Serials to Graphic Novels
Serials to Graphic Novels

Author: Catherine J. Golden

Publisher: University Press of Florida

Published: 2018-10-01

Total Pages: 353

ISBN-13: 0813063736

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The Victorian illustrated book came into being, flourished, and evolved during the long nineteenth century. While existing scholarship on Victorian illustrators largely centers on the realist artists of the "Sixties," this volume examines the entire lifetime of the Victorian illustrated book. Catherine Golden offers a new framework for viewing the arc of this vibrant genre, arguing that it arose from and continually built on the creative vision of the caricature-style illustrators of the 1830s. She surveys the fluidity of illustration styles across serial installments, British and American periodicals, adult and children’s literature, and--more recently--graphic novels. Serials to Graphic Novels examines widely recognized illustrated texts, such as The Pickwick Papers, Oliver Twist, Alice in Wonderland, Peter Rabbit, and Trilby. Golden explores factors that contributed to the early popularity of the illustrated book—the growth of commodity culture, a rise in literacy, new printing technologies—and that ultimately created a mass market for illustrated fiction. Golden identifies present-day visual adaptations of the works of Austen, Dickens, and Trollope as well as original Neo-Victorian graphic novels like The League of Extraordinary Gentlemen and Victorian-themed novels like Batman: Noël as the heirs to the Victorian illustrated book. With these adaptations and additions, the Victorian canon has been refashioned and repurposed visually for new generations of readers.

The Victorian Serial
The Victorian Serial

Author: Linda K. Hughes

Publisher:

Published: 1991

Total Pages: 0

ISBN-13: 9780813929385

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Linda K. Hughes and Michael Lund provide a new approach to the study of installment literature by showing how it embodied a view of life intrinsic to Victorian culture. They examine how the serial format affected the ways Victorian audiences interpreted sixteen major works of poetry and fiction. Their findings show that Victorian interpretations were different from those of twentieth century single-volume readings. Hughes and Lund conclude that in order to understand Victorian literature, we must understand serialization, since it was the vehicle for the best literature of the age. Further, they assert we must understand serialization as a literary form attuned to the fundamental spirit of the age.

Victorian Publishing
Victorian Publishing

Author: Alexis Weedon

Publisher: Routledge

Published: 2017-03-02

Total Pages: 192

ISBN-13: 1351875868

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Drawing on research into the book-production records of twelve publishers-including George Bell & Son, Richard Bentley, William Blackwood, Chatto & Windus, Oliver & Boyd, Macmillan, and the book printers William Clowes and T&A Constable - taken at ten-year intervals from 1836 to 1916, this book interprets broad trends in the growth and diversity of book publishing in Victorian Britain. Chapters explore the significance of the export trade to the colonies and the rising importance of towns outside London as centres of publishing; the influence of technological change in increasing the variety and quantity of books; and how the business practice of literary publishing developed to expand the market for British and American authors. The book takes examples from the purchase and sale of popular fiction by Ouida, Mrs. Wood, Mrs. Ewing, and canonical authors such as George Eliot, Wilkie Collins, and Mark Twain. Consideration of the unique demands of the educational market complements the focus on fiction, as readers, arithmetic books, music, geography, science textbooks, and Greek and Latin classics became a staple for an increasing number of publishing houses wishing to spread the risk of novel publication.

Modes of Production of Victorian Novels
Modes of Production of Victorian Novels

Author: N. N. Feltes

Publisher: University of Chicago Press

Published: 1986-08

Total Pages: 156

ISBN-13: 9780226241173

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In this sophisticated application of modern Marxist thought, N. N. Feltes demonstrates the determining influence of nineteenth-century publishing practices on the Victorian novel. His dialectical analysis leads to a comprehensive explanation of the development of capitalist novel production into the twentieth century. Feltes focuses on five English novels: Dickens's Pickwick Papers, Thackeray's Henry Esmond, Eliot's Middlemarch, Hardy's Tess of the d'Urbervilles, and Forster's Howards End. Published at approximately twenty year intervals between 1836 and 1920, they each represent a different first-publication format: part-issue, three-volume, bimonthly, magazine-serial, and single-volume. Drawing on publishing, economic, and literary history, Feltes offers a broad, synthetic explanation of the relationship between the production and format of each novel, and the way in which these determine, in the last instance, the ideology of the text. Modes of Production in Victorian Novels provides a Marxist structuralist analysis of historical events and practices described elsewhere only empirically, and traces their relationship to literary texts which have been analyzed only idealistically, thus setting these familiar works firmly and perhaps permanently into a framework of historic materialism.

