A penetrating work of reportage on Venice. "Searching observations and astonishing comprehension of the Venetian taste and character" (New York Herald Tribune).
A journey through the glorious Italian city’s scenery, history, and culture, from the New York Times–bestselling author of Venice Observed and The Group. Mary McCarthy’s classic celebrates the Italian city often looked upon as the provincial sister to the better-dressed, more “feminine” Venice. To McCarthy, Florence, or Firenze, is a place of ageless enchantment, from the Duomo to the fortressed palaces. The Renaissance began here; art and architecture flourished. From its roots as a center of medieval trade to its transformation into one of the world’s wealthiest cities, McCarthy charts Florence’s rich and turbulent history. She introduces a cast of towering real-life characters. Through her probing writer’s lens, the poetry of Dante and the magnificent artistry of Raphael and Botticelli come vibrantly alive. Along this illuminating journey, McCarthy offers fascinating bits of trivia: There are no ruins in Florence because the Florentines aren’t sentimental about their past; America took its name from a Florentine traveler named Amerigo Vespucci. From Michelangelo to the Medicis to the story behind a statue’s missing head, The Stones of Florence is Mary McCarthy’s hymn to this unique city. This ebook features an illustrated biography of Mary McCarthy including rare images from the author’s estate.
In the tradition of Jane Jacobs’ The Death and Life of Great American Cities comes an urgent plea from internationally renowned art historian Salvatore Settis to preserve Venice’s future. What is Venice worth? To whom does this urban treasure belong? Venetians are increasingly abandoning their hometown — there’s now only one resident for every 140 visitors — and Venice’s fragile fate has become emblematic of the future of historic cities everywhere as it capitulates to tourists and those who profit from them. In If Venice Dies, a fiery blend of history and cultural analysis, internationally renowned art historian Savatore Settis argues that “hit-and-run” visitors are turning landmark urban settings into shopping malls and theme parks. He warns that Western civilization’s prime achievements face impending ruin from mass tourism and global cultural homogenization. This is a passionate plea to secure Venice’s future, written with consummate authority, wide-ranging erudition, and élan.
One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power.
Venice conjures images of gondolas drifting along misty canals and pigeon-feeding visitors dwarfed by the splendor of St. Mark’s. For tourists seeking these typical Venetian icons, this magical city will never disappoint. But for a more rounded experience, the longtime residents and experts who have contributed to Time Out Venice take readers down backstreets and into campi and calli where few tourists tread: to hidden churches with hidden artworks; to architectural and sculptural gems in concealed courtyards; and to districts where the everyday life of Venice goes on in time-honored, washing-festooned, market-haggling fashion. Included is a wealth of practical information on escaping the menu turistico to discover authentic eateries; hiring a gondola and coping with acqua alta; finding budget digs in a city of haute hotels; and traveling beyond the Venetian lagoon to the magnificent cities — Padua, Verona, Vicenza, Treviso — and countryside of the mainland Veneto region.
KEYNOTE: Featuring ffty masterworks by Mantegna, Giorgione, Titian, Veronese, and Tintoretto, this stunning book examines the brilliant painters who transformed the art of Renaisssance Venice. Featuring fifty masterworks by Mantegna, Giorgione, Titian, Veronese, and Tintoretto, this stunning book examines the brilliant painters who transformed the art of Renaissance Venice. Among the singular moments in the evolution of Western art, the Venetian Renaissance forged an artistic vocabulary of dazzling virtuosity. Celebrating the poetic potential of color and beauty observed in nature, Venetian painters of the fifteenth and sixteenth centuries transcended the spatial, textural, and emotional realism of their predecessors to create works unsurpassed in their sensual depictions, velvety surfaces, and unique and glorious treatment of light. Focusing on canonical works from Vienna's Kunsthistorisches Museum (one of the world's four great imperial museums, along with the Hermitage, the Louvre, and the Prado), this book's lavish illustrations and illuminating essays offer a rich introduction to the treasures of the Venetian Renaissance. Among the spectacular artworks are Mantegna's tortured Saint Sebastian, Titian's enigmatic Bravo (The Assassin) and sumptuous Danäe, and a rare group of paintings by the elusive Giorgione, including Portrait of a Young Woman (Laura) and The Three philosophers. The book also includes exemplary works by Veronese, Palma ecchio, Bordone, and Bassano, among others, revealing the full range of Venetian accomplishment in the Renaissance era. AUTHOR: Sylvia Ferino is director of the Gemaldegalerie of the Kunsthistorisches Museum, Vienna, and an expert on Italian painting. Lynn Federle Orr is curator in charge of European art at the Fine Arts Museums of San Francisco. Among her recent publications is The Cult of Beauty: The Aesthetic Movement 1860-1900 100 colour illustrations
A collection of “entertaining . . . unapologetically opinionated” essays from the New York Times–bestselling author of the Commissario Guido Brunetti novels (The New York Times). Donna Leon has won legions of fans and waves of critical acclaim for her international bestselling mystery series featuring Venetian Commissario Guido Brunetti—not only for her intricate plots and gripping narratives, but for her insight into the culture, politics, family-life, and history of Venice. But outside of her mystery novels, Leon has also been writing essays on Venetian life and related topics for years. In My Venice and Other Essays, the best of these essays are collected: more than fifty charming and insightful works ranging in topic from battles over garbage in the canals to the troubles with rehabbing Venetian real estate. Leon shares episodes from her life, explores her love of opera, and recounts tales from in and around her country house in the mountains. With pointed observations and humor, she also explores her family history, her former life in New Jersey, and the idea of the “Italian man.” Sure to please longtime Leon fans as well as anyone who appreciates the wit and wisdom of a master wordsmith, this volume offers “an intriguing glimpse at the strong views of an exceptionally interesting and entertaining novelist” (The Seattle Times).
"The city of Venice has always provided an almost irresistible lure for both writers and artists. Henry James loved it, as did Ruskin, Browning, Pound, and Brodsky. For artists, it has been a compulsory magnet since the time of Bellini and Canaletto. By the nineteenth century there was hardly an artist of note -- Whistler and Turner, Sargent and Prendergast, Sickert and Bonington -- who was not seduced by the city's charms, history, and aesthetic heritage. For the depiction of Venice by artists, it's a high bar that s been set, but Adam Van Doren, grandson of the Pulitzer-prize-winning poet Mark Van Doren, convincingly confronts the competition in this charming memoir, a verbal and visual account of his love affair with the city. His story is personal; like all other artists, he sees the city with and through his own eyes, but he is also well-informed historically. He laces his tour with information, opinion, and citation. With Van Doren as guide, the reader's tour of the city is rich and convincing, filled with the presence of illustrious predecessors. With an informed preface by the scholar Theodore Rabb and a charming foreword by Simon Winchester, with 21 full-color drawings by the author/artist, and even six pages of commendably lucid "Notes" on the personalities and structures discussed, this is a book that will proudly take its place alongside the many others that have celebrated this city for centuries."--Publisher description.
In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice’s appeal has affected Western culture since 1800.