His eyes were traumatised, his lungs damaged. Upon his return home, he met and married Madeline, the love of his life, started a family, and resumed his career teaching art. But eventually the effects of the mustard gas claimed his eyesight, ending his career. Courageously enduring this consequence of war, he continued contributing to society by assisting his son and son-in-law in their stained-glass window business. Advances in medicine finally restored his sight in 1968, allowing him to yet again appreciate the beauty around him, before his death in 1976. The story of this Anzac will stir your soul. It is a story of war and bravery, pain and strength, hope and miracles. “remarkable…. deeply personal” - Barry Jones AC “extremely moving, vivid, and highly informative” - Nigel Westlake (Australian composer)
THE NATIONAL BESTSELLER 'Fascinatingly imaginative popular history.' Sydney Morning Herald On 25 April 1915, Allied forces landed on the Gallipoli Peninsula in present-day Turkey to secure the sea route between Britain and France in the west and Russia in the east. After eight months of terrible fighting, they would fail. Turkey regards the victory to this day as a defining moment in its history, a heroic last stand in the defence of the nation’s Ottoman Empire. But, counter-intuitively, it would signify something perhaps even greater for the defeated Australians and New Zealanders involved: the birth of their countries’ sense of nationhood. Now approaching its centenary, the Gallipoli campaign, commemorated each year on Anzac Day, reverberates with importance as the origin and symbol of Australian and New Zealand identity. As such, the facts of the battle – which was minor against the scale of the First World War and cost less than a sixth of the Australian deaths on the Western Front – are often forgotten or obscured. Peter FitzSimons, with his trademark vibrancy and expert melding of writing and research, recreates the disaster as experienced by those who endured it or perished in the attempt. ______________________________________________ PRAISE FOR PETER FITZSIMONS 'Peter FitzSimons is an Australian phenomenon.' The Canberra Times '[FitzSimons] knows how to make words race like eager sled dogs on their homeward run.' Newcastle Herald 'Meticulously researched, well-written and incredibly presented.' Weekend Notes
