Victimhood in American Narratives of the War in Vietnam
Victimhood in American Narratives of the War in Vietnam

Author: Aleksandra Musiał

Publisher: Routledge

Published: 2020-03-02

Total Pages: 212

ISBN-13: 1000054284

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This book revisits the American canon of novels, memoirs, and films about the war in Vietnam, in order to reassess critically the centrality of the discourse of American victimization in the country’s imagination of the conflict, and to trace the strategies of representation that establish American soldiers and veterans as the most significant victims of the war. By investigating in detail the imagery of the Vietnamese landscape recreated by American authors and directors, the volume explores the proposition that Vietnam has been turned into an American myth, demonstrating that the process resulted in a dehistoricization and mystification of the conflict that obscured its historical and political realities. Against this background, representations of the war’s victims—Vietnamese civilians and American soldiers—are then considered in light of their ideological meanings and uses. Ultimately, the book seeks to demonstrate how, in a relation of power, the question of victimhood can become ideologized, transforming into both a discourse and a strategy of representation—and in doing so, to demythologize something of the "Vietnam" of American cultural narrative.

War Memories
War Memories

Author: Stéphanie A.H. Bélanger

Publisher: McGill-Queen's Press - MQUP

Published: 2017-05-31

Total Pages:

ISBN-13: 0773548513

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War Memories explores the patchwork formed by collective memory, public remembrance, private recollection, and the ways in which they form a complex composition of observations, initiatives, and experiences. Offering an international perspective on war commemoration, contributors consider the process of assembling historical facts and subjective experiences to show how these points of view diverge according to various social, cultural, political, and historical perspectives. Encompassing the representations of wars in the English-speaking world over the last hundred years, this collection presents an extensive, yet integrated, reflection on various types of commemoration and interpretations of events. Essays respond to common questions regarding war memory: how and why do we remember war? What does commemoration tell us about the actors in wars? How does commemoration reflect contemporary society’s culture of war? War Memories disseminates current knowledge on the performance, interpretation, and rewriting of facts and events during and after wars, while focusing on how patriotic fervour, resistance, conscientious objection, injury, trauma, and propaganda contribute to the shaping of individual and collective memory. Contributors include Joan Beaumont (Australian National University, Canberra), Gilles Chamerois (University of Brest, France), Subarno Chattarji (University of Delhi, India), Nicole Cloarec (Rennes 1 University, France), Corinne David-Ives (European University of Brittany – Rennes 2, France), Jeffrey Demsky (San Bernardino Valley College, California), Sam Edwards (Manchester Metropolitan University), Georges Fournier (Jean Moulin University, France), Annie Gagiano (University of Stellenbosch, South Africa), David Haigron (Rennes 2 University, France), Judith Keene (University of Sydney, Australia), Melissa King (San Bernardino Valley College, California), Christine Knauer (Eberhard Karls University Tübingen, Germany), Liliane Louvel (University of Poitiers), Michelle P. Moore (Canadian Army Doctrine and Training Centre, Kingston, Ontario), John Mullen (University of Rouen, France), Lorie-Anne Duech-Rainville (Caen University, France), Elizabeth Rechniewski (Australian Research Council Discovery Project), Raphaël Ricaud (University ‘Paris Ouest Nanterre La Défense’, France), Laura Robinson (Royal Military College of Canada), and Isabelle Roblin (Université du Littoral-Côte d’Opale, France).

Writing Wars
Writing Wars

Author: David F. Eisler

Publisher: University of Iowa Press

Published: 2022-12-14

Total Pages: 267

ISBN-13: 1609388666

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Who writes novels about war? For nearly a century after World War I, the answer was simple: soldiers who had been there. The assumption that a person must have experienced war in the flesh in order to write about it in fiction was taken for granted by writers, reviewers, critics, and even scholars. Contemporary American fiction tells a different story. Less than half of the authors of contemporary war novels are veterans. And that’s hardly the only change. Today’s war novelists focus on the psychological and moral challenges of soldiers coming home rather than the physical danger of combat overseas. They also imagine the consequences of the wars from non-American perspectives in a way that defies the genre’s conventions. To understand why these changes have occurred, David Eisler argues that we must go back nearly fifty years, to the political decision to abolish the draft. The ramifications rippled into the field of cultural production, transforming the foundational characteristics— authorship, content, and form—of the American war fiction genre.

