The gilded city of Hartford triumphantly returns in this volume, Victorian Hartford Revisited, a compilation of many never before published images of Victorian splendor and incredible architecture. The social, economic, cultural, and architectural center of the state went through unparalleled growth after the Civil War. Demand for new technology made Hartford not only the political capital but the epicenter of the Industrial Revolution in the region. Tremendous wealth accumulated and materialized in the form of extensive estates, historic parks, magnificent schools, churches, public buildings, grand hotels, and a multitude of immigrant housing. This once Colonial port city along the Connecticut River rose to epitomize Americas Victorian age, and it is captured within these impressive pages.
The gilded city of Hartford triumphantly returns in this volume, Victorian Hartford Revisited, a compilation of many never before published images of Victorian splendor and incredible architecture. The social, economic, cultural, and architectural center of the state went through unparalleled growth after the Civil War. Demand for new technology made Hartford not only the political capital but the epicenter of the Industrial Revolution in the region. Tremendous wealth accumulated and materialized in the form of extensive estates, historic parks, magnificent schools, churches, public buildings, grand hotels, and a multitude of immigrant housing. This once Colonial port city along the Connecticut River rose to epitomize Americas Victorian age, and it is captured within these impressive pages.
From workers' housing to the grand homes of industrialists, prosperous Hartford experienced an explosion of Victorian building that turned this capital city into a rich mixture of culture, beauty, and business. The capital of the insurance industry, Hartford was also home to the first public art museum, the Wadsworth Atheneum; the first municipal rose garden, Elizabeth Park; and colossal factories that produced Colt firearms, typewriters, sewing machines, and even the first automobiles. Victorian Hartford showcases the city's great architecture through historic images, some of which are the only evidence of the city's former grandeur, and provides glimpses into a world long gone.
Popular culture, Francaviglia looks sympathetically but realistically at the ways in which Main Street's image developed and persists. He reaffirms that life can imitate art, that the cherished icons surrounding Main Street have become the substance of popular culture. Ultimately, his book is about the material culture that architects, town developers, and image makers have left us as their legacy. Seen through the lives of the visionaries who created them in their.
Hartford, Connecticut, was settled as an agrarian society with fertile fields and abundant crops at the confluence of the Connecticut and Little (later Park) Rivers by Reverend Thomas Hooker and his Puritan congregation. Navigation on the rivers quickly established the city as a center for commerce. Author Daniel Sterner delves into the history of Hartford with tours from Bushnell Park to Asylum Hill and through Frog Hollow. Discover the many people, places and events that have shaped the capital of the Constitution State.
Early nineteenth-century illustrations of Hartford, Connecticut, show church steeples towering over the Victorian homes and brownstone facades of businesses around them. The modern skyline of the town has lost many of these elegant steeples and their quaint and smaller neighbors. Banks have yielded to newer banks, and organizations like the YMCA are now parking lots. In the 1960s, Constitution Plaza replaced an entire neighborhood on Hartford's east side. The city has evolved in the name of progress, allowing treasured buildings to pass into history. Those buildings that survive have been repurposed--the Old State House, built in 1796, is one of the oldest and has found new life as a museum. Yet the memory of these bygone landmarks and scenes has not been lost. Historian Daniel Sterner recalls the lost face of downtown and preserves the historic landmarks that still remain with this nostalgic exploration of Hartford's structural evolution.
The late nineteenth century, known commonly as the "Gilded Age," produced some of the most beautiful yet controversial architecture in America's history. The great influencers of the period, including Richard Upjohn, Henry Hobson Richardson, and Charles McKim, each spread the gospel of his own architectural style. The result was an eclectic mix of styles that some detested but that others embraced. Caught in the struggle to find an architecture America could claim as its own, Hartford, Connecticut architect William Brocklesby carved out his own stylistic path. In an age when the taste for ostentation and pretension was adopted by many, William Brocklesby produced some of the most dignified and beautiful architecture in the Connecticut Valley. His churches, libraries, and theaters remain as artistic landmarks throughout western New England, and his work at colleges from Hartford to Amherst, Massachusetts make for some of the most picturesque college campuses in America. This book serves as a companion to the author's earlier book, Asher Benjamin, American Architect, Author, Artist. Taken together, the two books provide a view of developments in American architecture from 1790 to 1910. The Architecture of William C. Brocklesby Hailing from Hartford, Connecticut, architect William C. Brocklesby (1847-1910) spent his career designing beautiful yet dignified churches, libraries, and public buildings throughout the Connecticut River Valley and western New England. Working in an age when ostentation was the rule rather than the exception, Brocklesby maintained a restrained hand in the application of ornament. His design ofForbes Library in Northampton, Massachusetts stands out as a monument to his ability as a design architect. In addition, William Brocklesby was among a handful of nineteenth century architects who made the Connecticut River Valley the birthplace of the prototypical American college campus. Working largely within the vision of the famed American landscape architects Andrew Jackson Downing and Frederick Law Olmstead, Brocklesby and others built campuses that were meant to mimic the traditional New England village. “Through the designs of the college buildings by Peabody and Stearns and William Brocklesby, Smith College's architectural history traces the development of late nineteenth-century styles.” - National Register of Historic Places Inventory
