The horse would know, but the horse can't talk. Premio Querini Stampalia-FURLA per l'arte. Catalogo della mostra (Venezia, 2002). Ediz. italiana e inglese

The horse would know, but the horse can't talk. Premio Querini Stampalia-FURLA per l'arte. Catalogo della mostra (Venezia, 2002). Ediz. italiana e inglese

Author: Chiara Bertola

Publisher:

Published: 2002

Total Pages: 126

ISBN-13:

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This third edition of the Premio Querini Stampalia--FURLA per l'Arte documents and honors the work of five emerging artists who live and work in Italy: Marcello Maloberti, Ottonella Mocellin, Adrian Paci, Daniele Puppi and Sissi. The "godfather" of the award, German artist Lothar Baumgarten, provided the title of this publication--a proverb that invites reflection on the impossibility of judging an artist.


Mona Hatoum. Catalogo della mostra (Venezia, 4 giugno-20 settembre 2009). Ediz. italiana e inglese

Mona Hatoum. Catalogo della mostra (Venezia, 4 giugno-20 settembre 2009). Ediz. italiana e inglese

Author: Mona Hatoum

Publisher:

Published: 2009

Total Pages: 180

ISBN-13:

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Questo volume documenta la genesi e l'evoluzione di Interior Landscape, un progetto concepito per gli spazi contemporanei e gli interni della collezione museale del palazzo storico della famiglia Querini Stampalia a Venezia. L'opera di Mona Hatoum si rivolge alla nozione di dislocamento, di incertezza e conflitto. Attraverso l'uso di oggetti familiari e di vita domestica trasformati in sculture estranee e misteriose, sovvertendone le forme in messaggi cifrati di ambiguità e minaccia, l'artista crea un territorio che non è più spazio rassicurante e protettivo.


Discourse on the State of the Jews

Discourse on the State of the Jews

Author: Simone Luzzatto

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-07-08

Total Pages: 488

ISBN-13: 3110528231

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In 1638, a small book of no more than 92 pages in octavo was published “appresso Gioanne Calleoni” under the title “Discourse on the State of the Jews and in particular those dwelling in the illustrious city of Venice.” It was dedicated to the Doge of Venice and his counsellors, who are labelled “lovers of Truth.” The author of the book was a certain Simone (Simḥa) Luzzatto, a native of Venice, where he lived and died, serving as rabbi for over fifty years during the course of the seventeenth century. Luzzatto’s political thesis is simple and, at the same time, temerarious, if not revolutionary: Venice can put an end to its political decline, he argues, by offering the Jews a monopoly on overseas commercial activity. This plan is highly recommendable because the Jews are “wellsuited for trade,” much more so than others (such as “foreigners,” for example). The rabbi opens his argument by recalling that trade and usury are the only occupations permitted to Jews. Within the confines of their historical situation, the Venetian Jews became particularly skilled at trade with partners from the Eastern Mediterranean countries. Luzzatto’s argument is that this talent could be put at the service of the Venetian government in order to maintain – or, more accurately, recover – its political importance as an intermediary between East and West. He was the first to define the role of the Jews on the basis of their economic and social functions, disregarding the classic categorisation of Judaism’s alleged privileged religious status in world history. Nonetheless, going beyond the socio-economic arguments of the book, it is essential to point out Luzzatto’s resort to sceptical strategies in order to plead in defence of the Venetian Jews. It is precisely his philosophical and political scepticism that makes Luzzatto’s texts so unique. This edition aims to grant access to his works and thought to English-speaking readers and scholars. By approaching his texts from this point of view, the editors hope to open a new path in research into Jewish culture and philosophy that will enable other scholars to develop new directions and new perspectives, stressing the interpenetration between Jews and the surrounding Christian and secular cultures.


Gilbert & George

Gilbert & George

Author: Gilbert & George

Publisher:

Published: 2005

Total Pages: 92

ISBN-13:

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La obra expuesta, realizada en 1971, está constituida por 23 dibujos de grandes dimensiones realizados al carboncillo sobre cartón entelado, anticipando una serie de temas presentes en el posterior trabajo fotográfico de los artistas y en la investigación artística contemporánea, como la introducción de textos bajo la forma de títulos, el gran formato o la estructura narrativa y seriada de la obra.


Seven Days in the Art World

Seven Days in the Art World

Author: Sarah Thornton

Publisher: W. W. Norton & Company

Published: 2008-11-17

Total Pages: 304

ISBN-13: 0393071057

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A fly-on-the-wall account of the smart and strange subcultures that make, trade, curate, collect, and hype contemporary art. The art market has been booming. Museum attendance is surging. More people than ever call themselves artists. Contemporary art has become a mass entertainment, a luxury good, a job description, and, for some, a kind of alternative religion. In a series of beautifully paced narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of Artforum magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life. A judicious and juicy account of the institutions that have the power to shape art history, based on hundreds of interviews with high-profile players, Thornton's entertaining ethnography will change the way you look at contemporary culture.


Italy’s Eighteenth Century

Italy’s Eighteenth Century

Author: Paula Findlen

Publisher: Stanford University Press

Published: 2009

Total Pages: 505

ISBN-13: 0804759049

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In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.


Composing for the Cinema

Composing for the Cinema

Author: Ennio Morricone

Publisher: Scarecrow Press

Published: 2013-10-10

Total Pages: 311

ISBN-13: 0810892421

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With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.