The Distant Shores of Freedom
The Distant Shores of Freedom

Author: Subarno Chattarji

Publisher: Bloomsbury Publishing

Published: 2019-11-18

Total Pages: 320

ISBN-13: 9389611938

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The Distant Shores of Freedom analyses literary works in English written by Vietnamese refugees in the US. Fiction and memoirs by Vietnamese Americans recover stories and memories that are often different from mainstream American ones and that difference enables readers to think of the US war in Vietnam from perspectives that are missing in mainstream representations. Dwelling not only on the war and its aftermaths, Vietnamese American writings also ponder over the existential issues of exile; the idea of home; the pain of marginality and racism; the question of community formation within the US; and the complexity of diasporic lives. Subarno Chattarji raises critical questions such as who gets to speak and write, and to what ends and purposes? Who reads Vietnamese American writings and how can we account for these publications in the US over a period of time? What can and cannot be written or spoken? What is remembered and what is silenced? What traumas and memories are articulated? These questions point towards a larger context of diaspora studies as well as 'the rituals of cultural memory' that complicate our understanding of the Vietnam War and its aftermaths.

The Hero and the Victim
The Hero and the Victim

Author: Gregory Brazeal

Publisher: University of Michigan Press

Published: 2024-10-08

Total Pages: 304

ISBN-13: 1643150669

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How American fiction represents soldiers--and soldier criminality--in depictions of the Iraq War

Nothing Ever Dies
Nothing Ever Dies

Author: Viet Thanh Nguyen

Publisher: Harvard University Press

Published: 2016-04-11

Total Pages: 385

ISBN-13: 067466034X

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Finalist, National Book Critics Circle Award Finalist, National Book Award in Nonfiction A New York Times Book Review “The Year in Reading” Selection All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations. “[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War—and which Vietnamese call the American War...As a writer, [Nguyen] brings every conceivable gift—wisdom, wit, compassion, curiosity—to the impossible yet crucial work of arriving at what he calls ‘a just memory’ of this war.” —Kate Tuttle, Los Angeles Times “In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war...[An] important book, which hits hard at self-serving myths.” —Jonathan Mirsky, Literary Review “Ultimately, Nguyen’s lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy.” —Donna Seaman, Booklist (starred review)

Close Quarters
Close Quarters

Author: Larry Heinemann

Publisher: Vintage

Published: 2010-03-31

Total Pages: 370

ISBN-13: 0307517705

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From the moment his first novel was published, Larry Heinemann joined the ranks of the great chroniclers of the Vietnam conflict--Philip Caputo, Tim O’Brien, and Gustav Hasford. In the stripped-down, unsullied patois of an ordinary soldier, draftee Philip Dosier tells the story of his war. Straight from high school, too young to vote or buy himself a drink, he enters a world of mud and heat, blood and body counts, ambushes and firefights. It is here that he embarks on the brutal downward path to wisdom that awaits every soldier. In the tradition of Naked and the Dead and The Thin Red Line, Close Quarters is the harrowing story of how a decent kid from Chicago endures an extraordinary trial-- and returns profoundly altered to a world on the threshold of change.

American Reckoning
American Reckoning

Author: Christian G. Appy

Publisher: Penguin Books

Published: 2016-01-05

Total Pages: 418

ISBN-13: 0143128345

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How did the Vietnam War change the way we think of ourselves as a people and a nation? Christian G. Appy examines the war's realities and myths and its lasting impact on our national self-perception. Drawing on a vast variety of sources that range from movies, songs, and novels to official documents, media coverage, and contemporary commentary, Appy offers an original interpretation of the war and its far-reaching consequences for both our popular culture and our foreign policy.

Friendly Fire : American Images of the Vietnam War
Friendly Fire : American Images of the Vietnam War

Author: Riverside Katherine Kinney Associate Professor of English University of California

Publisher: Oxford University Press, USA

Published: 2000-10-09

Total Pages: 234

ISBN-13: 0195349628

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Hundreds of memoirs, novels, plays, and movies have been devoted to the American war in Vietnam. In spite of the great variety of mediums, political perspectives and the degrees of seriousness with which the war has been treated, Katherine Kinney argues that the vast majority of these works share a single story: that of Americans killing Americans in Vietnam. Friendly Fire, in this instance, refers not merely to a tragic error of war, it also refers to America's war with itself during the Vietnam years. Starting from this point, this book considers the concept of "friendly fire" from multiple vantage points, and portrays the Vietnam age as a crucible where America's cohesive image of itself is shattered--pitting soldiers against superiors, doves against hawks, feminism against patriarchy, racial fear against racial tolerance. Through the use of extensive evidence from the film and popular fiction of Vietnam (i.e. Kovic's Born on the Fourth of July, Didion's Democracy, O'Brien's Going After Cacciato, Rabe's Sticks and Bones and Streamers), Kinney draws a powerful picture of a nation politically, culturally, and socially divided, and a war that has been memorialized as a contested site of art, media, politics, and ideology.

Contemporary American Trauma Narratives
Contemporary American Trauma Narratives

Author: Alan Gibbs

Publisher: Edinburgh University Press

Published: 2014-06-16

Total Pages: 276

ISBN-13: 0748694080

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This book looks at the way writers present the effects of trauma in their work. It explores narrative devices, such as OCymetafictionOCO, as well as events in contemporary America, including 9/11, the Iraq War, and reactions to the Bush administration.