Serialization and the Novel in Mid-Victorian Magazines
Serialization and the Novel in Mid-Victorian Magazines

Author: Catherine Delafield

Publisher: Routledge

Published: 2016-03-03

Total Pages: 223

ISBN-13: 1317057015

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Examining the Victorian serial as a text in its own right, Catherine Delafield re-reads five novels by Elizabeth Gaskell, Anthony Trollope, Dinah Craik and Wilkie Collins by situating them in the context of periodical publication. She traces the roles of the author and editor in the creation and dissemination of the texts and considers how first publication affected the consumption and reception of the novel through the periodical medium. Delafield contends that a novel in volume form has been separated from its original context, that is, from the pattern of consumption and reception presented by the serial. The novel's later re-publication still bears the imprint of this serialized original, and this book’s investigation into nineteenth-century periodicals both generates new readings of the texts and reinstates those which have been lost in the reprinting process. Delafield's case studies provide evidence of the ways in which Household Words, Cornhill Magazine, Good Words, All the Year Round and Cassell's Magazine were designed for new audiences of novel readers. Serialization and the Novel in Mid-Victorian Magazines addresses the material conditions of production, illustrates the collective and collaborative creation of the serialized novel, and contextualizes a range of texts in the nineteenth-century experience of print.

George Eliot's Serial Fiction
George Eliot's Serial Fiction

Author: Carol A. Martin

Publisher:

Published: 1994

Total Pages: 378

ISBN-13:

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She also originally planned to serialize Adam Bede and The Mill on the Floss, but John Blackwood's reaction as he received individually the installments of "Mr Gilfil's Love-Story, " "Janet's Repentance," and the early parts of Adam Bede, along with fear of the impact of public response on her personal life, caused Eliot to change her mind. Nonetheless, like Dickens and many others, Eliot was an effective serial writer who paid close attention to the special requirements of installment structure and endings and who occasionally altered her plan for an installment in the light of public response. Carol A.

Serializing Fiction in the Victorian Press
Serializing Fiction in the Victorian Press

Author: G. Law

Publisher: Springer

Published: 2000-10-23

Total Pages: 320

ISBN-13: 0230286747

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Drawing on extensive archival research in both Britain and the United States, Serializing Fiction in the Victorian Press represents the first comprehensive study of the publication of instalment fiction in Victorian newspapers. Often overlooked, this phenomenon is shown to have exerted a crucial influence on the development of the fiction market in the last decades of the nineteenth century. A detailed description of the practice of syndication is followed by a wide-ranging discussion of its implications for readership, authorship, and fictional form.

America's Continuing Story
America's Continuing Story

Author: Michael Lund

Publisher: Wayne State University Press

Published: 1993

Total Pages: 244

ISBN-13: 9780814324011

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Literary History in America has been built around individual names, titles, and dates, such as the years in which significant works of fiction were published. Yet most of the fiction published from 1850 to 1900 first appeared in a number of installment formats. That books were first made available to the public in parts has been dismissed as an interesting but critically irrelevant fact of literary history, but now scholars recognize that modes of production shape literary meanings, not just for individual works, but in the larger culture as well. Lund explains how most American novels were published and read between 1850 and 1900, then provides the titles of several hundred serial works, their parts' divisions, and the dates of publication. Lund considers 69 authors and 285 titles, making America's Continuing Story the most complete study of its kind to date.

The Plot Thickens
The Plot Thickens

Author: Mary Elizabeth Leighton

Publisher: Ohio University Press

Published: 2018-12-17

Total Pages: 522

ISBN-13: 0821446495

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In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making. These illustrated serial novels offered Victorians a reading experience that was both verbal and visual, based on complex effects of flash-forward and flashback as the placement of illustrations revealed or recalled significant story elements. Victorians’ experience of what are now canonical novels thus differed markedly from that of modern readers, who are accustomed to reading single volumes with minimal illustration. Even if modern editions do reproduce illustrations, these do not appear as originally laid out. Modern readers therefore lose a crucial aspect of how Victorians understood plot—as a story delivered in both words and images, over time, and with illustrations playing a key role. In The Plot Thickens, Mary Elizabeth Leighton and Lisa Surridge uncover this overlooked narrative role of illustrations within Victorian serial fiction. They reveal the intricacy and richness of the form and push us to reconsider our notions of illustration, visual culture, narration, and reading practices in nineteenth-century Britain.

Victorian Contagion
Victorian Contagion

Author: Chung-jen Chen

Publisher: Routledge

Published: 2019-08-29

Total Pages: 297

ISBN-13: 1000691543

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Victorian Contagion: Risk and Social Control in the Victorian Literary Imagination examines the literary and cultural production of contagion in the Victorian era and the way that production participated in a moral economy of surveillance and control. In this book, I attempt to make sense of how the discursive practice of contagion governed the interactions and correlations between medical science, literary creation, and cultural imagination. Victorians dealt with the menace of contagion by theorizing a working motto in claiming the goodness and godliness in cleanliness which was theorized, realized, and radicalized both through practice and imagination. The Victorian discourse around cleanliness and contagion, including all its treatments and preventions, developed into a culture of medicalization, a perception of surveillance, a politics of health, an economy of morality, and a way of thinking. This book is an attempt to understands the literary and cultural elements which contributed to fear and anticipation of contagion, and to explain why and how these elements still matter to us today.